IMDb-BEWERTUNG
7,0/10
1271
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuThe career of a German officer shown as flashbacks from his trial as a war criminal.The career of a German officer shown as flashbacks from his trial as a war criminal.The career of a German officer shown as flashbacks from his trial as a war criminal.
- Regie
- Drehbuch
- Hauptbesetzung
- Für 1 Oscar nominiert
- 1 Nominierung insgesamt
Fred Aldrich
- Man at Ceremony
- (Nicht genannt)
Felix Basch
- Nazi Official
- (Nicht genannt)
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This is a neat little B picture where World War II has already been one and Nuremberg
like trials are taking place. One such trial is that of SS officer Alexander Knox
and is told in flashback by several witnesses to his barbarism and cruelty.
Knox was a soldier in World War I and was wounded in the trenches and lost a leg. Before the war he lived in German occupied Poland as a school teacher and was not loved. Now that Poland has been reconstituted a nation Knox is even more unwelcome. So he makes his way to the new Weimar Republic in Germany and lives in Munich where another WW1 veteran is organizing a new Nazi party that excites Knox.
Even in this country many things can push someone into those kind of extreme political beliefs. Knox's individual story is never lost against the background of the historical events taking place. Knox is fascinating portrait of studied and carefully nurtured cruelty. As he rises in the party when war is declared and over in a manner of weeks in 1939 against Poland he makes sure he's assigned to that old village.
One thing that was most assuredly not true. The film notes the friendship of Catholic priest Henry Travers and Rabbi Richard Hale. The film deserves praise for recognizing what would later become the holocaust. But in pre WW2 Poland ain't no way Travers and Hale would be any kind of friends. The film was written by Lester Cole of the Hollywood 10 and it got an Oscar nomination for Best Original Screenplay. On that point Cole was truly fantasizing.
Others to note in the cast are Marsha Hunt as the village schoolteacher who was a teen back when Knox was the teacher, Richard Crane as Knox's nephew whom he tries to create a mirror image of himself, and Trevor Bardette the grown version of a kid who hated Knox when he was the schoolteacher.
Maybe without big name stars this film has managed better than most wartime films to still be relevant today. Very relevant when looking at today's current climate.
Knox was a soldier in World War I and was wounded in the trenches and lost a leg. Before the war he lived in German occupied Poland as a school teacher and was not loved. Now that Poland has been reconstituted a nation Knox is even more unwelcome. So he makes his way to the new Weimar Republic in Germany and lives in Munich where another WW1 veteran is organizing a new Nazi party that excites Knox.
Even in this country many things can push someone into those kind of extreme political beliefs. Knox's individual story is never lost against the background of the historical events taking place. Knox is fascinating portrait of studied and carefully nurtured cruelty. As he rises in the party when war is declared and over in a manner of weeks in 1939 against Poland he makes sure he's assigned to that old village.
One thing that was most assuredly not true. The film notes the friendship of Catholic priest Henry Travers and Rabbi Richard Hale. The film deserves praise for recognizing what would later become the holocaust. But in pre WW2 Poland ain't no way Travers and Hale would be any kind of friends. The film was written by Lester Cole of the Hollywood 10 and it got an Oscar nomination for Best Original Screenplay. On that point Cole was truly fantasizing.
Others to note in the cast are Marsha Hunt as the village schoolteacher who was a teen back when Knox was the teacher, Richard Crane as Knox's nephew whom he tries to create a mirror image of himself, and Trevor Bardette the grown version of a kid who hated Knox when he was the schoolteacher.
Maybe without big name stars this film has managed better than most wartime films to still be relevant today. Very relevant when looking at today's current climate.
...not because it is boring and tedious, but because it spends the last 40 minutes of its 90 minute run showing the raw cruelty of Nazi rule over one Polish village - the Jews sent on railroad cars to concentration camps without food or water, the old men forced to do hard labor until they collapse and are shot, the girls put into forced prostitution at the Nazi officers' club.
What does the first 50 minutes do? It shows the creation of a monster - Wilhelm Grimm (Alexander Knox), a German who was teaching in Poland before WWI, went to fight with his fellow Germans and lost a leg, and returned from war a bitter man. He already felt superior to the Poles before he was bitter. His fiancee (Marsha Hunt) decides she doesn't want to marry him because he has returned from war with hate in his heart, and he becomes even more angry because he thinks she has rejected him because of his lost leg and his poverty. He then commits an unspeakable act, escapes to Germany, discovers Nazism, and the rest is literally history.
The entire story is told in flashback at a war crimes trial. It was inspired by FDR's promise to try those responsible for the evil they did during the war.
What is remarkable about this film besides the acting and the noirish cinematography is that this was made a year before the war was over in Germany. In fact it was released four months before D Day so there was no detailed information about what had happened in Europe, not even information about the fate of the Jews. So the whole production ends up being so oddly prescient.
Alexander Knox is terrific as Wilhelm Grimm, the Nazi officer who returns to this small Polish town, where he taught school years before, as a ruler representing the Third Reich. Knox played many roles as a good guy and protagonist, but he always had that school marm way about him in his performances, and it works for him here. As Grimm he's never playing a good guy, but he does go from bitter to evil very convincingly. Marsha Hunt - She's a revelation here. I had only seen her performances at MGM where she got roles that were rather bland and attenuated. She really breaks out of that MGM box in this film. I'd highly recommend this B film from little Columbia that packs an A list punch.
