Diamond Horseshoe

"Billy Rose's Diamond Horseshoe" is another effervescent Fox musical in Technicolor starring Betty Grable, this time supported by Dick Haymes, Phil Silvers, William Gaxton and Beatrice Kay.

Grable plays Bonnie Collins, a performer at the Horseshoe who doesn't get along with the head guy, Joe Davis Sr. (Gaxton). When Joe Davis Jr. Arrives (Haymes), Senior turns his attention to Junior, ignoring his girlfriend Claire (Kay).

Junior has decided to try his hand at show business and forget his studies to be a doctor, to the chagrin of his dad. Desperate to get the kid out of the way, Claire asks Bonnie to pretend she likes Junior and then dump him, figuring that Junior's ego won't allow him to stick around.

The prize for doing this is a fur coat of Claire's that Bonnie has always envied. Of course, the inevitable occurs.

Grable looks fabulous in a variety of costumes and is very funny as Bonnie, who is annoyed at first by Junior's attention. She has some good numbers - "Shoo Shoo Baby" and "A Nickel's Worth of Dime," plus a reprise of "More than You Know."

Dick Haymes' lyrical sound is delightful singing "I Want to Know" and "The More I See You." Silvers has a great comic bit at a dinner table.

The one off note is William Gaxton's character of Joe, who for most of the movie is absolutely hateful and so nasty to poor Claire, you want to slap him.

Great entertainment, the kind of stuff that made Betty so popular.

"Diamond Horseshoe" begins with a stage number wherein all the showgirls are ingredients in a French chef's recipe--with Betty Grable as the main course, of course. She fights with her co-star offstage (he tells the leggy chanteuse, "You are in show business for only two reasons...and you're standing on both of them!"). In order to bring romantic happiness for a gal-pal, wisecracking Betty agrees to come between a singer and his son, the latter of whom was to become a doctor but now wants a taste of the footlights. Taken from John Kenyon Nicholson's play "The Barker", the plot (though relentlessly padded with novelty numbers, revues and sketches) is far stronger than those of other showcases for Grable, and screenwriter George Seaton isn't afraid to be catty and snappy. Some of the put-downs are priceless, with Betty infusing the interplay with a jazzy '40s-era spirit (she's both jaded and sassy). Unfortunately, most of the songs are not singable, and Dick Haymes is such a shallow love-interest that it doesn't make any sense for a tootsie like Grable to fall for him. The production probably looked elaborate in 1945, but today it seems tacky, and at 104 minutes the movie eventually wears out its welcome. ** from ****

Cut to the chase: Betty Grable looks and sounds great as usual. The filming at the Diamond Horseshoe gives it authenticity. Color is excellent. Acting is very good. So why is this film given a weighted IMDb average of 3.9? Who knows? There could be something wrong with the formula as it's applied to this film. The mean vote (when I voted) was 6. That's better, but not up to the 9 I gave it. See this film! Vote for it! It does not deserve a 3.9!

There needs to be some explanation for the context for this film...something which would have been known back when it was made but which would confuse viewers today. Billy Rose was a Broadway showman much like Flo Ziegfeld. He became famous for putting on lavish stage musicals and they were apparently VERY spectacular. He also eventually opened a combination restaurant and stage show called 'The Diamond Horseshoe' on Broadway...where folks would see one of Rose's megaproductions while eating fancy food...kind of like a much fancier form of dinner theater. This restaurant is the setting for the film.

Joey (Dick Haymes) is the son of a lifelong Broadway performer. But his father wants a better life for Joey and sends him to medical school. However, Joey is a knucklehead and wants to quit just before graduation in order to perform on Broadway. He's a very talented doctor-to-be AND has a voice like an angel...and he insists on using that voice.

Joey has fallen in love for a rather unlikable showgirl, Bonnie (Betty Grable). He's interested but she has zero interest and only begins showing him interest when she's offered a mink coat IF she can seduce him and keep him busy. Nice, huh?! Well, as time passes, she actually does fall for Joey...so perhaps it MIGHT work out after all.

How much you like this film will depend a lot on what you think about this sort of musical. I like ones where the songs are integrated into the story. However, most of Twentieth Century-Fox's featured big production numbers on stage...and this one is even bigger and more over-the-top than other films by the studio. Lavish costumes, lots of lovely ladies and formality is what you'll see...and that frankly bored me at times. I even wanted to skip over many of these numbers...mostly because it is NOT what I like. By contrast, an RKO Astaire-Rogers film has some of the formality but is more intimate and not stage-bound...which I love. Same with a film like MGM's "Meet Me in St. Louis" where the songs are integrated into the story. Because of this, I felt a bit cold about this one but must also admit that Dick Haymes' singing was VERY impressive...what a lovely voice.

Overall, an okay film which would have benefitted from more story and less staginess for me. You, on the other hand, might like this...and there's nothing wrong with liking this style of musical.

This movie has always been one of my very favorites. The songs (by Harry Warren) are lovely, especially the classic "the More I See You". Anyone watching the picture can see why Grable was a huge star. Dick Haymes sings like a dream and makes a terrific leading man. Although it centers on Grable and Haymes getting together, the story is not one of the silly boy meets girl plots so typical of the 40s. Many of lines still have a bite more than fifty years later. Anytime this picture is on TV, I'll treat myself to it.