IMDb-BEWERTUNG
6,5/10
1473
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuIn 1937, agents from the opposing sides of the Spanish Civil War travel to the neutral UK to secure coal contracts and to undermine each other's efforts.In 1937, agents from the opposing sides of the Spanish Civil War travel to the neutral UK to secure coal contracts and to undermine each other's efforts.In 1937, agents from the opposing sides of the Spanish Civil War travel to the neutral UK to secure coal contracts and to undermine each other's efforts.
- Regie
- Drehbuch
- Hauptbesetzung
Gilbert Allen
- London Bobby
- (Nicht genannt)
Harry Allen
- Miner
- (Nicht genannt)
Sylvia Andrew
- Miner's Wife
- (Nicht genannt)
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Charles Boyer is supposed to be Spanish, and he's come to London to buy coal in "Confidential Agent," a 1945 film also starring Lauren Bacall, Katina Paxinou, Peter Lorre, Dan Seymour, and Wanda Hendrix.
Boyer is Luis Denard, and everyone is out to stop him except Bacall. His papers are stolen, he's accused of murder but he's determined to get coal for his people so that they can fight the Fascists.
This film has its good and not so good points. It rates high for atmosphere and for suspense, and it is highly entertaining. Bacall is incredibly beautiful, Boyer is passionate, Paxinou is mean, Lorre is slimy, Hendrix appropriately pathetic, and Seymour outrageously wonderful.
The not so good points: Bacall is supposed to be English, and Boyer Spanish. Uh, no. Boyer is terrific in his role even with the wrong accent, but Bacall is 100% American, not of the British upper class. The two have no chemistry.
Conclusion: Bacall is somewhat miscast. Her acting isn't up to snuff either; she's better in other films. But she's an astonishing looking woman, and much can be forgiven.
Paxinou is nearly over the top and hateful. Dan Seymour almost steals the entire film as a hotel guest who studies human nature. It's a great part and his performance is perfect, while some of the direction of the other actors isn't as good.
This was definitely a case of no small parts, only small actors. Seymour wasn't a small actor.
Definitely worth seeing even with its flaws.
Boyer is Luis Denard, and everyone is out to stop him except Bacall. His papers are stolen, he's accused of murder but he's determined to get coal for his people so that they can fight the Fascists.
This film has its good and not so good points. It rates high for atmosphere and for suspense, and it is highly entertaining. Bacall is incredibly beautiful, Boyer is passionate, Paxinou is mean, Lorre is slimy, Hendrix appropriately pathetic, and Seymour outrageously wonderful.
The not so good points: Bacall is supposed to be English, and Boyer Spanish. Uh, no. Boyer is terrific in his role even with the wrong accent, but Bacall is 100% American, not of the British upper class. The two have no chemistry.
Conclusion: Bacall is somewhat miscast. Her acting isn't up to snuff either; she's better in other films. But she's an astonishing looking woman, and much can be forgiven.
Paxinou is nearly over the top and hateful. Dan Seymour almost steals the entire film as a hotel guest who studies human nature. It's a great part and his performance is perfect, while some of the direction of the other actors isn't as good.
This was definitely a case of no small parts, only small actors. Seymour wasn't a small actor.
Definitely worth seeing even with its flaws.
Good old black and white Graham Greene based people in dangerous times doing heroic and mysterious things. Hardly a shot fired or a punch thrown and a hundred time more interesting than the glop that's being minted by Hollywood today. Bacall lights up the screen of course and Boyer is entirely engaging. They don't make movies like this any more.
It could have been better had it been directed by someone with more experience. Shumlin didn't do a bad job but it is not a great work of cinematic art.
It is, however, a beautiful movie. I have loved it since local channels used to show it. Graham Greene is one of my favorite writers of the last century. Some pretty bad movies were made from his novels and stories. (Many love "The Fallen Idol" but I am not among them. I think I saw "Brighton Rock" once many years ago and liked it but maybe I'm simply thinking fondly of the novel.) This is superbly cast. Charles Boyer does not, it's true, come across as Spanish. But he seems to have the perfect temperament for this character -- tired, wary, caring. Lauren Bacall is appealing as the British girl who falls for him. But the supporting players are the best: Katina Paxinou is excellent. Her performance is a little Grand Guignol, but I attribute that to the director. Peter Lorre, whom we first meet as he gives Boyer a lesson in an Esperanto-like universal language, is excellent -- as always.
And Wanda Hendrix could break the hardest heart. She comes across as a precocious early teenager. The character wants to be helpful. She does her best.
I recommend this movie highly. Not without reservations. The reservation is, primarily, that it is a little stolid. But the story and acting can scarcely be bettered.
