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Die Glocken von St. Marien

Originaltitel: The Bells of St. Mary's
  • 1945
  • 6
  • 1 Std. 28 Min.
IMDb-BEWERTUNG
7,2/10
10.048
IHRE BEWERTUNG
Ingrid Bergman and Bing Crosby in Die Glocken von St. Marien (1945)
Trailer for this classic drama about a church
trailer wiedergeben1:50
1 Video
99+ Fotos
Drama

Füge eine Handlung in deiner Sprache hinzuAt a big city Catholic school, Father O'Malley and Sister Benedict indulge in friendly rivalry, and succeed in extending the school through the gift of a building.At a big city Catholic school, Father O'Malley and Sister Benedict indulge in friendly rivalry, and succeed in extending the school through the gift of a building.At a big city Catholic school, Father O'Malley and Sister Benedict indulge in friendly rivalry, and succeed in extending the school through the gift of a building.

  • Regie
    • Leo McCarey
  • Drehbuch
    • Dudley Nichols
    • Leo McCarey
  • Hauptbesetzung
    • Bing Crosby
    • Ingrid Bergman
    • Henry Travers
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    7,2/10
    10.048
    IHRE BEWERTUNG
    • Regie
      • Leo McCarey
    • Drehbuch
      • Dudley Nichols
      • Leo McCarey
    • Hauptbesetzung
      • Bing Crosby
      • Ingrid Bergman
      • Henry Travers
    • 81Benutzerrezensionen
    • 54Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
    • 1 Oscar gewonnen
      • 8 Gewinne & 8 Nominierungen insgesamt

    Videos1

    The Bells of St. Mary's
    Trailer 1:50
    The Bells of St. Mary's

    Fotos100

    Poster ansehen
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    Topbesetzung30

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    Bing Crosby
    Bing Crosby
    • Father Chuck O'Malley
    Ingrid Bergman
    Ingrid Bergman
    • Sister Mary Benedict
    Henry Travers
    Henry Travers
    • Horace P. Bogardus
    William Gargan
    William Gargan
    • Joe Gallagher
    Ruth Donnelly
    Ruth Donnelly
    • Sister Michael
    Joan Carroll
    Joan Carroll
    • Patsy Gallagher
    Martha Sleeper
    Martha Sleeper
    • Mary Gallagher
    Rhys Williams
    Rhys Williams
    • Dr. McKay
    Richard Tyler
    Richard Tyler
    • Eddie Breen
    • (as Dickie Tyler)
    Una O'Connor
    Una O'Connor
    • Mrs. Breen
    Carl R. Botefuhr
    Carl R. Botefuhr
    • Student
    • (Nicht genannt)
    Edward Coch Jr.
    • Baby Jesus
    • (Nicht genannt)
    Aina Constant
    • Nun
    • (Nicht genannt)
    Jimmy Crane
    • Luther
    • (Nicht genannt)
    Gwen Crawford
    • Nun
    • (Nicht genannt)
    Bobby Dolan Jr.
    Bobby Dolan Jr.
    • Bobby
    • (Nicht genannt)
    Jimmie Dundee
    Jimmie Dundee
    • Cabbie
    • (Nicht genannt)
    Bobby Frasco
    • Tommy Smith
    • (Nicht genannt)
    • Regie
      • Leo McCarey
    • Drehbuch
      • Dudley Nichols
      • Leo McCarey
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen81

    7,210K
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    Empfohlene Bewertungen

    8gavin6942

    The Boxing Nun!

    At a big city Catholic school, Father O'Malley (Bing Crosby) and Sister Benedict (Ingrid Bergman) indulge in friendly rivalry, and succeed in extending the school through the gift of a building.

    Although generally associated with Christmas, there is really only about five or ten minutes directly related to the holiday season. Of course, being a feel-good movie, it is appropriate to watch at that time of the year, just the same. Especially with Bing Crosby in the lead... who captured Christmas in the 1940s and 1950s more than he did? This is also a great performance from Ingrid Bergman during her Hollywood years. The boxing scene is incredible and make the whole film worth watching.
    8moonspinner55

    "Just dial O..." this time for Outstanding

    1944's "Going My Way" was a wispy-thin Oscar winner with only Barry Fitzgerald's adorable curmudgeon-ness to lift it out of sugary banality; this sequel drops Barry, so it shouldn't be of much use. However, director Leo McCarey actually pulls off a winner. Bing Crosby is back as Father O'Malley, and he's more human here than before, and his warm, witty battles with sister Ingrid Bergman are a delight (it helps that Bergman is possibly the most glowing, knowing, embraceable nun in Hollywood history!). Their smooth trials with the students and each other at St. Mary's have a seamless professionalism that, while not especially fresh, works the audience over with sheer good will. A sub-plot involving a troubled young girl (the excellent Joan Carroll) and her mother is a dandy heart-tugger, and the light music involved isn't such an obvious device as it was in "Going My Way"; the songs are there, but they're unobtrusive. A very good film, one that triumphs over its predecessor. Bing proves to be a solid actor here, not just a personality; he makes Father O'Malley a reachable character rather than just a holy rascal. Watch for his hesitation at the very end, and the thoughtfulness he gives to the scene. Admirably, Crosby gives back this time around. ***1/2 from ****
    dbrayshaw

    Wonderful kindness and gentleness

    What has always attracted me to the oldest films starring Bing Crosby as a priest has been the ability he had to transfer to the viewer a tremendous warmth and tenderness. Certainly, his lines were written, but they were more than mere lines, for he embodied the attitude and intent of them so noticeably that it is hard not to end such a film without wanting to emulate such a man.

