Begegnung

I didn't think I'd write this comment till I saw the 2 previous ones criticizing 'BE'. I don't know how much this movie would appeal to camp-followers of an in-your-face go-getting culture. Some of the frequent adjectives describing this movie is 'civilised', 'restrained', 'noble'. To those who call this movie dated, I'll say that these are indeed qualities which are hardly followed & upheld today, especially in movies. However movies do reflect contemporary social mores, & maybe the story of two illicit lovers sacrificing their love for something as obvious as home & family does not find to many buyers today.

For those who think a movie can convey some of the most intimate emotions, conflicts & visions known to us, those who believe 2 art forms (Rachmaninoff's 2nd, Lean's 4th) can coexist brilliantly, & finally for those who believed David Lean got body-snatched in mid-career to make over-blown nonsense like 'Dr. Zhivago' this is one of the best ways to spend 86 minutes!

Filmmakers always yearn to make A Simple Love Story, and this was extravagantly praised in its day for being such a film (and itself pats itself on the back for it's understated, thoroughly British 'realism' when the guilty pair have a good laugh at the local pictures at a nonsensical piece of Hollywood hokum called 'Flames of Passion').

The accents sadly make it almost impossible for today's audiences to take seriously British films of the forties, but 'Brief Encounter' remains largely immune to the knee jerk ridicule most of its contemporaries are subject to; and people remain too polite to admit really it's 'just' a beautifully crafted weepie (with superb, sometimes stylised photography by Robert Krasker) which despite its much-vaunted lack of Hollywood schmaltz shamelessly tugs at the heartstrings with its crashing Rachmaninov score (which stays with you long after the film is over) and thoroughly enjoyable as such. (No 'just' about it!)

It functions equally well on whatever other level the viewer wishes it to. Knowing that Noel Coward played the male lead in the original 1936 West End production of his own play adds an obvious gay subtext to its tale of forbidden love; while despite being set before the war (the copyright date on 'Flames of Passion' is 1938) looks thoroughly wartime (especially Celia Johnson's chic, pre-New Look suit) and must have struck a chord with lonely wartime wives tempted to stray while their husbands were away on active service.

Now comes the moment where I must declare my own interest. I find Celia Johnson quite breathtakingly lovely and heartbreakingly moving at the core of the film, she looks terrific in that suit, and I could spend all day just looking into those big, sad, imploring eyes of hers...

I found this David Lean version of BRIEF ENCOUNTER to be a simply enchanting and entrancing film. Part of the enjoyment was the style of writing and acting that is purposely theatrical in order for the 1940s British subject matter to be handled in the fairly explicit way that it was. For those who 'don't get it' or find it boring well what can those who do 'get it' say? How sad perhaps that something so lovely and so humane and so complex in its dialogue and beautifully formal in its British tone cannot be enjoyed by a few who demand ..DEMAND.. it suit them in 2009. Hilarious! Maybe the multiplex mind thought BRIEF ENCOUNTER was about colliding underpants, which just might be right for them. CLASH OF THE TIGHT'UNS anyone? Maybe a remake with Adam Sandler and Drew Barrymore called HERE/NOW might be the right update. This gloriously stuffy and furtive Noel Coward play is transformed in this film to be the black and white smoky British damp equivalent of HUMORESQUE or NOW VOYAGER.. and if you love those films (so easy!) you will love this.

Brief Encounter was written by Noel Coward and directed by David Lean.

The snobbish Coward was gay and Lean had married multiple times during his life. Here was a film made by contrasting personalities.

The movie is all about middle class restraint. It might be to do with the film censorship of the time or not to offend its audience. After all this is a romantic drama about nice people and middle class mores.

Laura Jesson (Celia Johnson) meets Dr Alec Harvey (Trevor Howard) in a cafe at a railway station. She has some grit in her eye and he removes it with his handkerchief.

They then sit and chat to each other. Both are seemingly happily married and have children. When Laura gets up to catch her train, Alec impulsively asks to meet again.

They do meet, have lunch, go to a cinema, walks in the country.

Told in flashback by Laura, her desire and longing for Alec only gets more intense. Enough for them to take risks. A discreet visit to an apartment owned by Alec's friend.

Brief Encounter is a simple movie that is rooted to its time. Lean disguises the simplicity. Laura's and Alec's increasing serious relationship is in contrast with the more comic tone of the station master Albert and the cafe manageress Myrtle. The latter are more working class and flirt rather openly. Laura and Alec try to keep everything discreet.

This is a genteel romantic drama. People talked in clipped tones. It hides a lot of passion underneath and this is highlighted in Laura's narration. There is desperation when their final goodbye is interrupted.

Brief Encounter would not work today. There have been attempts to do something similar. Falling in Love starring Robert De Niro and Meryl Streep had similar themes.

For me,a film addicted"Brief Encounter" is a polished diamond.It's the most perfect romance:You don't see lovers climbing balconys or dying in each others hand.What you see in "Brief Encounter"is two ordinary people in love.Only two normal people who stumble on one another in a railroad station and discover that they have more things in common,then meets the eye.So they started to see each other once a week,but their love are doomed,because they are both married and have very good lives.Celia Johnson is a sparklling gem as a house wife repressed who finds a man so repressed as she.That leads us to Trevor Howard.I know the reason of Celia's anguish.A normal woman simply could not resist to those eyes and the perfect face of Trevor,who embodies every english man in a simple wave,or just laughing in the theater.David Lean's soberb direction and Noel Coward's perfect story give space to show that you don't need to be Romeo And Juliet to tell that love's a good cause to fight,even when the fight is lost