Der Pirat und die Dame

My favorite pirate film was the "Black Swan" (and I didn't hate "Cutthroat Island", either!), but this is a close second even though there is less sea action and it's more ABOUT a pirate. The sets and acting are wonderful; the use of color is magnificent. This is a very enjoyable film with the gorgeous Joan Fonatine (Olivia deHavilland's estranged sister) acting up a storm and at her peak of pulchritude, and the magnificent Basil Rathbone demonstrating his soaring acting talent. The hilight of the film for me was one of the best fight scenes ever filmed - an all-out battle-to-the-death between Rathbone - and Fontaine!! A classic!

A highborn noblewomen named Lady Dona St Columb , Joan Fontaine , who has two children , falls badly in love for a pirate when she fleeing her spineless husband : Ralph Forbes , heads for her family's state on the Cornish coast . There she finds a Frenchman's ship anchored in a creek off her country state and discovers a dashing French privateer : Arturo de Córdoba is using a nearby cove to anchor his ship while he spies on the English . As the pirate is unfortunately a spy since the Frenchies and the Brits are battling as usual. The Lady and the pirate get very , very close and she decides to help him outwit the authorities and especially the lecherous Lord Rockingham : Basil Rathbone who discovers her secrets , while Lady Dona risks all to rescue him .

The attractive and colourful escapism ensured to make a big hit at boxoffice and profit enough . This fun and entertaining film displays emotion , thrills , swashbuckling , swordplay and romance. Stars Joan Fontaine who is frankly fabulous as the Lady searching for adventure and becomes dazzled by a valiant pirate, but soon she must choose between passion and duty concerning her children. Arturo de Córdoba is agreeable and sympathetic as the brave French pirate. Adding a classy secondary cast , including enjoyable performances from Ralph Bates, Basil Rathbone , Nigel Bruce playing in Watson style and Cecil Kallaway who steals the movie as a likable butler . Bolstered by a great production , it was said to have cost more the 3 million dollar , besides , a colorful and brilliant technicolor by George Barnes and emotive musical score by Victor Young .

Based on the novel by Daphne Du Maurier , whose books were also adapted by Alfred Hithcock as Jamaica Inn and Rebecca starred by Joan Fontaine . It was remade for British television in 1998 by Ferdinand Fairfaix with Tara Fitzgerald , Anthony Delon , James Fleet , Danny Webb , Tim Dutton . This old 1944 retelling was nicely directed by Mitchell Leisen , whose speciality in filmmaking was romantic comedy , it was perhaps not the ideal director , but here Leisen gets an amusing and charming pirate adventure .

I've never seen this fanciful costumer in a theater but a TV broadcast, quite a few years ago, fairly leapt from the screen - the three-strip Technicolor had transferred to video as if it were a pristine print. Paramount obviously spared no expense on this one and, despite some minor objections, I recall being thoroughly entertained by it, especially that absolutely savage battle-to-the-death between Basil Rathbone's quintessentially dastardly villain and a desperately determined Joan Fontaine.

Some years back I somewhere read that, while waiting in full makeup and costumes for the lighting technicians to work their magic, Miss Fontaine rather scathingly queried her costar, Arturo de Cordova, why he was pursuing a career as an actor, apparently with the implication that it was an occupation unworthy of a man. If that's the kind of treatment he had to undergo at the hands of a Hollywood leading lady, one can confidently guess that his much greater success in Latin American cinema left him with few regrets that his Hollywood sojourn never amounted to much.

Arturo de Cordova was not Spanish, he was Mexican. His first language was Spanish, but that does not make him "Spanish." Mexican and Spanish are two different things.

The film aired today on TCM. It was a rare showing of this movie, which I have been hunting down since reading about it in Mitchell Leisen's biography 43 years ago. It was then that I read and never forgot about the sumptuous Oscar-winning Technicolor cinematography. I was heartbroken to see it in an extremely washed-out transfer but anything is better than nothing. Would it be possible for Universal to place this on a list of important restorations, given its place in Oscar history?

The absolutely gorgeous color cinematography and the Academy Award winning sets are the main reason that you should Frenchman's Creek today. The players definitely take second place to those outstanding features.

The plot at least as it has been altered by the Code is handled with as much skill as the cast can muster covering up some glaring holes. Joan Fontaine is one unhappily married lady of the manor with two small children and a husband who seems more intent on advancing his career in Restoration Great Britain than in her. As was the fashion of that bawdy era husband Ralph Forbes even encourages his wife to pay attention to the courting of his rakish friend Basil Rathbone to Fontaine. When at court many men even pimped their wives for Charles II, this behavior in that era isn't surprising.

Well Fontaine can't stand Rathbone so she and the kids take off for the summer place on the Cornwall coast. There's a servant there with a French accent, Cecil Kellaway and later she learns it's been inhabited discreetly by French pirate Arturo De Cordova. He's quite the charmer, if the film were done at Warner Brothers Errol Flynn would have had the part.

Joan and Arturo as a couple look like they come right out of one of those romance novels. She even takes up the cutlass with him and she proves to be every bit the swordsman he is.

The title of the film comes from a hidden cove near Fontaine's manor where De Cordova's ship lays anchor.

Other more recent versions of the story by Daphne Du Maurier have been made that are closer to the original. I can't reveal it, but the ending makes absolutely no sense at all. And it is NOT as Du Maurier wrote it originally.

Maybe that was part of the reason that Mexican film idol Arturo De Cordova never got stardom north of the border. He appeared in this film, in a supporting role in For Whom the Bell Tolls and another Paramount feature and then went back to Mexico where he was a leading figure in Latino cinema for the next quarter of a century. De Cordova reminds me a lot of his fellow countryman, Gilbert Roland.

Rathbone is a nasty villain and there's also a nice performance by Nigel Bruce as a fatheaded earl who is a Cornwall neighbor. It's the only time that Basil and Nigel did a film together not as Holmes and Watson.

Mitchell Leisen directed this film and did a good job given the Code restrictions he operated under. Leisen early in his career worked on several Cecil B. DeMille films and his photography and sets definitely have a DeMille look to them.

If you like romantic tales, despite the problems, Frenchman's Creek is one for you.