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Drei Ehen

Originaltitel: They Were Sisters
  • 1945
  • 16
  • 1 Std. 55 Min.
IMDb-BEWERTUNG
6,8/10
358
IHRE BEWERTUNG
James Mason, Phyllis Calvert, Anne Crawford, and Hugh Sinclair in Drei Ehen (1945)
Drama

Füge eine Handlung in deiner Sprache hinzuThe story of three sisters and the men they marry. One is happily married but childless; the second promiscuously escapes an unhappy, loveless marriage; the third is tortured by the mental c... Alles lesenThe story of three sisters and the men they marry. One is happily married but childless; the second promiscuously escapes an unhappy, loveless marriage; the third is tortured by the mental cruelties inflicted by a domineering husband.The story of three sisters and the men they marry. One is happily married but childless; the second promiscuously escapes an unhappy, loveless marriage; the third is tortured by the mental cruelties inflicted by a domineering husband.

  • Regie
    • Arthur Crabtree
  • Drehbuch
    • Dorothy Whipple
    • Katherine Strueby
    • Roland Pertwee
  • Hauptbesetzung
    • Phyllis Calvert
    • James Mason
    • Hugh Sinclair
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    6,8/10
    358
    IHRE BEWERTUNG
    • Regie
      • Arthur Crabtree
    • Drehbuch
      • Dorothy Whipple
      • Katherine Strueby
      • Roland Pertwee
    • Hauptbesetzung
      • Phyllis Calvert
      • James Mason
      • Hugh Sinclair
    • 16Benutzerrezensionen
    • 3Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 1 wins total

    Fotos43

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    Topbesetzung25

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    Phyllis Calvert
    Phyllis Calvert
    • Lucy
    James Mason
    James Mason
    • Geoffrey
    Hugh Sinclair
    Hugh Sinclair
    • Terry
    Anne Crawford
    Anne Crawford
    • Vera
    Peter Murray-Hill
    Peter Murray-Hill
    • William
    Dulcie Gray
    Dulcie Gray
    • Charlotte
    Barry Livesey
    • Brian
    Pamela Mason
    Pamela Mason
    • Margaret
    • (as Pamela Kellino)
    Ann Stephens
    Ann Stephens
    • Judith
    Helen Stephens
    • Sarah
    John Gilpin
    • Stephen
    Brian Nissen
    • John
    David Horne
    David Horne
    • Mr. Field
    Brefni O'Rorke
    Brefni O'Rorke
    • Coroner
    • (as Brefni O'Rourke)
    Roland Pertwee
    Roland Pertwee
    • Sir Hamish Nair
    Amy Veness
    Amy Veness
    • Mrs. Purley
    Thorley Walters
    Thorley Walters
    • Channing
    Joss Ambler
    Joss Ambler
    • Blakemore
    • Regie
      • Arthur Crabtree
    • Drehbuch
      • Dorothy Whipple
      • Katherine Strueby
      • Roland Pertwee
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen16

    6,8358
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    Empfohlene Bewertungen

    10clover-6

    Domestic abuse without physical violence

    Possibly the most compelling, if not nauseating depiction of non-physical domestic abuse that I've seen. Also, it seems about as clear as it could be at the time the film was made that the James Mason character is having a sexual relationship with his daughter, and the dynamic in their relationship is sometimes a bit too real to watch. James Mason seemed to get typecast in this sort of role for a while, probably because he's so good at it.
    7howardmorley

    James Mason at his sadistic best

    If you have seen "The Man in Grey (1943)" and enjoyed it, you should take the time and trouble to seek out this forgotten gem from 1945 for it again stars James Mason playing a sadistic, manipulative husband, albeit in modern dress.Alongside, it tells the story of three very different sisters at a time between the two world wars.The story also follows their respective marriages and the type of husbands they wed.

    Phylis Calvert (Lucy) plays a "goody two shoes" sister who has tragically lost a daughter but has a very supportive, understanding husband.A very sexy Anne Crawford plays a promiscuous wife (Vera) who finds her husband boring and looks for affairs on the side.To be fair to her character, she did say to her fiancé that she did not love him before they wed.Nevertheless they have a daughter together.There is a brief sexy scene where Vera is putting on her stockings which is far more daring than you will see in American films of the time with the Hays Censorship Code in place.I have quite a collection of films of this vintage and the only equivalent film I can think of is the Madeleine Carroll/Robert Donat scene in the Scottish hotel bedroom from "The 39 Steps" (1935).As an aside, if you would like to see another performance by Anne Crawford, seek out "Millions Like Us" (1943).

