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Geächtet

Originaltitel: The Outlaw
  • 1943
  • 12
  • 1 Std. 56 Min.
IMDb-BEWERTUNG
5,4/10
5253
IHRE BEWERTUNG
Jane Russell in Geächtet (1943)
Official Trailer ansehen
trailer wiedergeben2:04
1 Video
93 Fotos
ActionAdventureDramaWestern

Die Western-Legenden Pat Garrett, Doc Holliday und Billy the Kid werden vor dem Gesetz und hinsichtlich der Aufmerksamkeit der temperamentvollen Schönheit Rio McDonald gegeneinander ausgespi... Alles lesenDie Western-Legenden Pat Garrett, Doc Holliday und Billy the Kid werden vor dem Gesetz und hinsichtlich der Aufmerksamkeit der temperamentvollen Schönheit Rio McDonald gegeneinander ausgespielt.Die Western-Legenden Pat Garrett, Doc Holliday und Billy the Kid werden vor dem Gesetz und hinsichtlich der Aufmerksamkeit der temperamentvollen Schönheit Rio McDonald gegeneinander ausgespielt.

  • Regie
    • Howard Hughes
    • Howard Hawks
  • Drehbuch
    • Jules Furthman
    • Howard Hawks
    • Ben Hecht
  • Hauptbesetzung
    • Jack Buetel
    • Thomas Mitchell
    • Jane Russell
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    5,4/10
    5253
    IHRE BEWERTUNG
    • Regie
      • Howard Hughes
      • Howard Hawks
    • Drehbuch
      • Jules Furthman
      • Howard Hawks
      • Ben Hecht
    • Hauptbesetzung
      • Jack Buetel
      • Thomas Mitchell
      • Jane Russell
    • 123Benutzerrezensionen
    • 31Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
  • Videos1

    Official Trailer
    Trailer 2:04
    Official Trailer

    Fotos93

    Poster ansehen
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    Poster ansehen
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    + 85
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    Topbesetzung24

    Ändern
    Jack Buetel
    Jack Buetel
    • Billy the Kid
    • (as Jack Beutel)
    Thomas Mitchell
    Thomas Mitchell
    • Pat Garrett
    Jane Russell
    Jane Russell
    • Rio McDonald
    Walter Huston
    Walter Huston
    • Doc Holliday
    Mimi Aguglia
    Mimi Aguglia
    • Guadalupe
    Joe Sawyer
    Joe Sawyer
    • Charley Woodruff
    Gene Rizzi
    Gene Rizzi
    • Stranger who draws on The Kid
    Bobby Callahan
    • Boy
    • (Nicht genannt)
    Martin Garralaga
    Martin Garralaga
    • Mike - Waiter
    • (Nicht genannt)
    Ben Johnson
    Ben Johnson
    • Deputy
    • (Nicht genannt)
    Dickie Jones
    Dickie Jones
    • Boy
    • (Nicht genannt)
    Cecil Kellogg
    • Deputy
    • (Nicht genannt)
    Ethan Laidlaw
    Ethan Laidlaw
    • Deputy
    • (Nicht genannt)
    Ted Mapes
    Ted Mapes
    • Deputy
    • (Nicht genannt)
    William Newell
    William Newell
    • Drunken Cowboy
    • (Nicht genannt)
    Emory Parnell
    Emory Parnell
    • Dolan - Man Entering Saloon
    • (Nicht genannt)
    Edward Peil Sr.
    Edward Peil Sr.
    • Swanson - Deputy
    • (Nicht genannt)
    Wallace Reid Jr.
    Wallace Reid Jr.
    • Townsman Bystander
    • (Nicht genannt)
    • Regie
      • Howard Hughes
      • Howard Hawks
    • Drehbuch
      • Jules Furthman
      • Howard Hawks
      • Ben Hecht
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen123

    5,45.2K
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    Empfohlene Bewertungen

    5michaelRokeefe

    Lust in the dust.

