Jagd auf Dillinger

When Dillinger is sent to prison as a young man for a small scale robbery he winds up sharing a cell with Specs. Specs introduces Dillinger to his gang and he joins them. On his release Dillinger breaks the gang out of jail and they set out on a spree of well planned robberies. With tensions rising between the clinical Specs and the violent risk-taking Dillinger the mood in the gang become tense. Dillinger eventually takes over the gang leading them into increasingly dangerous jobs risking capture and death.

One of the many filmed versions of this gangster's life and death. It may also be one of the shortest, but by having a tight basic plot and good script it doesn't feel too short. The story is stripped down to key moments and events in Dillinger's life as told by his father, however this makes the film more urgent and tense compared to more rambling versions. However I suppose as a life story that's not really what you want, but here it works because it's a crime thriller rather than a biopic.

Lawrence Tierney was a bit of a hellraiser in his day and he brings a menacing streak to the role. Of those who don't watch films made before 1990 it may be a surprise to realise that this young man is the same as played Joe in Reservoir Dogs. The whole gang gives strong support especially Edmund Lowe as the harassed Specs, it's also always good to see Elisha Cook Jr, here playing Kirk.

Overall a taught little crime thriller that benefits from a tough cast and a short tense running time.

Low budget, high quality B-film depicting the life of gangster John Dillinger. Seventy minutes of beautiful black & white action. For entertainment's sake I'm certain there is latitude given in the telling. Lawrence Tierney early in his career gives the performance for which he is most remembered...Public Enemy Number One. Rounding out the cast of this little gem are:Anne Jeffreys, Edmund Lowe and Elisha Cook Jr. Kudos to Dimitri Tiomkin for original music.

Note:In real life Tierney would be arrested more times than Dillinger.

Although it would have been much more appropriate as part of a subsequent Gangster DVD Collection from Warners (rather than the Film Noir in which it was included), DILLINGER is a solid B flick buoyed by a fast pace, a bevy of familiar character actors (Edmund Lowe, Eduardo Cianelli, Marc Lawrence, Elisha Cook Jr.) and a terrific turn by Lawrence Tierney in the title role. Although John Milius' 1973 remake is much more factual and despite an over-reliance on stock footage from bigger-budgeted films - like Fritz Lang's YOU ONLY LIVE ONCE (1937) - the film is also notable for an unusual narrative structure for this type of film in that the events are "told" to a theater audience by John Dillinger's father as a warning against the perils of living life on the wrong side of the tracks! This film also proved to be Monogram's most prestigious production as Philip Yordan received an Academy Award nomination for Best Original Screenplay!

There are tough guys and there are tough guys, but Brooklyn-born Lawrence Tierney was the real deal off and on screen. His casting in the 1945 Dillinger was fortuitous, as the film was the sleeper of the year, and made Tierney briefly an overnight star. He soon became Hollywood's bad boy, getting into scrapes with the law and in general raising hell, which doubtless explains his relatively brief starring career. In Dillinger he is excellent in the lead role, and while he does not much resemble the real Dillinger he is right for the movie. His face and especially eyes, tough and sad at the same time, make him perfect casting whatever his other deficiencies. There is some pretty outdoor photography in the film, which is at times rather arty, but successfully so. The acting is generally quite good, and the mood offbeat and foreboding, and quite different from the typical gangster picture from the thirties. It started a new trend in more realistic, psychological, less city-bound crime pictures with 'dangerous' leading characters, such as the Walsh-Cagney White Heat.

This lean, mean cheapo has all the virtues of economy. Lawrence Tierney is great in his impressive debut, ideally cast as the cold, humourless psychopath. In a little over an hour we get the complete biography, with the bad guy hero gunned down with seven dollars and twenty cents in his pocket, the exact amount with which he began his criminal spree.

The scene transitions are tight and efficient, and the story-telling terse and elliptical, giving us only the significant moments in this brief, violent life. No words are wasted when Pa Otto meets his end.

Dmitri Tiomkin provides his customarily excellent music. The lone wailing horn in the prison scenes captures superbly the despair of the inmates, as indeed does the unyielding regularity of the jail architecture.

Verdict - Less is more in this commendably spare gangster flick.