IMDb-BEWERTUNG
6,1/10
1304
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuDark, romantic, complicated drama about a rowdy merchant mariner and sophisticated librarian who clash over their lifestyles and values - and then fall in love.Dark, romantic, complicated drama about a rowdy merchant mariner and sophisticated librarian who clash over their lifestyles and values - and then fall in love.Dark, romantic, complicated drama about a rowdy merchant mariner and sophisticated librarian who clash over their lifestyles and values - and then fall in love.
- Auszeichnungen
- 2 wins total
Stanley Andrews
- Bit Part
- (Unbestätigt)
Florence Auer
- Landlady
- (Unbestätigt)
Pedro de Cordoba
- Felipe
- (Unbestätigt)
Rex Ingram
- Preacher
- (Unbestätigt)
Garry Owen
- Jabbo
- (Unbestätigt)
Harry Wilson
- Big Mug
- (Unbestätigt)
Richard Abbott
- Clerk
- (Nicht genannt)
Empfohlene Bewertungen
Gable and Garson make for a poor pairing in this overlong limp love story that goes in circles for over two hours. Gable fresh from war service looks like he's aged considerably and his tired abrasive performance shows it.
Harry Patterson (Gable) has a girl in every port and plans never to get tied down. Wandering into a library with a shipmate friend he meets staid and proper librarian Emily Sears (Garson) who is at first put off by the lug but opposites are known to attract and they ending up running off to Reno and getting hitched. But Harry's no land lubber and the two split up but not before Emily gets knocked-up. An oblivious Harry goes back to sea and his old ways but it just ain't the same.
There is little finesse to be found in Gables performance, just bluster. He does a lot of jabbering and doesn't really connect with anyone in the film. Garson's Emily on the other hand is too delicate and restrained to do a one-eighty. Victor Fleming's direction is loose and uninspired and the production values erratic with some terrible back projection.
"Gable's back and Garson's got'em" went the phrase back then but after seeing this you can keep them.
Harry Patterson (Gable) has a girl in every port and plans never to get tied down. Wandering into a library with a shipmate friend he meets staid and proper librarian Emily Sears (Garson) who is at first put off by the lug but opposites are known to attract and they ending up running off to Reno and getting hitched. But Harry's no land lubber and the two split up but not before Emily gets knocked-up. An oblivious Harry goes back to sea and his old ways but it just ain't the same.
There is little finesse to be found in Gables performance, just bluster. He does a lot of jabbering and doesn't really connect with anyone in the film. Garson's Emily on the other hand is too delicate and restrained to do a one-eighty. Victor Fleming's direction is loose and uninspired and the production values erratic with some terrible back projection.
"Gable's back and Garson's got'em" went the phrase back then but after seeing this you can keep them.
I'm giving this movie 6 stars for the sheer pleasure of looking at Greer Garson, one of my favorites.
But I'd put this movie alongside "Remember?" as the weakest Garson films. For me, the problem was Clark Gable.
Gable is given the kind of typical "rough guy the dames falls for" role that made him a star...a combination of bluster and charm that won over Jean Harlow or Myrna Loy or Claudette Colbert.
Here, I think it's too much bluster and too little charm to realistically connect with Garson in the role she's given.
One pleasure here is seeing Joan Blondell -- she did lots of good work after the '30s musicals that she's best remembered for.
Also good: Thomas Mitchell.
Overall: see it once for the novelty of it, or skip it altogether,
But I'd put this movie alongside "Remember?" as the weakest Garson films. For me, the problem was Clark Gable.
Gable is given the kind of typical "rough guy the dames falls for" role that made him a star...a combination of bluster and charm that won over Jean Harlow or Myrna Loy or Claudette Colbert.
Here, I think it's too much bluster and too little charm to realistically connect with Garson in the role she's given.
One pleasure here is seeing Joan Blondell -- she did lots of good work after the '30s musicals that she's best remembered for.
Also good: Thomas Mitchell.
Overall: see it once for the novelty of it, or skip it altogether,
I was 8 years old when I saw this movie and it impressed me so much. I will never forget 3 things in the movie "Adventure". How to hypnotize a chicken; how the water drains out of the tub in a different direction depending on which side of the equator you live; how Clark Gable was yelling at his newborn baby to breathe.It was such a good romance, even to a young girl and I remember how the friend, Mudgin, was afraid of losing his soul. I am 64 years old now and it is still as fresh in my mind as it was in 1946 in Hartshorne, Oklahoma.
