Stimme aus dem Jenseits

I enjoyed this movie despite it's weaknesses, which at times it feels like a "B" movie technically. For example, at one point the main character is watching from the sanitarium window a car exiting the driveway but his head is not following the movement of the car properly which means it was a matte shot and it looks odd. Also the mother sometimes looks the same or younger than her daughter.

However, my interest was held from beginning to the end. I cared enough about the characters to want to see how they came out of it all.

The movie is in the category of a traditional mystery/drama, but the son's obsession with destroying his mother's fiancee gives the film an interesting suggestive undercurrent. Whether this was intentional, or just viewing it from a modern perspective, I can't say.

Strange Illusion is directed by Edgar G. Ulmer and written by Fritz Rotter and Adele Comandini. It stars Jimmy Lydon, Warren William, Sally Eilers, Regis Toomey, George Reed and Jayne Hazard. Music is by Leo Erdody and cinematography by Phillip Tannura.

Adolescent Paul Cartwright (Lydon) is startled by a dream he has about his father's death. In the dream he comes to believe the death was not an accident, but murder, and there seems to be a shadowy figure moving in on his mother and sister. When the mysterious Brett Curtis (William) arrives in his mother's life, Paul begins to suspect his dream may be coming true...

It's a tricky one to recommend, for it's one of Ulmer's most divisive noir movies amongst his fans. It's hard to argue with some of the complaints put forward because undoubtedly the acting is poor, the villains weak (and revealed way too early), the score obtrusive and it's a good 15 minutes too long. Yet Ulmer could quite often make a silk purse out of a sow's ear, and here he manages to rise above the flaws to craft a most intriguing picture. A film in fact of many psychological pangs.

The framing device for the story is essentially that of a evil step- father, and since we know early on that Brett Curtis is indeed evil, it becomes a simple case of if young Paul can find the proof before harm comes to his mother and sister. He willingly checks into a mental health sanatorium as part of his investigation, while the clock ticks down elsewhere as the sinister Curtis homes in on his prey. There's a dastardly accomplice with Curtis and a good old family doctor aiding Paul from the sidelines. That's pretty much it for plotting.

However, analysis shows plenty to keep the film from sinking without trace. There's obviously the Freudian factor concerning dreams, the interpretation of such, but there's also oedipal overtones pulsing throughout. The relationship between Paul and his mother never feels natural, evident in the way he holds her or talks to her. Ulmer cannily keeps it bubbling under the surface, but it is there. Then there is Brett Curtis, a monstrous creation, a serial killer and sexual predator of young ladies, the latter of which is deftly handled by Ulmer as we pick up on his sordid ways only via aftermath clues and conversations.

It's also a moody picture visually, as you would expect from Ulmer. The budget of course is small, thus the production design is accordingly tight, but the director gets much atmosphere from such sparsity. It's filmed in shadowy black and white and this perfectly marries up with the psychological discord of Paul Cartwright, while dastardly conversations unfold in darkened rooms. One particular shot of Paul in the sanatorium standing in front of a huge barred window, the shadows stretched around him, is very striking and it makes you wish there was more shots like that, but Ulmer doesn't short change us for moody atmospherics.

From the hazy dream beginning to the denouement that plays out in a rickety old cabin, there is much to enjoy and pay attention to. Oh it's a mixed bag for sure, but the good far outweighs the bad in my humble opinion. 7/10

It is told that STRANGE ILLUSION was made in little over two weeks with very, very limited funds and fading star power. But director Edgar G. Ulmer had full reins to do what he could with what he had. Still a decent B-movie with plenty of intrigue. The opening "allusive dream" of college lad Paul Cartwright(Jimmy Lydon)is to set up the story line. His well respected father dies mysteriously in a train/car accident which leads to haunting nightmares in which his father warns him of oncoming danger to his mother(Sally Eilers)caused by a mysterious stranger that wants to cause harm to the family. Inter the mystery man Brett Curtis(Warren William)introduced as the widow Cartwright's suitor. Lydon's character becomes a little obsessed with Curtis wooing his mother and making disturbing advances toward his younger sister. Seeking help sorting out circumstances and illusions, Paul turns to a friend of the family Dr. Vincent(Regis Toomey). Next comes maneuvering in and out of a sanitarium and the revelation of false identity and the reason for the unfinished plot to cause destruction of the Cartwright family. This is an enjoyable little psychological melodrama. Also in the cast are: Charles Ant and George Reed.

Much has been made of Mr. Ulmer's talent, and here, he makes good use of it. While someone on the order of a brooding Farley Granger, for example, would have been preferable as the lead, James Lydon, nonetheless, turns in a commendable job as Paul Cartwright, a college student haunted by prophetic dreams. It's genuinely refreshing for a change, to look back upon a time, when teen-agers were still presented in a wholesome and appealing light. And, Mr. Lydon, movieland's "Henry Aldrich" certainly had the credentials for those traits. But, here, Lydon is caught in a story of deathly threats, with implications far more threatening, than the "Golly--Gee!" consequences of smashing his date's corsage for the Senior Prom.

As for the plot, Paul, manages to prevent his wealthy widowed mother from marrying a male gold-digger, with a string of unsolved murders in his past. Naturally, Paul has to undergo any number of travails before the violent denouement, including amateur "detective" work that triggers both a feigned and a near real nervous collapse. He is even "voluntarily" committed to an asylum where further sinister developments befall him. The ending, cleverly finds him lost in an unconscious dream state again, but now enjoying a vision of a liberated and happy future.

Mr. Lydon was "slumming" at PRC, on loan from Paramount, and preparatory to his turns with glamorous Elizabeth Taylor in "Life With Father" and "Cynthia" both glossy, expensive, mainline productions.

Nonetheless, this PRC production possesses relatively handsome art direction and production values, given that, based on production files with the American Film Institute, it was actually shot in just 15 days, (as opposed to the erroneous oft-cited 6 day schedule.) By the way, take a good, hard, look at the exteriors of the Lydon family chateau in this. Look familiar? Yes, it's the same house used as Robert Walker's home in "Strangers on a Train" and June Lockhart's in "Bury Me Dead."

All told, if you enjoy crime stories focused on young people trapped in traumatic circumstances, it's definately worth a look.

Its films like this that gave Edgar G. Ulmer his reputation as a director who could overcome the limitations of rapid lowbudget film making, even though STRANGE ILLUSION is actually an "A" picture by PRC standards. When Ulmer had interesting material to work with, the results were often good, as they are here. The story is fairly involving. Jimmy Lydon plays a college student who dreams of his late father being killed in a train/car wreck. In the dream he sees his widowed mother being seduced by a sinister but charming figure. Then the dream begins to come true, and Lydon has to convince others is was not all just a dream. The photography is low key and moody. The film is well paced and held my interest throughout. The dream sequences are well directed. My only complaint is that Jimmy Lydon's mother looks a bit to young to have a college age son.