    Highly anticipated. Hyped to the hilt. Howard Hawks directs with the aid of Howard Hughes. This western depicts the relationships between Billy the Kid(Jack Buetel),Doc Holliday(Walter Huston) and Sheriff Pat Garrett(Thomas Mitchell). Cowboys, Indians and gun play are not the main feature...the debut of Jane Russell is! This movie was filmed in 1941, but it took two years to pass the censors due to the shameless display of Russell's ample assets(36D). Aircraft pioneer Hughes actually designed the bra that helps showcase Russell. This is also Buetel's debut; but Huston is the one to prove his screen greatness. Probably the first sex western. Of course the fade outs leave a lot to the imagination. Worth the ballyhoo.
    Michael_Elliott

    Despite Its History The Outlaw is Just Poorly Made

    Outlaw, The (1943)

    ** (out of 4)

    Notorious Western had to battle the Hayes Office for two years before eventually getting released where it ended up battling more censorship issues but a certain pair at least got people into the theater. Doc Holliday (Walter Huston) has a falling out with Pat Garrett (Thomas Mitchell) after he sides with Billy the Kid (Jack Buetel). Billy and Doc become friends and head off but they are soon battling over a woman (Jane Russell) as well as constantly having Garrett trying to track them down. The aspects of this that were shocking in 1943 are pretty much tame and dated by today's standards but what I found so shocking about THE OUTLAW is how poorly made it was and how many awful things here in it. I don't mind the changes in history that the film made but for the life of me I couldn't understand what Hughes was trying to do with this thing other than to show off Russell's big breasts. I found the screenplay to be a complete mess as it never seems to know what it wants to do or what type of story it wants to tell. Is it meant to be a real Western? If so why are there so many silly moments? Was it meant to be a silly comedy? Well, that's fine but if so why on Earth were there so many darker moments? The movie contains one of the worst scores in Hollywood history as the thing is embarrassingly bad. The thing is over dramatic when there's nothing going on in the scene and sometimes the score is so loud and over-the-top that you can't even hear the dialogue. The film has also become legendary due to the homosexual aspect of the story. Again, I'm not certainly a love triangle between Billy, Garrett and Holliday is what Hughes was going for but that's how it comes off. I'm going to guess this is just part of the film being poorly made because at times the three men seem to be flirting more with one another and just letting Russell be on her own. The film has some really weird and out of touch comedic moments including various sound effects that happen during times when something serious or dramatic is going on. As far as the performances go, Huston comes off the best as he at least seems to be trying to give a performance. Buetel has no personality and comes off very stiff and appears to be bored. Mitchell was a fine character actor but he's miscast here and is never believable in the part. As far as Russell goes, she certainly looks beautiful and I enjoy the fact that Hughes wanted to show off her certain parts but he didn't give her much of a chance to act as she's simply used as eye candy. Hughes direction is all over the place and in the end he delivers a pretty big turkey. I understand this movie having a cult following due to its reputation and troubled history but for the life of me I can't understand some of the positive reviews I've read.
    5Bucs1960

    Run for the Hills

    And run for the hills is exactly what Howard Hawks did after Howard Hughes couldn't keep his hands off the production. Mr. Hughes or someone took over direction and gave us the finished product which is a mess but a lot of fun just the same.

    The build-up of Jane Russell (no pun intended) was one of the great publicity moves in film history. That famous shot of her lolling around on a bale of hay with her famous chest falling about was enough to entice most red-blooded males to this film And she didn't disappoint as Rio, the girlfriend of many, faithful to none. Throw in Pat Garrett, Billy the Kid and Doc Holliday (where did he come from?) and you've got a mix of relationships that vies with "Brokeback Mountain" for male bonding. And just for the hell of it, add some Indians which cause our heroes to embark in a cloud of dust across the landscape.

    I found Jack Buetel (or Beutel) a rather attractive actor in a wispy kind of way. Jane Russell's chest probably weighed more than he did. Unfortunately he never recovered from this film outing and sank into oblivion This film is about as coherent as a Marx Brothers romp but not nearly as intentionally funny. The whole thing is contrived, there's a lot of talk, talk, talk, and if there is some underlying message, I missed it. BUT, you have to see it for the camp value......it's really more fun than it should be. Maybe Mr. Hughes meant it that way. On second thought, I guess not.
    Dee-40

    Almost too weird to adequately describe.

