Füge eine Handlung in deiner Sprache hinzuA young turn-of-the-century newspaper man finds he can get hold of the next day's paper. This brings more problems than fortune, especially as his new girlfriend is part of a phony clairvoya... Alles lesenA young turn-of-the-century newspaper man finds he can get hold of the next day's paper. This brings more problems than fortune, especially as his new girlfriend is part of a phony clairvoyant act.A young turn-of-the-century newspaper man finds he can get hold of the next day's paper. This brings more problems than fortune, especially as his new girlfriend is part of a phony clairvoyant act.
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- Restaurant Owner
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- Racetrack Spectator
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- Wedding Witness
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- Gambler
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- Show Spectator
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It won't take you long to ascertain the status of old "Pop" and why his sayings are so cryptic , but it's the prelude to a couple of days of impending headlines and deadlines which see Powell variously lose and recover, (with a raise!) his reporter job at the paper, witness a bank robbery as it happens and then be on the scene when the police catch said crooks the next day, save his new girlfriend from drowning, win and lose $60000 on the racetrack and lastly, inescapably it seems, be present at his own reported death.
All that stuff is lovely and engaging but the film gets dragged down somehow by some poor editorial choices by the director. For one thing the movie is framed by a pointless 50-years-after sequence which effectively tells you Powell's fate well in advance and secondly, too much time and space is given to Jack Oakie the magician father of Linda Darnell, for whom she acts as his mind-reading assistant in the act and with whom Powell becomes smitten at one of their shows. His personality is as loud as his outfits and he brings too much vaudeville slapstick to bear on proceedings. I think the film would have played a lot better if done more in the style of say, "It's A Wonderful Life' than "Arsenic And Old Lace" to borrow two titles from the master of the fantasy feature, Frank Capra.
I liked Powell and Darnell as the leads and especially John Philliber as the venerable, mysterious Pop, who himself ironically died within a year of the film's release but not Oakie or George Cleveland for the same reason, as the excitable newspaper editor, Mr Gordon.
Director Clair has a pleasingly light touch which this material requires but just seems to have become confused as to the best approach to adopt to make for a fully satisfying outcome.
The end result still pleases but with better oversight this could have been on a par with the best of this genre of movie, maybe even rivalling the charm of some of Capra's premier features.
At this point in Dick Powell's career he was looking desperately to rejuvenate his career. His musical days were over, he left Warner Brothers, signed with Paramount looking for some straight acting parts, but Paramount mostly put him musicals and not as good as the ones he did with Warner Brothers.
Powell had scored some success in Preston Sturges's Christmas in July with no songs and he grabbed this one. He did well in the role here, but soon he'd change his screen image for all time later that year in Murder, My Sweet.
Exiled Rene Clair helmed this whimsical tale and got good results from his cast. Linda Darnell is as lovely as ever with her uncle Jack Oakie as a mind reading carnival act. And Edgar Kennedy does his patented slow burn as a police inspector who suspects the worst when Powell is scooping the police on some crime stories.
The plot has quite a few twists and turns and it would be a sin to give even one of them away. Powell and Darnell learn a most valuable lesson to take the future as it comes day by day. A little knowledge can indeed be a dangerous thing.
Larry flirts with Sylvia and on his way back home, he overhears Pop on the street and the old man tells that he is waiting for him and gives a newspaper to him. Larry does not give much attention and puts the newspaper in the pocket of his jacket. On the next morning, he finds that the newspaper is an edition of the next day. Larry uses the information to scoop about a hold up in the opera house, becoming the prime suspect of Inspector Mulrooney (Edgar Kennedy). Larry dates Sylvia and Pop gives another edition of The Evening News of the next day. Larry becomes a successful reporter and is promoted and has a raise on his job. He plans to marry Sylvia and decides to find the winners of the horse race. But soon he also learns that he will die on the next day. Now he questions whether the future can be changed.
"It Happened Tomorrow" is a delightful and fantastic romantic comedy by René Clair. The plot is very funny and entertaining with a perfect combination of romance and comedy. Linda Darnell and Dick Powell have a stunning chemistry, and Jack Oakie is hilarious. The sequence when the gossipers see Sylvia breaking in her room through the external window dressed like a man and believe that she is having an affair is one of the funniest moments of this great film. My vote is eight.
Title (Brazil): "O Tempo é Uma Ilusão" ("The Time is an Illusion")
The likable Dick Powell and the appealing Linda Darnell work well together, giving solid performances without trying to get more out of their characters than they should. Jack Oakie is nicely cast as the boorish uncle of Darnell's character, and he gets some very good moments.
The premise of reading tomorrow's news is certainly familiar in other forms and from other pictures, but it is the kind of interesting idea that always works well when it is in good hands. René Clair has the right feel for it, keeping things light most of the time, and adding some creative details. The story is often very clever in showing the ways that the advance knowledge both influences and misleads the characters.
The story moves fairly quickly, with some good period detail. It's an enjoyable movie and also, without being heavy-handed or obtrusive, illustrates some worthwhile ideas.
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- WissenswertesThe opera singer "Melba", whose concert is robbed as part of the plot, is Australian soprano Dame Nellie Melba (1861-1931). Peach Melba and Melba toast are both named for her.
- PatzerIn 1896 Cigolini (Jack Oakie) shoos away a (horse-drawn) cabbie with the injunction, "23, Skidoo!" That phrase only became a popular fad in 1905, and there's no record of "23" even by itself as slang before 1899.
- Zitate
Pop Benson: News is what happens. What's the difference whether it happens 50 years ago... or tomorrow?
Lawrence 'Larry' Stevens: You mean Will happen tomorrow.
Pop Benson: No. Time is only an illusion! Look, March 18, 1875. To the people then, this was the future; wasn't it? Well, suppose we were all living on that date in 1875... and I arrived with this book. I can tell you everything that will happen.
- Crazy CreditsLike many films of the time, this one encourages theatregoers to support the war effort. The third screen of credits seen at the end says: "Make it Happen Tomorrow Buy Bonds and Stamps Today!"
- Alternative VersionenThere is an Italian edition of this film on DVD, "ORE X: COLPO SENSAZIONALE", re-edited in double version (1.33:1 and 1.78:1) with the contribution of film historian Riccardo Cusin. This version is also available for streaming on some platforms.
- VerbindungenReferenced in Allein gegen die Zukunft (1996)
- SoundtracksBelieve Me If All Those Endearing Young Charms
(uncredited)
Traditional Irish melody
Lyrics by Thomas Moore
[Sung by those gathered at the beginning]
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Details
- Laufzeit1 Stunde 25 Minuten
- Farbe
- Seitenverhältnis
- 1.37 : 1