Füge eine Handlung in deiner Sprache hinzuThe dramatized life of immortal humorist Samuel Langhorne Clemens, better known as Mark Twain, from his days as a riverboat pilot on the Mississippi River until his death in 1910 shortly aft... Alles lesenThe dramatized life of immortal humorist Samuel Langhorne Clemens, better known as Mark Twain, from his days as a riverboat pilot on the Mississippi River until his death in 1910 shortly after Halley's Comet returned.The dramatized life of immortal humorist Samuel Langhorne Clemens, better known as Mark Twain, from his days as a riverboat pilot on the Mississippi River until his death in 1910 shortly after Halley's Comet returned.
- Für 3 Oscars nominiert
- 2 Gewinne & 3 Nominierungen insgesamt
- Charles Langdon
- (as Bill Henry)
- Pickpocket
- (Nicht genannt)
- Secretary
- (Nicht genannt)
- Worried Buffalo Merchant
- (Nicht genannt)
- Susie Clemens
- (Nicht genannt)
- Elderly Woman
- (Nicht genannt)
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How can you criticize a film when, at the beginning of the story, the lead character threatens, in writing, to 'shoot you' if you look for a higher moral? As the camera pans back while a hand signs a name to the document with a flourish, we are 'introduced' to the spirit of Samuel Langhorne Clemens, himself, the living embodiment of the white-haired rascal we've all seen in his many 'turn of the century' photographs, with a twinkle in his eye and his tongue firmly 'in cheek'. Fredric March bears an astonishing resemblance to the author (thanks, in large measure, to Perc Westmore's extraordinary make up), and, more importantly, portrays him with a sense of irreverence and fun. His Twain is a man who loves the 'Mighty Mississippi', writes from his heart, and observes life with the eye of a born humorist, seeing all of Man's foibles as part of a giant Cosmic joke he is privy to.
In the fanciful biography, Clemens is delivered as Haley's Comet streaks overhead, as scores of black slaves listen to his father call the celestial event a "jubilation in Heaven". As a child, he plays with Huck Finn, Tom Sawyer, and the slave, Jim, then escapes to the river after writing a far-fetched tale, which gets his older brother, a printer, in hot water. Despite the boy's total ineptitude, a riverboat pilot swears to teach him his profession, and in a few years, the adult Clemens masters the Mississippi, successfully guiding his riverboat through the dangerous waters at night, until the cry of "Mark Twain...Safe Water" is heard. While dazzling naive passengers with tales of how alligators 'hitch rides' on the paddlewheel, Clemens sees a cameo with the image of young Libby Langdon (Alexis Smith), and announces to her brother that she would be the girl he'd marry.
Heading west with friend Steve Gillis (the always wonderful Alan Hale) to strike it rich where the "gold is on the ground waiting to be picked up", he fails spectacularly, and ends up a reporter at a frontier newspaper. He writes an account of a leaping frog competition, and the sad fate of novelist Bret Harte (John Carradine, perfectly cast!) and his prize jumper. Not thinking the story very good, he signs 'Mark Twain' as the author's name...then decides to throw the manuscript away. Fortunately, his editor retrieves it from the garbage, and sends the story back east, where, to a public overwhelmed by Civil War news, it provides welcome relief, creating a sensation. Mark Twain becomes a national celebrity! When finally tracked down, Clemens sees a way to win his ladylove, and plays both himself and Twain at a packed New York lecture. Libby is dazzled by him, he goes courting and 'moves in' to her home (much to the bemusement of her father), and, with her inspiration, his fabulous career as 'America's Voice' begins.
Chronicling Clemens' eventful life with unforgettable scenes of spectacular success as well as tragedy and failure, THE ADVENTURES OF MARK TWAIN is the tale of a legendary man, told in 'larger than life' terms. While most of the story is fictitious (the real Clemens' biography would require a Ken Burns documentary to do it justice), the film is never less than entertaining. Fredric March is superb in the lead, and, as Haley's Comet returns, ending his time on earth, you may find it hard to hold back a tear, especially when his spirit says to his grieving daughter, "The reports of my death have been GREATLY exaggerated..."
He was absolutely correct...Mark Twain will never really die!
As other commentators have noted, March is phenomenal in capturing the legendary Mark Twain. March is one of the greatest actors in American film history. His performance here is typically nuanced, capturing the dry wit of Twain with understated charisma, and also the pathos of the man in his private life. Brilliant!
Alexis Smith is wonderful, too. She had the ability to capture loving, devoted women with a realistic warmth that is never over-sentimental. Besides, she is very easy to look at. (At a similar age, Jody Foster bears an uncanny resemblance to Alexis Smith in this movie. The cameo could easily have been of Foster.)
The very personification of the Art of Exaggeration is Alan Hale, here portraying Steve Gillis, Twain's sidekick out west. Somehow in roles such as Gillis he is capable of the greatest of acting paradoxes - delivering exaggerated performances that NEVER seem overacted or hammy. His characters always appear natural, yet larger than life. Offhand it is difficult to think of another actor who accomplished this incredible balance. I would watch ANY movie in which Hale appears.
Likewise, comedies of this era seem to be able to strike that same balance - natural, yet larger than life. That is what sets them apart. Later films don't seem to be able to capture the same balance. In attempting to do so, actors just come across as hammy. The Art of Exaggeration in American film, got lost some time in the late 40's. What a shame. Movies like this are the quintessence of that fine art.
Full of interesting tidbits, like how he picked out his pen name, and including well-known interests that permeated his life, like time travel, you'll learn an awful lot about Mark Twain. One of his books is one of my favorites of all time, so I was particularly moved to find out the personal tragedy that surrounded him before he got the idea to write A Connecticut Yankee in King Arthur's Court. I've read it many times, but it's never made as much sense to me as it does now that I've seen this movie. If you're a Mark Twain fan, I highly recommend you watch this movie.
You will find that the art of movie making, great acting, and a superb story is, The Adventures of Mark Twain.
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- WissenswertesThe scene in which Clemens receives an honorary degree from Oxford University in 1907 was the re-creation of an event that C. Aubrey Smith, who plays the Oxford chancellor, actually witnessed.
- PatzerThe film first shows Mark Twain wearing his famous white suit as the author speaks to his wife Livy, while she is on her deathbed. Twain began wearing the suit only after he had finished mourning his wife's death, at which time he swore he would wear only white for the rest of his life. (Michael Shelden recounted this in the opening of his biography, "Mark Twain: Man in White -- The Grand Adventure of His Final Years.")
- Zitate
Mark Twain: Ladies and gentlemen, William Shakespeare, the greatest author in the English language is dead.....and I feel far from well myself.
- VerbindungenFeatures Sein letztes Kommando (1941)
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- Die Abenteuer Mark Twains
- Drehorte
- Produktionsfirma
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- Laufzeit
- 2 Std. 10 Min.(130 min)
- Farbe
- Seitenverhältnis
- 1.37 : 1