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The Very Thought of You

  • 1944
  • Approved
  • 1 Std. 39 Min.
IMDb-BEWERTUNG
7,0/10
803
IHRE BEWERTUNG
Dane Clark, Dennis Morgan, and Eleanor Parker in The Very Thought of You (1944)
Army sergeants Dave and "Fixit" spend a three-day pass in Pasadena, where they meet Janet and Cora, two young women who work in a parachute factory.
trailer wiedergeben2:38
1 Video
5 Fotos
DramaKriegRomanze

Füge eine Handlung in deiner Sprache hinzuArmy sergeants Dave and "Fixit" spend a three-day pass in Pasadena, where they meet Janet and Cora, two young women who work in a parachute factory.Army sergeants Dave and "Fixit" spend a three-day pass in Pasadena, where they meet Janet and Cora, two young women who work in a parachute factory.Army sergeants Dave and "Fixit" spend a three-day pass in Pasadena, where they meet Janet and Cora, two young women who work in a parachute factory.

  • Regie
    • Delmer Daves
  • Drehbuch
    • Alvah Bessie
    • Delmer Daves
    • Lionel Wiggam
  • Hauptbesetzung
    • Dennis Morgan
    • Eleanor Parker
    • Dane Clark
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    7,0/10
    803
    IHRE BEWERTUNG
    • Regie
      • Delmer Daves
    • Drehbuch
      • Alvah Bessie
      • Delmer Daves
      • Lionel Wiggam
    • Hauptbesetzung
      • Dennis Morgan
      • Eleanor Parker
      • Dane Clark
    • 27Benutzerrezensionen
    • 7Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
  • Videos1

    Official Trailer
    Trailer 2:38
    Official Trailer

    Fotos4

    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen

    Topbesetzung55

    Ändern
    Dennis Morgan
    Dennis Morgan
    • Sgt. Dave Stewart
    Eleanor Parker
    Eleanor Parker
    • Janet Wheeler
    Dane Clark
    Dane Clark
    • Sgt. 'Fixit' Gilman
    Faye Emerson
    Faye Emerson
    • Cora Colton
    Beulah Bondi
    Beulah Bondi
    • Harriet Wheeler
    Henry Travers
    Henry Travers
    • Pop Wheeler
    William Prince
    William Prince
    • Fred
    Andrea King
    Andrea King
    • Molly
    John Alvin
    John Alvin
    • Cal Wheeler
    Marianne O'Brien
    • Bernice Wheeler
    Georgia Lee
    Georgia Lee
    • Ellie Wheeler
    • (as Georgia Lee Settle)
    Richard Erdman
    Richard Erdman
    • Jimmy
    • (as Dick Erdman)
    Francis Pierlot
    Francis Pierlot
    • Minister Raymond Houck
    Richard Bartell
    • Trailer Camp Manager
    • (Nicht genannt)
    Joseph E. Bernard
    Joseph E. Bernard
    • Mailman
    • (Nicht genannt)
    Walden Boyle
    • Manager
    • (Nicht genannt)
    Loie Bridge
    Loie Bridge
    • Landlady
    • (Nicht genannt)
    John Burton
    • Wounded Soldier
    • (Nicht genannt)
    • Regie
      • Delmer Daves
    • Drehbuch
      • Alvah Bessie
      • Delmer Daves
      • Lionel Wiggam
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen27

    7,0803
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    Empfohlene Bewertungen

    8friscodick

    A delightful romance filled with nostalgia and a surprise happy ending.

