IMDb-BEWERTUNG
6,0/10
8662
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuDisney animators tour South America and present four animated shorts inspired by their trip.Disney animators tour South America and present four animated shorts inspired by their trip.Disney animators tour South America and present four animated shorts inspired by their trip.
- Für 3 Oscars nominiert
- 1 Gewinn & 3 Nominierungen insgesamt
Fred Shields
- Narrator
- (Synchronisation)
José Oliveira
- José 'Joe' Carioca
- (Synchronisation)
Mary Blair
- Self
- (Nicht genannt)
Stuart Buchanan
- Flight Attendant
- (Synchronisation)
- (Nicht genannt)
Pinto Colvig
- Goofy
- (Synchronisation)
- (Nicht genannt)
Walt Disney
- Walt Disney
- (Nicht genannt)
Norman Ferguson
- Self
- (Nicht genannt)
Frank Graham
- Self
- (Nicht genannt)
Clarence Nash
- Donald Duck
- (Synchronisation)
- (Nicht genannt)
Frank Thomas
- Self
- (Nicht genannt)
Empfohlene Bewertungen
A "package film" wherein Walt Disney and his team of animators, artists, and musicians travel across South America experiencing various geographical and cultural points of interest which lead into 4 animated shorts inspired by their visits.
Following the underperformance of Disney's animated films Pinocchio, Fantasia, and Bambi as a result of World War II cutting off needed European and Asian markets, Saludos Amigos came from a State Department arranged "goodwill tour" for Disney and his team as part of the Good Neighbors Policy to improve relations between neighboring South American countries whom had diplomatic and commercial ties to Axis powers such as Nazi Germany. Looking to recoup losses on his overexpanded studio as well as his commercial failures, Disney accepted the deal with the federal grants helping ot finance the film which proved to be a strong success. While the movie is certainly a curiosity with some good animation, it's honestly not all that much of a "movie" with only a 40 minute runtime with a collection of animated shorts that are serviceable but don't exactly stand out much from the usual Silly Symphonies Disney put out saved for the novelty of South American cultural and geographical Iconography that when coupled with the rather dry documentary footage makes the film feel rather anemic.
The animation par for the course for Disney animation is good (though admittedly it's not as ambitious as Disney's other feature films including Dumbo which while intentionally cheap was at least experimental with certain elements). The film features three shorts, two featuring Donald Duck, one featuring Goofy, and another featuring an anthropomorphic plane named Pedro. The Donald Duck short Lake Titicaca, and the Goofy short El Gaucho Goofy are showcases for some entertaining slapstick (with a suspension bridge sequence with Donald Duck being particularly humorous) and while not being anything groundbreaking they are at least enjoyable enough. Pedro is probably the weakest short as it's basically just a cutesy story with a young plane going over mountains to deliver mail over the Andes mountains. It's animated well enough and you can see some of the artistic staples that would be reutilized for later era Disney shorts like Susie, The Little Blue Coupe or The Little House but other than that it's pleasant but forgettable. The final short, Watercolor of Brazil is definitely the most ambitious of the shorts as we start with a bank canvas that is then brough to life through a paint brush giving us the various flora and fauna of Brazil with good usage of misdirection with some memorable moments being a bunch of bananas that turns into Toucans or a tree that turns into a Macaw. This short also marks the first appearance of José Carioca the parrot who along with Donald Duck shows him some of Brazil and the "spirit of the Samba" and with his dapper appearance and energy makes a welcome addition to the Disney canon.
Saludos Amigos is certainly an important piece of Disney history and you can't argue against the role it played in keeping Disney studios afloat during trying times and giving Disney a tangible foot print in South America as well as changing U. S. public perceptions of South America with its travelogue approach. But as a movie its very thin and while its animation is good by the standards of Silly Symphonies nothing except maybe Watercolor of Brazil elevates it beyond the typical short. Worth a watch for curiosity's sake, but one of the weaker parts of the Disney animated films.
Following the underperformance of Disney's animated films Pinocchio, Fantasia, and Bambi as a result of World War II cutting off needed European and Asian markets, Saludos Amigos came from a State Department arranged "goodwill tour" for Disney and his team as part of the Good Neighbors Policy to improve relations between neighboring South American countries whom had diplomatic and commercial ties to Axis powers such as Nazi Germany. Looking to recoup losses on his overexpanded studio as well as his commercial failures, Disney accepted the deal with the federal grants helping ot finance the film which proved to be a strong success. While the movie is certainly a curiosity with some good animation, it's honestly not all that much of a "movie" with only a 40 minute runtime with a collection of animated shorts that are serviceable but don't exactly stand out much from the usual Silly Symphonies Disney put out saved for the novelty of South American cultural and geographical Iconography that when coupled with the rather dry documentary footage makes the film feel rather anemic.
