The Crime Doctor's Courage

As Doctor Robert Ordway, the Crime Doctor, Warner Baxter gets involved in all kinds of mysteries. But one usually doesn't get invitations to dinner like this even from beautiful women like Hillary Brooke.

Brooke married Stephen Crane whose two previous brides both had accidental deaths. For some odd reason, she's beginning to have second thoughts about the marriage. So the famous Crime Doctor is invited for dinner and a consultation to observe the behavior of her husband.

In true murder mystery style the husband is shot to death last night in a locked room with the house still full of guests. Baxter calls the police and Captaine Emory Parnell arrives on the scene. Of course Baxter is no small help in eventually arriving at the identity of the culprit though another murder takes place.

We've even got the supernatural involved because one of the suspects is half of a mysterious Spanish dancing team of Anthony Caruso and Lupita Tovar. They're suspected of being vampires.

The Crime Doctor's Courage I'm sure didn't people running for the exits when it played the bottom half of double bills in the Forties. One thing I will say though, the behavior of one of the suspects during a scene that didn't involve Baxter kind of gave away the identity of the murderer. Still it's a passable enough murder mystery.

Better than average World War II-era "who-dun-it" featuring Warner Baxter as a former gangster who suffered amnesia and has been reborn as a psychiatrist now known as Robert Ordway who helps both the police and criminals who want to go straight. Crime Doctor's Courage is the fourth in the series of ten and also involves a victim who might have some mental problems. The link to "courage" is not particularly clear.

This entry revolves around the death of fortune hunter Gordon Carson whose two previous wives have under mysterious circumstances and who in turn dies in a locked room under conditions that resemble suicide but Dr. Ordway labels murder. Hillary Brooke plays the part of widow Kathleen Carson who is involved with Anthony Caruso - a mysterious Spanish dancer whose act includes his sister that disappears on stage. As a mystery novelist, Jerome Cowan is a good supporting actor as is Lloyd Corrigan as an aficionado in crime.

Spooky houses with creaking doors, caskets in the cellar, and suspects that are never seen in daylight add to the air of suspense. The set for the dance sequence is quite elaborate and the ballet music very good. Direction, production design, and photography stand out. The exterior shots and costumes suggest more affluence rather than normally found in the average "B" detective thriller.

Strongly recommended.

I reckon that this is my favourite of these Warner Baxter outings as the sleuthing psychiatrist "Ordway". A man posing as a waiter at an swanky dinner accuses their host of being a wife-murderer. Not just one wife, mind - but two. Anyway he retires to his study where he seemingly commits suicide. "Ordway" is drafted in to investigate at the behest of the puzzled "Capt. Birch" (Emory Parnell) and is soon caught up with the antics of a cabaret act whom people are gradually beginning to believe are three hundred year old vampires! Of course there's no such thing - but the act are never seen in the dark and have papers signed in Madrid by none other than King Philip IV in the 1640s! The doc is bamboozled, but we just know he will use science and common sense to unravel the mystery and that there is a common sense - most likely venal - reason behind it all. There's quite a fun dynamic between Parnell and Baxter and a solid contribution from Hillary Brooke's "Kathleen" as well as a few rope-spinning performances from the seemingly immortal "Bragga" magicians. It's even got it's own butler - and does raise a smile now and again.

Another nice entry in the Crime Doctor series [#4/10], with atmospheric almost noirish black and white photography and some splendid Spanish American backdrops and sets. And a more off-the-wall storyline too!

A man who looks like the insane murderer of his first two wives is found dead in a locked room after a dramatic dinner party. The Crime Doctor is on the scene (ostensibly as a guest) to immediately and resignedly proclaim it murder, and so we are presented with a quite weird set of people to mull over, for one of them did the deed. Was it the frothing brother of the dead 1st wife, the 3rd wife and rich widow Hilary Brooke, the dancing brother and sister vampires, the intense young man, the eccentric cabinet maker Lloyd Corrigan on loan from Boston Blackie, the irreplaceable butler, or odds-on Jerome Cowan? Police Inspector Emory Parnell had his work cut out, but Warner Baxter as Ordway was as unflappable as ever in working it all out. One of the goofs listed on the IMDb is wrong: On breaking into the murder room Ordway says "Right through the centre of the forehead" and Cowan replies "He didn't miss this time". Favorite bits: Baxter and Cowan travelling through club sandwiches and beer at the nightclub to make amends for their interrupted dinner party; The scene where the Braga's place of repose is seemingly rumbled. The plot does seem to meander a bit at times and the way it was all explained off was perhaps more worthy of Monogram, but leaving it in the air as supernatural wouldn't do either!

Well worth a watch if you already like the genre, you won't be disappointed unless you really don't like the genre.

This one is not only baffling, it's weird.

It starts off with a good hook for drawing the viewer into the story--but then veers off in so many different directions that the plot is soon downright bizarre. The opening has HILLARY BROOKE urging Dr. Ordway (WARNER BAXTER) to attend a dinner at her home so that he can have a good look at her husband (STEPHEN CRANE), a man whose previous wives have died mysteriously and whom she suspects might be insane.

When Crane is murdered that evening, behind doors in a locked room, Dr. Ordway must solve the case. LLOYD CORRIGAN is on hand as a bumbling carpenter friend but the plot revolves around Spanish dancers (ANTHONY CARUSO and LUPITA TOVAR), suspected of being vampires because no one has ever seen them in daylight.

A series of baffling twists and turns shed little light on whatever the outcome of the case will be--and the explanations that come forth during the film's last five minutes are less than satisfying, nor are they the least bit credible.

It's a murky yarn that starts out acceptably in typical mystery fashion, but soon gets bogged down in a far-fetched story that deals with vampirism, a jealous suitor, trick effects to make a dancer disappear, and a rather abrupt ending with virtually no character development to prepare the viewer for the final explanation.

Summing up: Interesting, but a bizarre mixture of mystery elements.