    I was born in 1936 and must have seen this movie as a kid because during my entire lifetime as soon as I heard the song "The Very Thought of You" the image of Eleanor Parker comes to mind. This movie, probably more than any other from that era, takes me back to the "home front" mentality during the war. It tells a story so common during wartime of two people in love and the tension and worry so typical when the man went off to war, perhaps never to come back. It told of love making without the embarrassing display of sex that permeates so many of today's movies. Yes, it was naive, and it would probably bore today's generation because there are no car chase scenes, no violence and no vulgar language. But most of all it gives one a good feeling about being an American. Eleanor Parker and Dennis Morgan are ideally suited. A couple of things strain credibility; i.e.,living in a large two story house on a clerk's income, getting a telegram from the War Department that names both Dennis Morgan and Dane Clark of being wounded as if they were joined at the hip, but aside from that it is mainly honest in its portrayal of wartime life on the home front. I know, I had three older brothers that went off to war. Richard Lane
    Flicker-15

    Dear John, from the Home Front

    This is an impressive drama about the other side of the familiar "Dear John" plot in World War II movies -- that is, what the women back home went through in fear, loneliness, and temptation while their boyfriends and husbands were far away, perhaps never to return. If you think of 40's movies as prudish, you'll be surprised by lines like, "I can't remember anymore the way it felt when we made love."

    Sidebar: A supporting actress, the later-famous Faye Emerson, had just married FDR's son Elliott when this film was released. Also, if you live in L.A., you'll enjoy scenes on the Cal Tech campus and on Mt. Wilson.
    6bkoganbing

    The Boy From Cal-Tech, The Girl From Pasadena

    The Very Thought Of You concerns a wartime romance between Dennis Morgan and Eleanor Parker, the people I describe in my review title. Though the film is dated by its time, it's still a pleasant romantic film about life and love in World War II America on the home front.

    Dennis and his buddies have been spending a cold, but relatively safe war so far in the Aleutians where the Japanese began an offensive, but are now stranded there. Someone in Washington decided to send his platoon to an area of actual fighting. Where does Dennis go, but to Pasadena as opposed to home. Pasadena is where the California Institute of Technology is and where Dennis attended school and he apparently identifies more with that town than where he is from.

    Dane Clark accompanies Morgan and soon the two are involved with a pair of hometown girls, Eleanor Parker and Faye Emerson. Parker who comes from a large family has divided opinion about her wartime fling, opposition especially coming from Beulah Bondi. In fact what with wartime housing and travel restrictions it seems that the fates themselves are working against the romance.

    There's a nice subplot going involving an older sister of Parker's, Andrea King and her marriage to sailor William Prince. King's been doing a little stepping out and isn't sure she didn't marry in haste as so many in wartime do.

    Though The Very Thought Of You is dated as mores have certainly changed and arguably not for the better, the film is a nice voyage to a more innocent and hopeful time.
    jth90c

    Romance, the way it should be ...

    This movie, made during the war, shows the other side of the coin from soldiers shooting things up and being heros. Our heros are passing through Pasadena heading from one theater to another.

    I was hooked from the opening of this movie, and almost missed an appointment to see the ending. The plot is predictable, but that's the whole point. Our boys were still fighting the war when this film was made, and it had a message for both the soldiers, and the women they left behind. The dysfunctional family is well portrayed, and the actors are all belivable. Small slices of small town life are peppered into the action, and the theme is that love prevails.

    I was surprised that the younger sister Ellie never went on to any other acting, she was funny, smart, and cute as a button.

    Make sure you bring a hankie, and watch it with someone you love. You'll thank me later.
    8casinoversusjapan

    an ideal, stirring romance

    One might think this movie is doomed to obscurity due to its overall lack of stylistic individuality. It's trite story-line is an easy target, too. However, for some reason, this motion picture totally won me over. This can be attributed to what i feel are the films three striking qualities: fluid character chemistry, naive but beautiful innocence, and a gentle, almost ideal humanistic touch.

    There is nothing wrong with relating to some of the predictable ideals this movie outlines. I found myself getting lost in the era- the music, history, and politics of the mid 40's were all way before my time. Perhaps this is what drew me in... The romance between David and Janet is very sweet. As a result, the integrity of these main characters is very enchanting. What might seem on the surface as a predictable B-movie is actually a gentle and reassuring stroke of simplicity... a calm breath of fresh (and inspiring) air amidst today's loud and obnoxious box office hum drum.