The animation par for the course for Disney animation is good (though admittedly it's not as ambitious as Disney's other feature films including Dumbo which while intentionally cheap was at least experimental with certain elements). The film features three shorts, two featuring Donald Duck, one featuring Goofy, and another featuring an anthropomorphic plane named Pedro. The Donald Duck short Lake Titicaca, and the Goofy short El Gaucho Goofy are showcases for some entertaining slapstick (with a suspension bridge sequence with Donald Duck being particularly humorous) and while not being anything groundbreaking they are at least enjoyable enough. Pedro is probably the weakest short as it's basically just a cutesy story with a young plane going over mountains to deliver mail over the Andes mountains. It's animated well enough and you can see some of the artistic staples that would be reutilized for later era Disney shorts like Susie, The Little Blue Coupe or The Little House but other than that it's pleasant but forgettable. The final short, Watercolor of Brazil is definitely the most ambitious of the shorts as we start with a bank canvas that is then brough to life through a paint brush giving us the various flora and fauna of Brazil with good usage of misdirection with some memorable moments being a bunch of bananas that turns into Toucans or a tree that turns into a Macaw. This short also marks the first appearance of José Carioca the parrot who along with Donald Duck shows him some of Brazil and the "spirit of the Samba" and with his dapper appearance and energy makes a welcome addition to the Disney canon.
Saludos Amigos is certainly an important piece of Disney history and you can't argue against the role it played in keeping Disney studios afloat during trying times and giving Disney a tangible foot print in South America as well as changing U. S. public perceptions of South America with its travelogue approach. But as a movie its very thin and while its animation is good by the standards of Silly Symphonies nothing except maybe Watercolor of Brazil elevates it beyond the typical short. Worth a watch for curiosity's sake, but one of the weaker parts of the Disney animated films.
I think the reviews of the other posters has been pretty accurate. It is very nice in the era of pixar to see the lush animation of Disney. The special feature South of the Border is fascinating. I hope these Disney travelogues are preserved and digitally enhanced because it would be a great shame to lose them. The picture quality is poor but it is better than not having any recollection at all. The narration is pure Disney and its all about the research that went into the main feature. Of course its testimony to history that seen through the eyes of middle upper class Americans its not really as accurate as Walt thought it was. Some of the facts are not facts at all. They call one creature a rabbit in the documentary but its certainly not a rabbit. It is a capybara. In the cartoon they even have an ostrich in South America!! Still despite the flaws the documentary is a charming bonus with some nostalgic images. Saludos is a pretty good cartoon although I thought the little aeroplane story was quaint it is anthromorphism gone crazy. Everyone's favourite duck with a speech impediment is fun. I never understood a word Donald said but loved his attitude. Goofy steals the movie. It took me years to realise Goofy was a dog! Its a pleasant Disney movie while not being a great one.
A fairly ordinary Disney travelogue cartoon. Ironically, the live action sequences are more interesting than the cartoons, although Goofy's turn is actually quite informative.
Animators on assignment from Walt Disney tour South America (along with Donald Duck!) to soak up new cartoon ideas. This long-unseen Disney item is full of color and music, but is obviously a holding-pattern release for the company. I watched the film on video, coupled with the quite-entertaining additional 20-minute documentary which regales even more of the non-animated adventures. Never too popular with the kids, probably because a major cartoon segment involving Pedro the Airplane isn't very funny and lacks the local flavor. Otherwise, some visually dazzling bits but not as good as the similar "The Three Caballeros", released in the US in 1945. **1/2 from ****
Like it's sequel, "Three Caballeros," "Saludos Amigos" was made to improve the relations between North and South America and to expose Northerners to Latin American culture. Great music and great fun, though the Latin American culture is a bit sugar-coated. A great family film though the concepts of inter-continental neighborship will go right over the kid's heads.
Wusstest du schon
- WissenswertesThis movie and Drei Caballeros (1944) were created by Disney in order to improve the United States of America's relations with South American countries during World War II.
- Crazy CreditsWith sincere appreciation for the courtesy and cooperation shown us by the artists, musicians and our many friends in Latin America - (signed) Walt Disney
- Alternative VersionenThe initial DVD release removes a scene where Goofy is seen smoking a cigarette and blowing smoke rings. It was finally released completely uncensored for historical purposes on the Blu-ray release and as a bonus on the DVD release of Walt & El Grupo (2008). (Uncensored, but not the original version: on the Grupo DVD the RKO distribution card which dissolves into the Disney card has been replaced with the later Buena Vista distribution card, which fades to black and then the Disney card a little later than the dissolve. It's also in 5.1 sound instead of mono. On the Blu-ray release, neither the RKO distribution card nor the later Buena Vista distribution card wasn't used at all and just began with the Disney card.) The collector's edition laserdisc is uncensored with the original logos and mono sound.
- VerbindungenEdited from Donald Duck Visits Lake Titicaca (1942)
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- 42 Min.
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