Wilson

Woodrow Wilson was not considered a very successful President before he was "rehabilitated" by FDR during World War II as part of a campaign to show the mistakes the US had made a generation before. This film's glorification of Wilson was clearly part of that war propaganda effort.

Alexander Knox is perfectly cast in this effort, he physically looks just right, and has all the mannerisms. Of course the character is shifted from the reality (a stunningly racist, intellectually isolated scholar) to a "pre-FDR" who talks of "all races working together" and whose every motive is pure and well thought out. The Wilson of this film is pure hero, and always right, if shown as a touch stubborn.

But I was engaged despite it all. And the 1912 Convention scenes early in the film are brilliantly done. Check out Vincent Price as a campaign lieutenant. And Cedric Hardwicke is great as the villainous Republican Henry Cabot Lodge.

I don't know how many modern-day film viewers would sit through this long a biography (154 minutes) of a fairly boring man but it moves pretty well and is generally entertaining account of our 28th U.S. President, Woodrow Wilson.

When I watched this, I was unfamiliar with the lead actor, Alexander Knox, and I still am! However, he did a fine job as Wilson. The supporting cast did have some "names," such as Charles Coburn, Thomas Mitchell, Geraldine Fitzgerald, Cedric Hardwicke, Vincent Price, Ruth Nelson and much more.

When they made Technicolor films of the 1940s, which wasn't often, they were very pretty and this one is, too. They also did a nice job re-creating the early 20th century.

It's a nice film but nothing memorable, to be honest, and certainly biased in favor of Wilson....but still worth seeing. With it's length, one viewing would be enough.

This is a film I've wanted to see for a long time since it was nominated for best picture and won a bunch of Oscars in 1944 (in what may be considered one of the weakest years for the Oscar with "Going My Way" winning best film (over the great "Double Indemnity") and Bing Crosby winning best actor). Worldwide as well this was not a great year, as I could only find "A Canterbury Tale", "Ivan the Terrible" and "Henry the V" as memorable films made that year (you could add "Laura" and a couple of Preston Sturges comedies. Blame it on the war). I was also interested in watching a color film made in 1944 in order to compare it with the great British color films made at that time. All in all, the cinematography was very good but the film was dull as hell, I suppose because Wilson was boring as hell and was interpreted by Alexander Knox who gave a performance boring as hell. I heard Henry Fonda was considered for the part and that would have certainly helped the quality of the film and its box office, which was terrible. Regarding historical accuracy, I leave that to others who have studied the matter.

I agree with many of the comments posted here. I, too, was pleasantly surprised by this film. You always read what a box-office disaster the movie was, and you get the idea that it was a real turkey. On the contrary, I think it was a very well-made film. As many others have pointed out, it whitewashes some of Wilson's biography, and omits inconvenient truths about him, (such as some of his racial views and actions). It does point out his stubbornness in relation to the Treaty of Versailles and the League of Nations, though, and his reluctance to compromise on those things. So it isn't a total revisionist biography. It does outline the major events of his political career, and fairly accurately, I think. One thing that really strikes me on watching this film, is how well it captures the complexities of the American Presidency, and the hysteria that the public, and other politicians, often direct towards the president. I think many people, in any historical age, tend to think their generation is the first to experience certain kinds of events, such as war, depression, or political controversy. As we all know, these are timeless events, and though the particulars may change, the reactions to them don't change so much. As for politics, there are some wonderful scenes in the film of the Democratic Conventions of 1912 and 1916, that detail the serious issues, as well as the hoopla and occasional nonsense that has always marked those events. Marching bands, rural banjo players, pretty girls, etc., etc. And it also accurately details the hysterical attacks made against President Wilson- that he was weak, a waffler, a man out of his league, or a warmonger, even a traitor- comments that somehow bring to mind the outrageous things said about more recent presidents. As well as about everyone from Jefferson to Lincoln. It kind of puts it into perspective. People always say how uncivil our politics are now, which is true, but was it really different then?

I'm also very impressed by Alexander Knox's performance, in which he really captures Wilson's character. Much as I love Bing Crosby, I think Knox should have won the Best Actor Oscar for that year. He is so convincing, and almost channels the President. Again, this IS a prettied-up picture of him, but I think it gets many of the essentials right. And, when compared to the paranoia in films like the Oliver Stone presidential biographies of Kennedy, Nixon, and Bush, I think this movie comes pretty close to the way it actually was. It is Movie History, but it seems to follow events fairly accurately. And it gives you a good feel about what it must have been like to be in the center of the storm.

I think the film also recreates the period very well. The costumes seem accurate, the sets are realistic, the Technicolor photography is beautiful, and the contemporary music evokes the atmosphere of that time. The genuine newsreels add a lot of authenticity, too. I think the explanations for how the U.S. got into World War I are also pretty accurate, and detail what a moral struggle it was for Wilson to go to war. And, in the film, Wilson mentions the various conspiracy theories about the reasons for that war that have been in circulation since that time. Again, that reminds a person of the different conspiracy theories that swirl about our time, too.

Anyway, I think this is a better film than it's given credit for. I think it is similar to the various mini-series made about Lincoln, Kennedy, and other presidents, in the TV age. It may not be complete history, but it's a good starting point for anyone interested in Wilson.

Footnotes: character actor Dwight Frye, who is so beloved for his acting in "Dracula," "Frankenstein," and many other classic movies, was slated for the part of Newton D. Baker, Wilson's Secretary of War, in the film. As all Frye fans know, shortly before filming started, Frye tragically died of a heart attack, while riding on a bus. It's a shame, as the part might have turned his faltering career, and life, around.

Also, in the scenes on board the train, just before Wilson has his stroke, you can see cars outside the window. It is supposed to be 1919 or 1920, but some of the cars look very contemporary- 1930s or 1940s cars. A goof, and very easy to see. But I don't think it really detracts from the movie in any serious way.

When watching this film one first has to take into account the fact that it was made in 1944, the heyday of patriotic Hollywood propaganda. Hollywood had joined the war just like the rest of America, and its job was to keep up moral, foster hope for a better future, and keep people doing their jobs in the war machine with enthusiasm.

If you can take all that with a grain of salt, then you will probably like Wilson, because the goofy and embarrassingly obvious moments of propaganda (and Wilson idolatry) are the movie's only major flaw.

What this movie has going for it is Henry King's direction, many very impressive big crowd scenes and great sets (where you can actually see the ceilings), Woodrow Wilsons somewhat tragic life story, and Alexander Knox who plays Wilson. Knox gives very endearing, powerful, and emotionally resonant performance. He makes Wilson a real character that comes through even the thick layers of propaganda. The rest of the cast is good as well (especially the women in his life), but it is Knox and King that carry the movie.

See it for Wilson's excruciatingly intense final political speech. It's forceful.

7 out of 10 (for great spectacle and emotional effectiveness).