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    Handlung

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    • Wissenswertes
      During filming, Eleanor Parker learned that co-star Andrea King had a husband away at war, just as she did, and that King lived far away from the studio. With wartime gasoline rationing factored in, Parker invited King to stay with her, as Parker's house was only a five-minute drive from Warner Bros.
    • Patzer
      During an outdoor scene involving the rental car, there is a brief instance of the reflection of an crew member being seen, perfectly centered, in the car's right passenger "vent" window.
    • Zitate

      Janet Stewart: Been out on a date?

      Molly: Yes. I want to talk to to you, Jan.

      Janet Stewart: I don't feel much like talking, Molly.

      Molly: Alright then listen. I think I know what the score is. You went ahead and got hooked, in spite of my advice. OK, so it's spilt milk. You made yourself a lonely bed and you're willing to lie on it.

      Janet Stewart: That's right.

      Molly: It isn't right. It's all wrong.

      Janet Stewart: Molly, please...

      Molly: Well what kind of a marriage have you got? A quick kiss, a swift kick and bingo - you're a war widow!

      Janet Stewart: Don't keep saying that.

      Molly: What kind of a man is it who'd talk a girl into an overnight marriage, knowing he's going off to war? Didn't it ever occur to him that you may never see each other again?

      Janet Stewart: It occurred to both of us. I know I'll see him again.

      Molly: You got some special kind of magic you sprinkled over him? Don't you think there are millions of girls who want to know their guys are coming back? Don't you think I wanted Freddy back once?

      Janet Stewart: Once? Don't you now?

      Molly: Sure I do. But don't you realise you can forget how a man really looks and talks and makes love? After two years, Freddy isn't real anymore.

      Janet Stewart: I'd remember everything about Dave, if we never saw each other again.

      Molly: That's because you can still feel his arms around you. Wait a couple of months, baby, and you'll be making double dates with me, just like we used to.

      Janet Stewart: No, I won't. Ever.

      Molly: No? Wait'll you get sick of the family and the cold cuts and Mom's nagging. Wait'll the smell of the orange blossoms in the valley gets you drunk at night and you're so alone, you're sick to your stomach.

      Janet Stewart: What do you think Freddy and all of the other husbands and sweethearts are fighting for?

      Molly: Well I didn't ask him to go.

      Janet Stewart: He didn't ask to go either. He went because there's a war to win and he is decent.

      Molly: Meaning I'm not?

      Janet Stewart: Yes, meaning just that. I've seen your lipstick smeared when you've sneaked in. Don't deny that you've...

      Molly: That's entirely my business...

      Janet Stewart: Oh, no it isn't, not when you butt into mine. I'd like to know how Freddy feels, away on a carrier for two years, wondering why you don't write. You and your being alone. How do you think he feels? I what if he knew you were spending his allotment on buying evening dresses for other fellows to enjoy? When he comes back, nobody'll blame him if he beats your head off.

    • Soundtracks
      The Very Thought of You
      (uncredited)

      Written by Ray Noble

      Played during the opening credits

      Vocal rendition played on the car radio

    Top-Auswahl

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    Details

    Ändern
    • Erscheinungsdatum
      • 20. Oktober 1944 (Vereinigte Staaten)
    • Herkunftsland
      • Vereinigte Staaten
    • Sprachen
      • Englisch
      • Spanisch
    • Auch bekannt als
      • Con sólo pensar en ti
    • Drehorte
      • Mount Wilson, Kalifornien, USA(David and Janet's drive in the rental car)
    • Produktionsfirma
      • Warner Bros.
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    Box Office

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    • Budget
      • 408.000 $ (geschätzt)
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

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    • Laufzeit
      • 1 Std. 39 Min.(99 min)
    • Farbe
      • Black and White
    • Seitenverhältnis
      • 1.37 : 1

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