Adventure (1945)
Surely the title is a huge pun, or a huge mistake. This is an adventure of a man who is no longer looking for the high seas and wartime survival, but the adventure of love with a woman who is not, at fist his type. It's not as bad as some of the reviews suggest, but there is something steady and normal and incipient about it all.
While featuring Clark Gable in the lead, and with the same director as Gone with the Wind a few years earlier, there is something stiff about it all, even the humor and fun. Greer Garson is the "serious" woman, someone who has to force herself to have fun, and Joan Blondell is the racy one, out for fun above all else. And if Gable seems suited to the crazy woman, he's clearly also set to be tamed by the other.
That's pretty much the adventure, after a few wild scenes from kicking down the door in Chile to getting torpedoed by the Japanese.
Garson can be impressive in her cultured way, but here she is hot and cold, on and off. It's partly her speeches are more words than meaning. There's nothing more boring than people talking about being exciting. If in one scene you'll be laughing as Gable and Garson trap some chickens, in the next you'll be forced to think deep thoughts about true adventure and true meaning—when in fact the meaning was in the chicken scene.
Blondell never quite gets her due in many of her movies because she plays against (or in contrast to) the leading female who is more grand, or more beautiful, or just more star powered than she is. Too bad. She's fun but she also has fabulous screen presence. That, to me, is what matters most (often) in this era.
The movie is too long in parts, and the theme wears thin after while. In the end it's about a sailor's life or the landlubber's, the first filled with freedom, the second with a home and a family. It's 1945, the soldiers are coming home—guess which side wins?
Surely the title is a huge pun, or a huge mistake. This is an adventure of a man who is no longer looking for the high seas and wartime survival, but the adventure of love with a woman who is not, at fist his type. It's not as bad as some of the reviews suggest, but there is something steady and normal and incipient about it all.
While featuring Clark Gable in the lead, and with the same director as Gone with the Wind a few years earlier, there is something stiff about it all, even the humor and fun. Greer Garson is the "serious" woman, someone who has to force herself to have fun, and Joan Blondell is the racy one, out for fun above all else. And if Gable seems suited to the crazy woman, he's clearly also set to be tamed by the other.
That's pretty much the adventure, after a few wild scenes from kicking down the door in Chile to getting torpedoed by the Japanese.
Garson can be impressive in her cultured way, but here she is hot and cold, on and off. It's partly her speeches are more words than meaning. There's nothing more boring than people talking about being exciting. If in one scene you'll be laughing as Gable and Garson trap some chickens, in the next you'll be forced to think deep thoughts about true adventure and true meaning—when in fact the meaning was in the chicken scene.
Blondell never quite gets her due in many of her movies because she plays against (or in contrast to) the leading female who is more grand, or more beautiful, or just more star powered than she is. Too bad. She's fun but she also has fabulous screen presence. That, to me, is what matters most (often) in this era.
The movie is too long in parts, and the theme wears thin after while. In the end it's about a sailor's life or the landlubber's, the first filled with freedom, the second with a home and a family. It's 1945, the soldiers are coming home—guess which side wins?
I'm 65 and I have appreciated Gable's contributions over his career. I did not see Adventure on the silver screen but only this afternoon on TV, and so I cannot think back to how it was received at the time. Our mindsets are different now, anyway, and so I'm now wondering whether anyone else today besides me becomes worn down by his dialog? I'm sorry, but his constant barking finally got to me and I had to turn this one off. What's he doing anyway, schtik? I can imagine his answering even "one lump or two?" in high dudgeon. That just gets tiresome after a while, until such affectation of anger, indignation, resentment or whatever degenerates almost into buffoonery. Not everything has to be expressed frankly, my dear.
Wusstest du schon
- WissenswertesAny reports of this film's financial failure are false. Variety (January 8, 1947) listed it as the #7 box office hit of 1946. (It was released December 28, 1945.) The film earned more than $6M worldwide and earned a profit for MGM.
- PatzerWhen the Buckleys drive away from Emily's house in the country, a clear reflection of the boom microphone can be seen on the right rear passenger window and other areas of the highly-polished car as it drives off.
- Zitate
Harry Patterson: There ain't a dame I can't forget in six months.
- VerbindungenFeatured in Clark Gable: Tall, Dark and Handsome (1996)
- SoundtracksDown in the Valley
(a.k.a. "Birmingham Jail")(uncredited)
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- Aventura
- Drehorte
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 3.500.000 $ (geschätzt)
- Laufzeit
- 2 Std. 5 Min.(125 min)
- Farbe
- Seitenverhältnis
- 1.37 : 1
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