What does the first 50 minutes do? It shows the creation of a monster - Wilhelm Grimm (Alexander Knox), a German who was teaching in Poland before WWI, went to fight with his fellow Germans and lost a leg, and returned from war a bitter man. He already felt superior to the Poles before he was bitter. His fiancee (Marsha Hunt) decides she doesn't want to marry him because he has returned from war with hate in his heart, and he becomes even more angry because he thinks she has rejected him because of his lost leg and his poverty. He then commits an unspeakable act, escapes to Germany, discovers Nazism, and the rest is literally history.
The entire story is told in flashback at a war crimes trial. It was inspired by FDR's promise to try those responsible for the evil they did during the war.
What is remarkable about this film besides the acting and the noirish cinematography is that this was made a year before the war was over in Germany. In fact it was released four months before D Day so there was no detailed information about what had happened in Europe, not even information about the fate of the Jews. So the whole production ends up being so oddly prescient.
Alexander Knox is terrific as Wilhelm Grimm, the Nazi officer who returns to this small Polish town, where he taught school years before, as a ruler representing the Third Reich. Knox played many roles as a good guy and protagonist, but he always had that school marm way about him in his performances, and it works for him here. As Grimm he's never playing a good guy, but he does go from bitter to evil very convincingly. Marsha Hunt - She's a revelation here. I had only seen her performances at MGM where she got roles that were rather bland and attenuated. She really breaks out of that MGM box in this film. I'd highly recommend this B film from little Columbia that packs an A list punch.
Judgment at Nuremburg was a very successful film of the early 1960s which brought the atrocities of the Nazis into clearer focus for millions. It won an Oscar for Maxmillan Schell, who did a very good job in the film. However, that film was executed with grand intellectual examination; a great deal of emotional dialogue, and a few illustrations of the hideous actions of the Third Reich. This film, None Shall Escape, is also fueled by a great performance by Alexander Knox as Grimm, but avoids the intellectualism of Judgment at Nuremburg. Instead, it focuses on the personal and visceral actions of those involved in the Polish occupation. Made some 20 years before the Schell film, and though a bit dated, it captures the visceral aspect of the inhumanity of the Nazis better than its successor. A highly underrated film.
One can only wonder why this movie has been so little seen and given so little credit for its powerful message. This is the film Henry Travers (Clarence the angel in It's a Wonderful Life) should be remembered for; his portrayal of a Polish village priest is understated and unsentimental. Made in 1944, before World War II ended, it puts to rest the notion that the world did not comprehend the magnitude of Nazi evil. It's all here: Polish women forced into sexual slavery, Jews rounded up and murdered, young German men enamored with their cowardly power, the resistance, and the vain hope of ordinary people that such monstrous horror could never overtake a "civilized" world. The story is told in courtroom flashbacks comprising testimony during the trail of a Nazi officer, with convincing village scenes portraying life in the small town of Lidzbark, Poland, 70% of which was destroyed during the war. Made seventeen years before the release of the most widely recognized film about Nazi war crimes, "Judgment at Nuremburg," "None Shall Escape" is still difficult to find online, but it is one of the most astonishing screen achievements of World War II. Writers Alfred Neumann and Joseph Than were nominated for an Academy Award for Best Story ("Going My Way" won).
Not many movies of Wold War 2 covers how a person comes to join a Nazi Patry. What makes someone turn to such extremes. I Think this movie doesn't get enough credit for that . I'm not sympathizing with any type of Nazi but this movie gives a wide range of outlooks. I think it's an excellent teaching tool of what can happen to all people when they become angry and frustrated. I wish more movies would cover this topic. Most of us know about the Jewish persecutions . I think it's import to understand the mind of people who are seemingly loving and normal to turn to a party with such hatred. I think a lot of them were tricked and we need to know about this so it can never happen again !! Because right now it's happening in the USA and it's horrifying . It does not happen overnight and this movie does a great job of building up to that !
Wusstest du schon
- WissenswertesDirector De Toth was doing only his second feature for Columbia with "None Shall Escape" and the studio wanted him to use Paul Lukas, who had recently enjoyed a great success in a similar role with "Watch on the Rhine." De Toth wanted a lesser-known star and campaigned for Alexander Knox, whom he had seen on Broadway in Chekhov's "Three Sisters." When Knox was hired and was told who was directing, he objected that De Toth was unknown and insisted on Lewis Milestone. Harry Cohn reportedly berated Knox for his selfishness and ingratitude. According to De Toth, he and Knox ended up as friends, and worked together on subsequent films.
- PatzerWilhelm Grimm initially appears in the uniform of the SS and then later appears in a Wehrmacht uniform. This is unlikely. It was more likely to be the other way around towards the end of the war when SS soldiers tried to hide their SS involvement by disguising themselves as ordinary solders.
- Zitate
Wilhelm Grimm: The future lies in victory not in freedom. The war will be continued until it's won, that's our destiny.
- Crazy CreditsOpening credits prologue: The time of this story is the future.
The war is over.
As we promised, the criminals of this war have been taken back to the scenes of their crimes for trial.
In fact, as our leaders promised--
NONE SHALL ESCAPE
- Alternative VersionenThere is an Italian edition of this film on DVD, distributed by DNA srl, "IL PROCESSO DI NORIMBERGA (1946) + NESSUNO SFUGGIRÀ (1944)" (2 Films on a single DVD), re-edited with the contribution of film historian Riccardo Cusin. This version is also available for streaming on some platforms.
- VerbindungenFeatured in Red Hollywood (1996)
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- Laufzeit1 Stunde 25 Minuten
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By what name was None Shall Escape (1944) officially released in India in English?
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