IMDb-BEWERTUNG
6,5/10
1682
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuDuring World War II, in neutral Portugal, a Dutch resistance fighter is attempting to find passage to England while trying to avoid German spies and Portuguese policemen.During World War II, in neutral Portugal, a Dutch resistance fighter is attempting to find passage to England while trying to avoid German spies and Portuguese policemen.During World War II, in neutral Portugal, a Dutch resistance fighter is attempting to find passage to England while trying to avoid German spies and Portuguese policemen.
Eduardo Ciannelli
- Police Colonel Almeida
- (as Edward Ciannelli)
Eddie Abdo
- Immigration Officer
- (Nicht genannt)
Alex Akimoff
- Undetermined Role
- (Nicht genannt)
Luis Alberni
- Prison Guard
- (Nicht genannt)
Carlos Albert
- Undetermined Role
- (Nicht genannt)
Rafael Alcayde
- Senhor Gama
- (Nicht genannt)
Fred Aldrich
- German Soldier on Train
- (Nicht genannt)
John Arnold
- Custom's Official
- (Nicht genannt)
Empfohlene Bewertungen
Others have commented on the (same) awesome cast, many from Casablanca, so I won't spend much time on that. Begins in the netherlands, where Van der Lyn (Henreid) must get from netherlands to portugal quickly to escape. When he arrives, the germans (and others) take notice of him. He meets up with Irene (Hedy Lamarr), who seems friendly enough, but in wartime, one is never sure who they can trust. Van der Lyn hooks up with a rebel group of the underground, and gets caught up in one of their adventures (recover the eagle!) on the way to his own mission. He spends the rest of the film trying to figure out who to trust... and i guess that's the reality for a spy during wartime. It's entertaining enough. Henreid made this right after Casablanca. Directed by Jean Negulesco.
The greatness of this film lies in its ability to make you feel absorbed in the story, characters' lives, and outcomes. Negulesco's masterful direction and the excellent cast's strong delivery leaves you wanting to follow every move and hear every word.
There is also a nice variety of scenes throughout that engage you in the complexities of the characters' thoughts and lives. It adds to the sense of anxiety they felt during the war, even in neutral Portugal. Through Henreid's early anti-German sabotage in the Netherlands, music at Café Império in Lisbon, barroom conversations and back alley meet-ups, everything feels and moves perfectly, adding depth to the story. No scene, word, or movement is ever out of place.
The entire movie was interesting and enjoyable and I watched it several times in 1 week. Isn't one hallmark of a high quality movie the need to watch it several times to pick up all the nuances? Even so, I never felt like it was on repeat.
One final note - the picture is a little dark, so I increased the screen brightness and turned off the lights in the room and that helped. Also, wish it were available in HD, but otherwise highly recommend!
There is also a nice variety of scenes throughout that engage you in the complexities of the characters' thoughts and lives. It adds to the sense of anxiety they felt during the war, even in neutral Portugal. Through Henreid's early anti-German sabotage in the Netherlands, music at Café Império in Lisbon, barroom conversations and back alley meet-ups, everything feels and moves perfectly, adding depth to the story. No scene, word, or movement is ever out of place.
The entire movie was interesting and enjoyable and I watched it several times in 1 week. Isn't one hallmark of a high quality movie the need to watch it several times to pick up all the nuances? Even so, I never felt like it was on repeat.
One final note - the picture is a little dark, so I increased the screen brightness and turned off the lights in the room and that helped. Also, wish it were available in HD, but otherwise highly recommend!
You know that Warner Brothers - once they have their hands on a hot property, they slice it, dice it, and put it in the Mixmaster. Just look at the three versions of "The Maltese Falcon." Now it's wartime, and that hot property is, of course "Casablanca." In "The Conspirators," part of that magnificent cast is reunited - Paul Henried, Sydney Greenstreet and Peter Lorre - in this story of a Dutch freedom fighter, Vincent Van der Lyn, in neutral Lisbon and having trouble figuring out who wants to help him and who wants to hurt him. The suspects are Greenstreet, the head of a resistance group, Lorre, one of its members, and the exquisite Hedy Lamarr, married to a Nazi official.
The story is harder to follow and ultimately, the film is not as good as "Joan of Paris," another World War II film starring Henried, but it still has great atmosphere and is fairly intriguing. There just isn't enough of Greenstreet or Lorre, one of the great screen teams. Paul Henried, a very useful actor during World War II while the stars were away, does a good job as Van der Lyn. Lamarr is positively outrageously beautiful - no, she's not much of an actress - it's a face made for the closeup, and one can just look at her forever. What she brings is a certain enigmatic quality, probably by default, but who cares.
If this pops up on TCM, you won't be sorry you saw it, but you won't be swept away either.
The story is harder to follow and ultimately, the film is not as good as "Joan of Paris," another World War II film starring Henried, but it still has great atmosphere and is fairly intriguing. There just isn't enough of Greenstreet or Lorre, one of the great screen teams. Paul Henried, a very useful actor during World War II while the stars were away, does a good job as Van der Lyn. Lamarr is positively outrageously beautiful - no, she's not much of an actress - it's a face made for the closeup, and one can just look at her forever. What she brings is a certain enigmatic quality, probably by default, but who cares.
If this pops up on TCM, you won't be sorry you saw it, but you won't be swept away either.
