San Diego I Love You

"San Diego I Love You" is a light and silly family comedy. This is a Universal film in the days when that studio was not among the Big Five. Along with Columbia and United Artists, it made up a second tier of studios. The Big Five were marked by large theater chains and big studio lots to support them. They also could pay more and sought out and got the best actors and actresses. Of course, with more studios their actors became more familiar to the public. The stars of the various studios might appear in occasional films with other studios by loan outs or other deals.

The leads in this film are Louise Allbritton and Jon Hall. They were a couple of the leading performers of Universal at the time. Allbritton was in a number of films with other big name stars, either filmed by Universal with trades, or on loan out herself to another studio. By 1950 she moved almost exclusively into TV series and films. Jon Hall had been a leading man at Universal since 1935. He appeared in a number of swashbuckler and adventure films. Most of those are forgotten or little known in the 21st century, although a few were very good films. Hall's star began to fade in the early 1950s, and by the end of that decade his movie career was all but ended.

One nice attribute of this film is the supporting cast. It includes Edward Everett Horton, Eric Blore and Buster Keaton.

The date of this film is 1944, so World War II was still going strong. There's no mention of the war and no sign of it at all in this film. Considering that it takes place in San Diego, it was strange that it doesn't have scenes with many men and women in uniform. Especially the Navy, since San Diego was and is a major naval base.

A strange scene is the bus driving on the shore. There aren't many spots where a vehicle could get onto the beach at or near San Diego. If it was filmed there and not somewhere else along the coast, it probably was Dog Beach in the NW corner of the city where the San Diego River runs through Mission valley and empties into the ocean. It's just south of the Mission Bay Channel entrance. A beach access parking lot has been there since the late 20th century, but I don't know if it was there in 1944.

Allbritton plays a cheerful and chipper Virginia McCooley in this film. Horton is her dad, Philip, who was a high school science teacher until he came up with an invention that might have takers. Hall plays John Thompson Caldwell, the wealthy chairman of a large company that may be interested in the invention. But his character is very wooden in this film. Blore plays Nelson, the butler and handyman who goes with the house that the McCooley's buy in San Diego. Keaton plays a bus driver who has driven the exact same boring route for more than 20 years.

Most people would probably enjoy this film. It's not raucous comedy or a barrel of laughs. It has humorous situations and a sprinkling of funny lines. Mostly, it has warmth and a light-hearted feel for a family on a new adventure.

Here are some favorite lines.

Philip McCooley, "You mean to tell me that you resigned for me over the telephone to the principal of the high school?" Virginia McCooley, "He thought it was a little unusual too, at first. Then I told him you were just too bashful to admit the reason."

Philip McCooley, "What are you doing with that piece of furniture?" Moving Man, "Why, I'm growing mushrooms in it. One side, buddy."

Virginia McCooley, "Well, why all the fuss? What does San Diego think it is - Washington, D.C.?" Hotel clerk, "Lady, we pride ourselves on having more confusion per square inch in San Diego than Washington ever heard of."

I saw this movie with my mother in 1944, and it made a lasting impression upon me. We lived in Buffalo and both of us agreed that San Diego would be a better place for us and decided that some day we would live there. Though this never came about, and I have never been to San Diego, it must have "put a bee in my bonnet" because eventually I came to Mexico where I have been living permanently since 1955. This is a motion picture I would like to see again.

I watched this recently by chance- absolutely charming! Clever writing, excellent timing and completely family friendly- without seeming dated. This movie has influenced me to take more chances, enjoy life more and recommend it to my three children-ranging in age from 11 to 27. Draws attention to the coincidences in life that may not be concidences and the opportunities that we may miss if we're not watching! One of the best of its genre and generation, in my opinion. I had forgotten how clever the writing could be in some of these old classics. If this is not counted as one of the classics, it should be and certainly is in my book. I will probably buy it!

I was happily surprised at the enjoyment this little film provided. It could be described as a screwball comedy, I suppose, but it never gets carried away with itself and stays committed to what really amounts to a mostly subtly comedic sequence of vignettes. There are so many opportunities for this film to become just a silly and hectic hodgepodge but admirably the fantasy-like story is made to seem enjoyably plausible.

The players are just so engaging and the little moves and bits of business exhibited by the cast, especially Louise Allbritton, are admirable. She is gorgeous and her eyes are particularly fascinating. I was particularly impressed by the restrained and excellent performance by Edward Everett Horton...his is the effort that, if not held in check, could have sunk the picture. Luckily, too, the youngsters in the film were not allowed to run amok and bring the picture down. And what can be said of Buster Keaton's appearance... it is as affectingly priceless as the entire bus episode is affectingly unique.

One reviewer found it odd that the story was set in San Diego during the War and that no sailors and soldiers are evident. But there are, for I actually looked for that very thing during a brief street scene and indeed there is a liberal peppering of sailors walking the street in the parade of passers-by. Whether on the street, in the office, or in the home, the sets are decked out appropriately. Additionally, the film's editing is crisp and continuity is wonderful.

For sure this is a fantasy, including the curiosity that the third richest man in America would happily fall for the propellant of a small-town eccentric family. But this is a successfully comedic film from the World War II era and no doubt will be enjoyed by fans of movies from the era.

High school teacher Edward Everett Horton invents an all-in-one inflatable lifeboat, and tries to sell it to the advisory board run by Jon Hall, the third richest man in America. Through a series of situations impelled by his hair-brained daughter, Louise Allbritton, he finds himself buying a house in San Diego with his last money, and moving in with her and his four motherless sons, although the raft has been rejected. Miss Allbritton won't give up, and eventually charms Hall, although the raft remains rejected.

It's larded with subplots, some of which work -- Miss Allbritton persuades bus driver Buster Keaton into leaving the route he's been driving for ten years, and instead driving along the seashore, for a charming excursion -- and some do not. Irene Ryan shows up as a boarder, even though the house is not accepting them; and Eric Blore is a butler attached to the house, who bursts into tears whenever he's fired. The romantic leads are not very appealing. Miss Allbritton is shrill, and Hall is stuffy. Still, the cast is filled with fine comics, including Clarence Muse, Florence Lake, Chester Clute, Brooks Benedict, Hobart Cavanaugh, Vernon Dent, and Esther Howard, and even Tom Keene as a reporter. If the reasons why this has been hard to find so long are apparent from a viewing, I'm still glad I saw it, if only for the Keaton sequence.