    From his son, Gary, from his book "Going My Own Way," one can read a different story of his father. He claimed that Bing was cruel, cold, remote, and both physically and psychologically abusive -- such hard words to take in when one can be so deeply moved by his performances, especially as a priest.

    His son, Philip, disputed his brother's claims, writing, " I loved him very much. He loved all of us too, including Gary. He was a great father." It is Philip's words I prefer to believe, for no man could give as much as his father did on the screen and it not come from his soul.

    Ingrid Bergman's face in TBOSM was very beautiful, as though she came from heaven herself. Truly, she was one of the most gorgeous women that ever graced yesterday's films, and she too portrayed remarkably well the gentleness and kindness we envision God to be.

    Watch this film and be blessed.
    8DennisJOBrien

    A slightly sugar-coated impression of Catholic education, but heartwarming

    I had often heard how this film was nominated for Best Picture and other important Academy Awards, so I was glad to see it on cable a few days ago. I was very pleased with it. The film builds up to quite an emotional, dramatic ending. There are some moments when Ingrid Bergman simply shines with a special radiance. Bing Crosby was excellent also, although I think he had many better songs to sing in his long career. The direction seems slow-paced at times, but in a way this measured pacing gives the audience a better chance to focus on the characters on the screen.

    The story certainly touched upon some important issues of Catholic education in the 1940's and 1950's. There were always fine attempts to help children from the other side of the tracks to prosper in a private school, with assistance of various kinds. The postwar population boom, however, led to huge numbers of children being educated as cheaply as possible in crowded, old, unsafe buildings. It was not uncommon to have 70 pupils in one classroom. In this film the nuns are relentlessly polite, but in real life they had to be very strict to control large classes. The picture refers to "fire traps" and the fact that St. Mary's School was about to be condemned. How ironic this was, for just 13 years later -- on December 1, 1958 -- a fire swept through the antiquated Our Lady of the Angels elementary school in Chicago, killing 92 children and three nuns. That tragic fire led to sweeping changes in building code laws and the modernization of thousands of schools across America, both public and private.
    7hitchcockthelegend

    Bing, Bergman, Bobbing and Bells!.

    Father O'Malley is assigned to the Catholic school of St Mary's, once there it becomes apparent from the off that his methods and ways will clash with those of Sister Mary Benedict. However, with the school under threat of closure due to financial hardships, both Father and Sister must come together in faith that all will turn out right in the end.

    The Bells Of St Mary's is the sequel to 1944s Oscar winner, Going My Way, tho not winning any awards other than for Best Sound Recording {it was nominated in the four main categories}, it is however a wonderful picture that firmly stands up straight in its own right. Obviously leaning heavy on the sentimental side in plot and meaning, Bells Of St Mary's is never stuffy, this is mainly down to the special performances of Ingrid Bergman {Sister Benedict} and Bing Crosby {Father O'Malley}, seamlessly working well off each other, even tho their respective characters are vastly different. Bing croons delightful tunes such as "Adeste Fidelis" and "Aren't You Glad You're You", whilst Bergman lifts the spirits in the art of pugilism!, I kid you not, it's a fabulous sequence.

    This is a smashing and delightful holiday movie, I dare you not to be enchanted during the Christmas nativity scenes, nothing more needs to be said really, give it a whirl and I'm sure you wont be disappointed. 7.5/10

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    Handlung

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    • Wissenswertes
      The production was overseen by a Catholic priest who served as an advisor during the shooting. While the final farewell sequence was being filmed, Bing Crosby and Ingrid Bergman decided to play a prank on him. They asked director Leo McCarey to allow one more take, and, as "Father O'Malley" and "Sister Benedict" said their last goodbyes, they embraced in a passionate kiss, while the off-screen priest/advisor jumped up roaring in protest.
    • Patzer
      As the characters walk from the school building to the nearby church, they cast two shadows on the ground on both their right and left-hand sides, revealing that it is, in fact, a studio set illuminated by multiple overhead electric lights. In an actual exterior scene there would be only one light source overhead - the sun - which would cast shadows in one direction only depending on its position in the sky at the time of day depicted.
    • Zitate

      Patsy Gallagher: [standing up in class to present a report] The Six Senses.

      Sister Mary Benedict: Oh, the subject I gave you was the five senses.

      Patsy Gallagher: Well, I chose for my subject six senses.

      Sister Mary Benedict: [baffled and confused] Well, go on, Patricia. Go on.

      Patsy Gallagher: The Six Senses: To see, to hear, to taste, to smell, to feel... to be.

    • Alternative Versionen
      Also available in a computer colorized version.
    • Verbindungen
      Featured in Hollywood: The Great Stars (1963)
    • Soundtracks
      Aren't You Glad You're You?
      Lyrics by Johnny Burke

      Music by Jimmy Van Heusen (as James Van Heusen)

    Top-Auswahl

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    FAQ21

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    • Can I enjoy this film without having seen Going My Way?

    Details

    Ändern
    • Erscheinungsdatum
      • 1. September 1947 (Deutschland)
    • Herkunftsland
      • Vereinigte Staaten
    • Sprachen
      • Englisch
      • Latein
      • Schwedisch
    • Auch bekannt als
      • Die Glocken von St. Mary
    • Drehorte
      • Tucson Mountains, Arizona, USA
    • Produktionsfirma
      • Rainbow Productions
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Box Office

    Ändern
    • Bruttoertrag in den USA und Kanada
      • 21.333.333 $
    • Weltweiter Bruttoertrag
      • 21.337.978 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

    Ändern
    • Laufzeit
      • 1 Std. 28 Min.(88 min)
    • Farbe
      • Black and White
    • Seitenverhältnis
      • 1.37 : 1

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