All the ingredients that made CASABLANCA such a mega-hit are present in THE CONSPIRATORS, but not one of the ingredients is able to put the film over the top as a story of intrigue, espionage and romance.
What's surprising is that the film fails to sustain interest despite a great supporting cast that includes PETER LORRE, SYDNEY GREENSTREET and VICTOR FRANCEN. Also surprising is the fact that it's directed by Jean Negulesco, who did such a brilliant job on the direction of JOHNNY BELINDA. The script is a talky, muddled bit of contrivances and clichés, with Henried as a Dutch freedom fighter in Lisbon clashing with the Nazis and falling under the spell of a beautiful woman who guards her secrets.
HEDY LAMARR is lovely, of course, but her characterization is so paper-thin that all we can really see is her exotic glamor, without much passion or feeling below the make-up. Nor is PAUL HENRIED seen at his best, more remote than usual in what should have been a much stronger role but is dulled by a witless script and a co-star with whom he has very little chemistry.
The convoluted plot doesn't give the supporting actors much to do and it's somewhat of a relief when the story comes to downbeat ending.
What's surprising is that the film fails to sustain interest despite a great supporting cast that includes PETER LORRE, SYDNEY GREENSTREET and VICTOR FRANCEN. Also surprising is the fact that it's directed by Jean Negulesco, who did such a brilliant job on the direction of JOHNNY BELINDA. The script is a talky, muddled bit of contrivances and clichés, with Henried as a Dutch freedom fighter in Lisbon clashing with the Nazis and falling under the spell of a beautiful woman who guards her secrets.
HEDY LAMARR is lovely, of course, but her characterization is so paper-thin that all we can really see is her exotic glamor, without much passion or feeling below the make-up. Nor is PAUL HENRIED seen at his best, more remote than usual in what should have been a much stronger role but is dulled by a witless script and a co-star with whom he has very little chemistry.
The convoluted plot doesn't give the supporting actors much to do and it's somewhat of a relief when the story comes to downbeat ending.
10gullom-1
In order to counter the unbelievably negative previous review I shall first disagree with ALL of the "I spy" review.
Jean Negulesco (Humoresque) directs an all-star cast in "The Conspirators", a truly remarkable film, and a MUST SEE!! This film resembles "Casablanca" in that it has much of its feel--the cast, setting (WWII Portugal), romantic music, this film has it all! Strangely enough, this film bears some similarity to Hedy Lamarr's life in Germany before her escape. She worked extensively against the Nazi's. The fact that she was to be cast in Casablanca instead of Ingrid Bergman goes to show that the chemistry between Paul Henreid was definitely strong. Unfortunately, Lamarr was not able to take the role so it was given to Bergman.
Lamarr's enigma-like qualities is trademark of her style and adds to the film's appeal.
Henreid is in his own element here and the man he was hinted at being in Casablanca comes to life.
Sentimentality evidently fails to appeal to everyone. However, I will conclude with stating how much the messages this film carries appeal to me--the love story filled with strife, as well as fighting against all odds whatever the cost.
Jean Negulesco (Humoresque) directs an all-star cast in "The Conspirators", a truly remarkable film, and a MUST SEE!! This film resembles "Casablanca" in that it has much of its feel--the cast, setting (WWII Portugal), romantic music, this film has it all! Strangely enough, this film bears some similarity to Hedy Lamarr's life in Germany before her escape. She worked extensively against the Nazi's. The fact that she was to be cast in Casablanca instead of Ingrid Bergman goes to show that the chemistry between Paul Henreid was definitely strong. Unfortunately, Lamarr was not able to take the role so it was given to Bergman.
Lamarr's enigma-like qualities is trademark of her style and adds to the film's appeal.
Henreid is in his own element here and the man he was hinted at being in Casablanca comes to life.
Sentimentality evidently fails to appeal to everyone. However, I will conclude with stating how much the messages this film carries appeal to me--the love story filled with strife, as well as fighting against all odds whatever the cost.
Wusstest du schon
- WissenswertesThis film has many tangential connections to Casablanca (1942) besides its plot line of anti-Nazi intrigue. It features Paul Henreid, Sydney Greenstreet and Peter Lorre, who all appeared in "Casablanca." Behind the scenes, the film features music by Max Steiner and cinematography by Arthur Edeson, who both worked on "Casablanca." Like "Casablanca," it was produced by Warner Bros. It also features Hedy Lamarr, who was originally considered for the role of "Ilsa," which was eventually played by Ingrid Bergman. Lamar had also previously appeared in Algiers (1938), which had a plot line similar to "Casablanca." In "Casablanca" and this film, the city of Lisbon is referenced as the port of departure for the United States and other points in the non-Axis world. Moreover, Lisbon is the main setting for this film.
- PatzerWhen an aerial map of Lisbon is shown, it does not look at all like it, and resembles an aerial view of the China territory of Macau and Taipa Island, then under Portuguese administration.
- Zitate
Jan Bernazsky: A pawn shop is the grave yard of dead hopes.
- VerbindungenReferenced in Ayn Rand: A Sense of Life (1996)
- SoundtracksMaringá
(1932) (uncredited)
Written by Joubert de Carvalho
Played on a concertina and guitar by two unidentified men in the fishing village, and sung by them
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