It is, however, a beautiful movie. I have loved it since local channels used to show it. Graham Greene is one of my favorite writers of the last century. Some pretty bad movies were made from his novels and stories. (Many love "The Fallen Idol" but I am not among them. I think I saw "Brighton Rock" once many years ago and liked it but maybe I'm simply thinking fondly of the novel.) This is superbly cast. Charles Boyer does not, it's true, come across as Spanish. But he seems to have the perfect temperament for this character -- tired, wary, caring. Lauren Bacall is appealing as the British girl who falls for him. But the supporting players are the best: Katina Paxinou is excellent. Her performance is a little Grand Guignol, but I attribute that to the director. Peter Lorre, whom we first meet as he gives Boyer a lesson in an Esperanto-like universal language, is excellent -- as always.
And Wanda Hendrix could break the hardest heart. She comes across as a precocious early teenager. The character wants to be helpful. She does her best.
I recommend this movie highly. Not without reservations. The reservation is, primarily, that it is a little stolid. But the story and acting can scarcely be bettered.
Hollywood always has trouble translating the works of writers like Graham Greene and Ernest Hemingway to the screen. Something always gets lost in the transition--and in this case, that's not good because the plot is murky enough without losing some of the novel's detailed explanation of what's really going on.
LAUREN BACALL, poised and mature beyond her years as she was in all of her early Hollywood roles, is a bit miscast here as a British girl and seems to know it. Her performance is less credible than most of her chores opposite Bogart. On the other hand, CHARLES BOYER is impressive as a man on a mission who is eventually betrayed. As in all such spy thrillers, this one has a plot line that is better left undisclosed, but suffice it to say that there is plenty to ponder as you watch the story unfold, and some interesting work by a large supporting cast. Set at the time of the Spanish Civil War, it has plenty of plot to follow.
Wanda Hendrix has a nice bit as a Cockney lass and Katina Paxinou delivers the goods in a malicious role. Too bad the chemistry between Boyer and Bacall is not quite on par with the kind she had with Bogart because their romance never seems quite credible. Neverthelss, she does not deserve the panning her performance received when the film was first released on the heels of two successful films with Bogart.
A bit dull in the stretches, but atmospheric and worth watching as an interesting example of Warner Bros. noir, the sort of cloak and dagger atmosphere needed to give the story some punch.
LAUREN BACALL, poised and mature beyond her years as she was in all of her early Hollywood roles, is a bit miscast here as a British girl and seems to know it. Her performance is less credible than most of her chores opposite Bogart. On the other hand, CHARLES BOYER is impressive as a man on a mission who is eventually betrayed. As in all such spy thrillers, this one has a plot line that is better left undisclosed, but suffice it to say that there is plenty to ponder as you watch the story unfold, and some interesting work by a large supporting cast. Set at the time of the Spanish Civil War, it has plenty of plot to follow.
Wanda Hendrix has a nice bit as a Cockney lass and Katina Paxinou delivers the goods in a malicious role. Too bad the chemistry between Boyer and Bacall is not quite on par with the kind she had with Bogart because their romance never seems quite credible. Neverthelss, she does not deserve the panning her performance received when the film was first released on the heels of two successful films with Bogart.
A bit dull in the stretches, but atmospheric and worth watching as an interesting example of Warner Bros. noir, the sort of cloak and dagger atmosphere needed to give the story some punch.
Even though I am a fan of its stars, I had never watched "Confidential Agent" prior to last night.
It certainly is a good film noir with an engrossing story, but it was hard to accept Charles Boyer and Peter Lorre playing Spaniards, and young Lauren Bacall from the Bronx playing a British Socialite.... Top marks for Katina Paxinou pity that she hasn't appeared in more than a handful of Hollywood films.
Wusstest du schon
- WissenswertesGraham Greene, on whose novel the movie is based, said that it was "the only good film ever made from one of my books by an American director."
- PatzerJust after Inspectors try to take Boyer in custody he leaves the house and Charles Boyer is evading Inspectors in the fog, the police car passes him and the stunt rope attached to the back of the car is clearly seen being pulled as it passes. can be viewed in movie starting at min. mark 1:21:00
- Zitate
Luis Denard: I've been beaten, robbed, suckered, betrayed - I've failed my mission - I've had enough. But that child was murdered, and for this someone is going to pay.
- VerbindungenFeatured in Hollywood contra Franco (2008)
- SoundtracksTip-Toe thru' the Tulips with Me
(uncredited)
Music by Joseph A. Burke
Lyrics by Al Dubin
Played and sung in the ship's bar
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprachen
- Auch bekannt als
- Agente confidencial
- Drehorte
- London, England, Vereinigtes Königreich(background and establishing shots - archive footage)
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
- Laufzeit1 Stunde 58 Minuten
- Farbe
- Seitenverhältnis
- 1.37 : 1
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