The Monster Maker

Considering the pedigree and title, the flick's not all that bad. In fact, it's well-mounted for it's type. There's good attention to set detail though lighting doesn't emphasize the dark mood. Seems poor Dr. Markoff is trying to find a cure for acromegaly which causes head and hand deformities that killed his beloved wife. Trouble is he needs a patient to research on. So he infects concert pianist Lawrence with the disease so he can both experiment with him and get next to the pianist's attractive daughter Patricia who strongly resembles his dead wife. Needless to say, complications ensue.

Except for the hokey gorilla sequences, the storyline manages to be fairly plausible for its kind. After all, Markoff is driven by understandable desires even though he victimizes Lawrence in the process. Naish is quite good as Markoff, along with Birell as his unrequited but loyal nurse Maxine. Together, they, rather than the good guys, establish the story's emotional center. Anyway, it's a better-than-average horror programmer from lowly PRC.

PRC poverty row horror The Monster Maker stars J. Carrol Naish as boo-hiss mad scientist Dr. Igor Markoff, an expert in glandular disorders. When Markoff sees Patricia (Wanda McKay), beautiful daughter of concert pianist Lawrence (Ralph Morgan), at a recital, he is struck by her resemblance to his dead wife and becomes obsessed, vowing to marry her. Lawrence goes to see Markoff to warn him not to continue pestering his daughter, but winds up in a scuffle and being injected with a serum that causes acromegaly, a disease that results in enlargement of the extremities. Markoff tells Lawrence that he can cure his condition, but only if he persuades Patricia to be - how shall we put it? - more co-operative.

I've only seen two of director Sam Newfield's 200+ films before this one-The Flying Serpent and White Pongo-and they were both terrible. The Monster Maker is surprisingly watchable by comparison, a fun potboiler with solid performances from a decent cast, some nifty 'monster' make-up, and a snappy runtime of just 62 minutes, meaning that it's too short for boredom to set in. There's not a lot in the way of genuine horror, since Lawrence-the monster-is sympathetic and kind-natured, but there is plenty to enjoy here, including a killer gorilla of the man-in-a-monkey-suit variety, an appearance by Glenn 'Frankenstein's monster' Strange as Markoff's henchman Steve, and a brave hound played by none other than Ace the Wonder Dog!

Sam Newfield had several parts in his long career: first part, the thirties, mostly grade Z westerns, all of them forgettable, with the exception of TERROR OF TINY TOWN; then he made horror films in the forties, his most interesting part for the movie buffs, little cult movies such as MONSTER MAKER, MAD MONSTER, NABONGA, DEAD MEN WALK, BLACK RAVEN, FLYING SERPENT. All very interesting cheap productions but very agreeable to watch, very well made for such a prolific grade Z director, the most famous, regarding of the quantity which most of the time neglected quality. But not here, as were MAD MONSTER and so on. Even some of his latest westerns, helped by bigger budgets, were worth the watch. Here J Caroll Naish is excellent as the mad scientist, better than a Bela Lugosi or a George Zucco. Sam Newfield also made good little crime films, don't forget it.

This is one of those films that's entertaining for its sheer audacity. It also has an unusually interesting cast for a small-studio B-picture. J. Carroll Naish (as the evil Dr. Markoff) and Ralph Morgan (as victim Anthony Lawrence) were veteran character actors who were always worth watching, and Glenn Strange (as Steve, Markoff's giant-size henchman) would be promoted that same year to playing the Frankenstein Monster in the first of three films for Universal.

This professional cast tries to lend believability to several ludicrous situations. At one point Markoff attempts to put his nervous female assistant under a Svengali-like hypnotic influence; when this fails, Markoff turns loose his pet gorilla (!) in the hope that the beast will kill the beauty, though all it does is overturn a table.

Some critics have found this film particularly distasteful since it deals with acromegaly, an actual disfiguring disease (see the bio for actor Rondo Hatton elsewhere on this data base). And the sight of the malformed Mr. Lawrence (when his daughter suddenly enters a darkened room) is certainly an unforgettable jolt.

"The Monster Maker" was one of the better products produced by poverty row studio PRC in the 1940s. Directed by the "busiest director on poverty row", Sam Newfield, it benefits from the casting of veteran character actors J. Carroll Naish and Ralph Morgan in the leading roles.

Anthony Lawrence (Morgan) is a successful concert pianist whose daughter Patricia (Wanda McKay) just happens to resemble the deceased wife of Dr. Igor Markoff (Naish). Markoff sees Patricia, whom he vows to marry, while attending a Lawrence concert with his assistant Maxine (Tala Birtell), who of course is in love with him. The evil doctor has been working on a cure for the rare disease of acromeglia (I may have the spelling wrong), a dehabilitating disorder which causes extreme swelling of the feet, hands and face.

When Lawrence comes to see Markoff about his advances toward his daughter, Markoff knocks out the pianist and injects him with the aforementioned disease. Lawrence slowly develops the disease and takes on a grotesque appearance. This forces Patricia to come to the mad doctor for help.

Ralph Morgan's make up is very good for a "B" movie, in fact it was done by the same person (whose name escapes me) who "aged" Orson Welles in "Citizen Kane" (1941). Naish plays his mad scientist role with conviction and the under rated Morgan is excellent as the tragic Lawrence. Birell is better than her material as the scorned Maxine. McKay looks lovely as the heroine and Terry Frost has little to do as the token hero Bob Baker. Also in the cast is veteran heavy Glenn Strange as Naish's brutish assistant. There's also a gorilla and a faithful dog in the cast but they have little to do with the story.

One of the better "B" mad doctor films.