    Finally Dulcie Gray plays (Charlotte) the passive victim-type sister who marries "Geoffrey" (James Mason) at his sadistic best.They have an elder daughter and a younger son and daughter who come to despise their cruel, manipulative father.You may smile at their frightfully refined, polished accents (presumably taught at stage school) but this is one of the charms I find from films of this time.Another reviewer commented on the near incestuous relationship hinted at in the film with his elder daughter played by his later real wife, Pamela Mason. Good must triumph in these morality films of the time.No, I won't provide a spoiler.I do know that I have my wife's attention with a film such as "They Were Sisters" if I dare to speak during it and she cuts me off.This was no exception!!
    8bkoganbing

    Sisterhood, The Strongest Bond

    They Were Sisters casts Phyllis Calvert, Anne Crawford, and Dulcie Gray as three sisters who meet and marry their husbands right after World War I and the film is the story of the three marriages in those years between the World Wars. It's not unlike the Bette Davis-Errol Flynn film from Warner Brothers The Sisters. But believe me there are no characters in that one as dark and sinister as James Mason here.

    Phyllis Calvert is the nice one, the real glue that holds the extended family together. She meets and marries Peter Murray-Hill who was her husband in real life. They have no children, but become everyone's favorite uncle and aunt.

    Anne Crawford is a spoiled child of the Roaring Twenties who wants to have every man in a room drooling when she makes an entrance. She's an incurable flirt, but she marries Barrie Livesey who's a comfortable old soul even in his youth and who knows himself, he's as dull as drying paint. One flirtation with Hugh Sinclair does put the marriage at risk however. She also ignores her only daughter who finds her best times spent with Calvert.

    Dulcie Gray when she's on steals the film. Before the term was invented Gray is the perfect picture of a battered wife. She marries James Mason who systematically lowers the self esteem of a kind and generous person, even in the eyes of the three children they have. Of course Mason also starts on them as well and the other sisters soon notice it.

    Mason is also at his nastiest in They Were Sisters. Without ever doing anything really physical to Gray, his voice inflections and body language suggest a truly evil man. His oldest daughter is played by Pamela Kellino who soon afterwards became Mrs. Mason in real life.

    They Were Sisters explores some themes that Hollywood was not touching on at this time. Very similar to that other Gainsborough film, Fanny By Gaslight which also starred Mason and Calvert. It's a strong and disturbing film even with child characters, not necessarily for kid's viewing.
    9clanciai

    Interesting anatomy of a family tragedy with a number of outstanding performances

    This is a women's film but extremely interesting for anyone to study in detail, as there are four different female characters developing in different directions, and each one is of paramount interest. The question is whose is the most interesting. Is it Phyllis Calvert as the strongest character who is doomed to a childless life with the best of husbands but makes the best of it by her honesty, or is it Anne Crawford as the more liberated Lucy, who is the one who from the beginning sees through the ugliness of James Mason's character, is it Dulcie Gray in her heartrending martyrdom gradually driven to the despair of alcoholism by the subtly increasing cruelty of her husband, or is it Pamela Kellino as James Mason's daughter torn between her loyalty to her after all loving father and her empathy with her mother? The drama is nonexistent at first, everything starts in a perfectly idyllic setting where nothing could even be suspected to go wrong, but gradually the tragedy sneaks in to grow surreptitiously into an overwhelming drama of human disintegration. It is marvellously composed, and Hubert Bath's idyllic music adds to it. James Mason of course dominates the whole stage from the first to the last in the extremely difficult performance of being convincingly inhumanly cruel after having started off as the perfect charmer, but every performance here is great, in a fascinating family chronicle of relationship complications that could happen in any family. Nine points at least.
    9fran-rhowbotham

    Predictable but gripping

    Loved this film. James Mason gorgeously dastardly and children roles not as superficial as many other films. Very confused about IMDB and Wickipedia entries though. Saw this today and Lucy character had lost a child. Hence discussing removing a picture of their dead daughter before notice Judith came to stay for fear of upsetting her that children sometimes die. Yet IMDB and Wickipedia both say she was childless, have they watched the film!

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    Handlung

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    Wusstest du schon

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    • Wissenswertes
      James Mason's real-life wife, Pamela, plays the role of his daughter "Margaret" in this film. They were married in 1941.
    • Zitate

      Coroner: How did you find your sister?

      Lucy: She was in her usual state of health.

      Coroner: And what was her usual state of health?

      Lucy: She was dying.

    • Crazy Credits
      Opening credits prologue: 1919
    • Soundtracks
      Hors d'Oeuvres
      (uncredited)

      Music by David Comer

    Top-Auswahl

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    Details

    Ändern
    • Erscheinungsdatum
      • 1948 (Deutschland)
    • Herkunftsland
      • Vereinigtes Königreich
    • Sprache
      • Englisch
    • Auch bekannt als
      • They Were Sisters
    • Drehorte
      • Gainsborough Studios, Islington, London, England, Vereinigtes Königreich(studio: made at The Gainsborough Studios, London)
    • Produktionsfirma
      • Gainsborough Pictures
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    Technische Daten

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    • Laufzeit
      1 Stunde 55 Minuten
    • Farbe
      • Black and White
    • Seitenverhältnis
      • 1.37 : 1

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    James Mason, Phyllis Calvert, Anne Crawford, and Hugh Sinclair in Drei Ehen (1945)
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    By what name was Drei Ehen (1945) officially released in Canada in English?
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