Ein Komponist und seine Schwester entdecken, dass der Grund dafür, dass sie ein wunderschönes gotisches Herrenhaus an der Meeresküste sehr billig erwerben können, die widerwärtige Vergangenh... Alles lesenEin Komponist und seine Schwester entdecken, dass der Grund dafür, dass sie ein wunderschönes gotisches Herrenhaus an der Meeresküste sehr billig erwerben können, die widerwärtige Vergangenheit des Hauses ist.Ein Komponist und seine Schwester entdecken, dass der Grund dafür, dass sie ein wunderschönes gotisches Herrenhaus an der Meeresküste sehr billig erwerben können, die widerwärtige Vergangenheit des Hauses ist.
- Regie
- Drehbuch
- Hauptbesetzung
- Für 1 Oscar nominiert
- 2 Gewinne & 1 Nominierung insgesamt
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- Foreword Narrator
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- Mrs. Taylor
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- Mrs. Coatsworthy
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- Miss Edith Ellis
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It's an enjoyable film with a strong cast although Russell plays things rather too vulnerably for a 20 year-old. Milland throws in some humorous touches but he succeeds in keeping things in the scary, spooky film genre as opposed to the comedy ghost story genre, which is always a let-down. So, he should be congratulated for making the crossover. This is a good ghost story with genuine chills, scary scenes, a story with a twist and a great ghost effect. Lots of atmosphere in this one.
Actually, it's as much a mystery movie as it is a haunting. Just who the heck is this sobbing spirit and why is she bugging poor sweet little Stella (Russell). In fact, was there ever a more appealing screen presence in any film than actress Russell is here. She's got a level of innocent appeal that most actresses only dream about, and steals the film with an unforgettable charm.
Speaking of charm, Russell's got a lot of competition from Milland and Hussey who are simply delightful as the urbane brother and sister. Their scenes together amount to little marvels of civilized chemistry. In fact, this may be the most charmingly done story of the occult on record. It's almost like the supernatural happenings are secondary to the array of compelling characters, including the tyrannical Commander (Crisp).
Now, neither the swirling specter nor the ghostly sobbing scared me, but Miss Holloway (Skinner) sure as heck did. Talk about ice-cold intelligence. If you weren't wacko when you entered her Nazi sanitarium, you soon would be. Then there's poor flighty Miss Bird (Stickney). I can see her entering the place as a highly competent librarian, but soon reduced by "therapy" to flapping her arms and collecting rocks. Then too, what's with Holloway's attachment to the deceased Mary Meredith—was this Hollywood maybe pushing the envelope.
Anyhow, the movie is studio (Paramount) craftsmanship at its best, including the enchanting title tune "Stella by Starlight". Whatever old Hollywood's failings, and they had many, the studios could on occasion come up with real winners. Fortunately, this is one of them.
This is a really great ghost story, a true classic of the genre. Everyone involved turns in a brilliant performance, especially Ray Milland as Roderick the sweet and likable composer and Ruth Massey as his spunky sister. Gail Russell as Stella is perfectly cast, always appearing shaken and fragile. The effects are terrific too! The crying ghost in particular will give you shivers as it echoes down the halls of the dark house and disappears with the dawn breeze. Light and shadow are used to maximum effect and despite the fact that this film was made in 1944, it never feels dated and it's lost none of its power to unsettle, disturb and even downright terrify.
Perfect viewing for a dark and stormy night. This is a flawless ghost story. Highly recommended.
They seek out the owner, Commander Beech (Donald Crisp), who lives with his twenty year-old granddaughter Stella Meredith (Gail Russell) far from the house, and he accepts their offer and sells the house for a very low price. Soon Roderick and Pamela move to the Windward House and he and Stella falls in love with each other. Roderick and Pamela also discover that the house is haunted and in Roderick's studio they feel a chill and near dawn they overhear uncanny sobs of a woman. They investigate and learn that a tragedy happened in the manor: Stella's father had an affair with a Spanish model and her mother died falling of the rocky coast and the model died of pneumonia. They also discover that the house is haunted by two ghosts, one of them evil and the other one trying to protect Stella.
"The Uninvited" is a creepy ghost story, with a great performances and a good story. The mystery is predictable and is not difficult to guess who the evil ghost is, but the movie has many scenes that startle the viewer and is supported by a magnificent cinematography in black and white. In accordance with a documentary about "The Uninvited", Gail Russell was a shy actress and her personality helped her in her performance since she was really scared. The serenade "To Stella by Starlight", by Victor Young, is another plus of this movie. Further, "The Uninvited" is the first Hollywood movie to take ghosts seriously since until this date this theme was explored in comedies. My vote is nine.
Title (Brazil): "O Solar das Almas Perdidas" ("The Manor of the Lost Souls")
Wusstest du schon
- WissenswertesWhen Stella enters a trance and speaks in Spanish during the seance, she says, "Listen, listen! It's not her! It's not her! Do not believe anything! Do not listen to her, because she's lying! You thief! Thief of my love!"
- PatzerThe film is set in 1937, but the "going-to-church" sequence features a car with headlights blacked out in the style required due to WWII in the early 1940s.
- Zitate
Pamela Fitzgerald: Well, I must dash back to Lizzie. We're fighting over how much Sherry to put in a tipsy pudding. She wants to make it dead drunk.
- VerbindungenFeatured in 100 Jahre Horror- und Gruselfilme: Ghosts (1996)
- SoundtracksTo Stella by Starlight
(uncredited)
Music by Victor Young
Played on piano by Ray Milland (dubbed) and heard as a main theme in the score.
Richard Hayman and his Orchestra performed the music. Richard Hayman also played the harmonica solo in the piece.
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Details
Box Office
- Weltweiter Bruttoertrag
- 6 $
- Laufzeit
- 1 Std. 39 Min.(99 min)
- Farbe
- Seitenverhältnis
- 1.33 : 1