Füge eine Handlung in deiner Sprache hinzuAn opportunistic Texas gambler and the exiled Creole daughter of an aristocratic family join forces to achieve justice from the society that has ostracized them.An opportunistic Texas gambler and the exiled Creole daughter of an aristocratic family join forces to achieve justice from the society that has ostracized them.An opportunistic Texas gambler and the exiled Creole daughter of an aristocratic family join forces to achieve justice from the society that has ostracized them.
- Für 1 Oscar nominiert
- 3 Gewinne & 1 Nominierung insgesamt
- Costume Ball Attendee
- (Nicht genannt)
- Costume Ball Attendee
- (Nicht genannt)
- Urchin
- (Nicht genannt)
- Officer
- (Nicht genannt)
- Guest
- (Nicht genannt)
- Leon
- (Nicht genannt)
- Guest
- (Nicht genannt)
- Gambler
- (Nicht genannt)
Empfohlene Bewertungen
For me, this is Ingrid Bergman at her absolute best. Shot just after Casablanca, the screenplay and Sam Wood's common sense choose to focus on Ingrid in every scene but the brief, although well done, train wreck and brawl.
She is radiant, sly, coquettish, warm, reactive, piercing, soft, hard. Most of all, she is desirable. A woman for all time, for all women.
And she is strong. Melting for a brief second, gathering her resolve and forging ahead with her plans and schemes.
The Edna Ferber novel has enough truth to provide a reasonable story line for Ingrid to carry along single handedly. Cooper and Jerry Austin as Cupidon are excellent. Florence Bates gets too little time, too late as a matron with claws.
And French, yes, bless them, they allowed Ingrid to speak French, which she did so beautifully.
The current 6.2 Yahoo rating is laughable. "Saratoga Trunk" may not be a "Casablanca" or "Notorious" but it is far better than this lowly rating. See for yourself.
Set in the 1890s, Clio Dulaine is an illegitimate child who returns from New Orleans from France with a mulatto servant (Flora Robson) and a dwarf servant, Cupidon (Jerry Austin). She has given herself a Countess title and claims to be a widow. Her mother killed her father by accident, and his family shunned her. Clio takes over the old homestead with the idea of embarrassing her half-sister and the wife of her father, which she does by calling great attention to herself. Her plan is to marry someone very wealthy who can give her the security and respectability she craves. Then she spots Clint Maroon (Cooper), a Texas gambler, and falls for him. The two have a volatile relationship - and he doesn't have any money, so she can't marry him - so he leaves for Saratoga Springs. Eventually the Dulaine family has enough, and their attorney gives her $10,000 to get out of town. She does. She goes to Saratoga Springs and goes after the owner of the railroad, Bart von Steed. But Clint is always around.
Bergman is beautiful in dark hair and wearing the period costumes, and Cooper is drop-dead gorgeous with that incredible 300-watt smile of his. How she could resist him is beyond me. And the love scenes - whoa, what chemistry! The supporting cast is excellent, Robson and Cupidon creating interesting characters, and Florence Bates giving an excellent performance as a socially prominent woman who takes Clio under her wing, knowing she's a big fake.
The film runs a little long, and some of the acting may seem old-fashioned today, but it's an absorbing story filled with atmosphere and vivid performances. The ending won't come as any surprise. It's a fun journey, though.
A terrific supporting cast adds lots of flavor, and Florence Bates almost walks off with the film as a street-wise society matron who helps Bergman navigate through the seas of snobbery and aristocratic treachery.
It has been said by some that both Cooper and Bergman are miscast in their roles, a matter of opinion, ultimately. They both make their respective roles their own, and it's my opinion that it's difficult to imagine anyone else playing them, especially with their level of chemistry. Every film has flaws; the good acting here more than makes up for this film's few shortcomings. Well worth a look.
Wusstest du schon
- WissenswertesExecutive Producer Jack L. Warner purchased the rights to the novel hoping to star Olivia de Havilland and Errol Flynn, but scheduling conflicts with both performers caused them to turn down the project.
- PatzerScenes set in French Quarter of New Orleans feature winding streets (a standard studio back lot trick that saves building an entire block of buildings). In reality, all streets in the actual French Quarter are at right angles to each other.
- Zitate
Clio Dulaine: Won't you come in?
Colonel Clint Maroon: [Thinking he's been propositioned] Hey, uh, what kind of game is this anyway?
[She seems bewildered]
Colonel Clint Maroon: Now, look, Honey. I was born in Texas, but it wasn't yesterday.
- VerbindungenReferenced in Buchbesprechung (1946)
- SoundtracksDansez Codaine
(uncredited)
Traditional Creole folk tune
Top-Auswahl
- How long is Saratoga Trunk?Powered by Alexa
Details
- Erscheinungsdatum
- Herkunftsland
- Sprachen
- Auch bekannt als
- La exótica
- Drehorte
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 1.750.000 $ (geschätzt)
- Laufzeit
- 1 Std. 55 Min.(115 min)
- Farbe
- Seitenverhältnis
- 1.37 : 1