Pin Up Girl

This is a patriotic flag-waver of a film that could never be made anymore. The emphasis is on pulling together and supporting the armed forces, all in gleaming colour. It is a wartime film that says although the world is in a spin if we work together to beat the foe, things will work out fine in the end. It is sweet as a sugar coated pill, made to cheer the people up in World War 2. And who better to do that than blonde Betty Grable, lively and bright and charming. There are flashes in the film of the classic pin-up picture of her looking saucily over her shoulder.

A formula film then but it does have some bright spots. Joe E Brown and Martha Raye being loud and cantankerous. The dancing Condos Brothers who tap dance like furies. The gorgeous technicolour. Charlie Spivack's band. The musical numbers are OK though the roller skating number and the marching sequence hilarious in the wrong sort of way.

There is a real gem in the film, a number called 'Once Too Often', which is a sour song of love and betrayal, at odds with the rest of the saccharine mood of the film. Grable sings it well then dances it with the great Hermes Pan. In her split skirt showing those million dollar legs, she and Pan do a sexy routine together. It's the best thing in the whole movie.

I've just seen Pin Up Girl for the first time and found it good in parts, but not brilliant.

Betty Grable plays a secretary and is a singer as well. She says she's engaged to every service man she has signed her photo for. She does fall in love with a man who's in the Navy and after several misunderstandings, she becomes engaged to him.

Despite being made during the Second World War, Pin Up Girl was shot in colour and it certainly is very colourful. There are some good songs and performances, although can be a little heavy going at times.

One viewing is probably enough for this movie. Not too bad though.

Rating: 2 and a half stars out of 5.

Astaire & Rogers it's not. While it was somewhat entertaining fluff, it had few other redeeming qualities. The costumes were ridiculous, distracting and very unflattering. And unfortunately, there really wasn't anything significantly original in the storyline itself. The final number, while impressive in its precision, lacked variety and musical interest, and consequently became boring very quickly, as the same moves were repeated over and over again. One very notable exception was the performance by Frank & Harry Condos (as The Condos Brothers). Their dancing was exceptional and dazzling to watch. If you're looking for simple fluff and diversion - enjoy. Just don't set your expectations too high.

Not bad, not good for a Betty Grable flick. Story, like all the Fox musicals on the 40's is silly, but sometimes silly can be charming. PIN-UP GIRL focuses on Betty of course and those "million" dollar legs. The story of a want-to-be showgirl who is doing steno work could have somehow worked better with more fluid writing. A couple of good dance numbers, but nothing spectacular. Nice to see old timers Martha Raye and Joe E. Brown, but Martha plays a real witch in this one and takes the shine off her comedic talent. Too bad. Story itself does not focus and what happened to her girl friend, Dorthea Kent, who is in the first part of the movie, then is dropped like a hot potato. Her presence was missed as she was a good side kick to Betty. If you're a Betty Grable fan, and you must be to be reading about this movie, there are others a lot better. Too bad they're not available on DVD. By the way, the DVD transfer is quite nice.

Perhaps back then this was seen as a bright and bubbly tribute to the Armed Forces everywhere, but surely BETTY GRABLE deserved better material for a musical with a title like PIN UP GIRL. She's pretty and pert as a secretary whose romance with a soldier goes from Boy Meets Girl, Boy Loses Girl, Boy Wins Girl in timeworn Hollywood fashion.

No help is the fact that MARTHA RAYE and JOE E. BROWN can usually be counted on to add gags and merriment to any film they're in. Here, they open their big mouths and nothing funny comes out.

The songs are weak, lacking interest even for Grable fans--with one exception. A nifty little number called "Once Too Often" has Betty doing a slit-skirt, torrid dance number with Hermes Pan, the famous choreographer who worked with Astaire and Rogers on many of their most famous routines. It's the only musical number worth staying awake for.

The climactic military number is a hoot, with Betty doing a parade of arms military drill that reminded me of my boot camp days.

Summing up: This is one you can afford to miss.