    In all my many years (80) on this planet, I have never seen a movie that comes close to challenging ones senses as "The Outlaw". With both Doc and Pat vying for the friendship of Billy the kid, this seems curious. Then when Doc shoots a chunk out of both Billy the kids ears, with no apparent pain or bleeding, wonderment begins as if to say, "this is really a cartoon," wherein no one really gets hurt or bleeds. Finally, at the tormented conclusion, when Billy the kid starts to ride off, stops, turns in his saddle to look back at Jane wherein she gives him a stupid look, then smiles and jumps on the back of the Kids horse and they together ride off. The end follows and not a moment too soon. What a goofy movie!
    4n_r_koch

    Broke Bra Mountain

    Made with big talent and deep pockets, this movie is almost as poorly made as an amateur film made by a rookie. The camera never moves and the actors don't move either. It is also surely the most flagrantly flaming movie of the Code Era, with the possible exception of COBRA WOMAN. Let's see, there's the triangle of a literally limp-wristed Doc (Hughes shows us this about five times to make sure everyone gets it), an sputtering old rejected Pat, and an energetic hot young buck (Billy) who also has time for Jane Russell. The three men do a lot of glaring at one another while they read innuendo-ridden lines in innuendo-laden blockings. The wah-wah-wah kicks in on the soundtrack whenever there's a really smoldery glare or argument. And so on. They do everything but hold hands. Russell isn't exactly beautiful by '40s movie standards, but she certainly is ripe. Hughes had the money to ignore the Censor, and watching it you can't help but wonder if all this wasn't meant as a joke on Mr. Breen himself. This movie is a little funnier if you see THE AVIATOR first.

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    Handlung

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    • Wissenswertes
      Jane Russell got the role after a nationwide search by Howard Hughes for a busty actress.
    • Patzer
      In the final scene, a car can be seen in the distance passing from left to right.
    • Zitate

      Billy the Kid: I think I'll have another drink of water.

      Doc Holliday: What are you talking about? You didn't have one in the first place.

      Billy the Kid: I know, but I had the same idea about an hour ago.

      Doc Holliday: It wouldn't do any good. Take my advice.

      Billy the Kid: What?

      Doc Holliday: Killing a woman.

      Billy the Kid: Why not?

      Doc Holliday: Because they're all alike. There isn't anything they wouldn't do for you... or to you.

    • Crazy Credits
      Prologue: "The Outlaw" is a story of the untamed West.

      Frontier days when the reckless fire of guns and passions blazed an era of death, destruction, and lawlessness.

      Days when the fiery desert sun beat down avengingly on the many who dared defy justice and outrage decency.
    • Alternative Versionen
      The director's cut copyrighted February 15, 1941, had a running time of 123 minutes. After additional shooting from mid to end March, 1941, the producer submitted a re-edited version of circa 117 minutes for certification by the PCA, and was still denied it. In May 1941, the producer submitted a version with additional cuts (115 min), and was still denied certification. The PCA claimed that of seven copies for distribution in San Francisco, California, in February 5, 1943, only copy #3 was in compliance with the cuts imposed by the PCA - which may mean that at least both versions (117 and 115 min) were theatrically shown at the limited premiere. Based on a letter by the PCA president, one may believe that the NYC September 15, 1947, re-issue with «objectionable material adequately altered» was a re-cut version running under 115 minutes. Meanwhile, the London, UK, premiere of November 29, 1946 of the «uncensored version» may have been the 117-min version. Various theatrical and VHS versions exist, accommodating different censorship and distributors' criteria, running anywhere from 95 to 105 minutes.
    • Verbindungen
      Featured in Hollywood the Golden Years: The RKO Story: Howard's Way (1987)
    • Soundtracks
      Symphony No. 6 in B Minor, Opus 74, 'Pathétique'
      (1893) (uncredited)

      Music by Pyotr Ilyich Tchaikovsky

      First movement theme played during the opening credits

      Variations also played throughout as the love theme between Billy and Rio

    Top-Auswahl

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    FAQ15

    • How long is The Outlaw?Powered by Alexa

    Details

    Ändern
    • Erscheinungsdatum
      • 16. März 1951 (Westdeutschland)
    • Herkunftsland
      • Vereinigte Staaten
    • Sprachen
      • Englisch
      • Spanisch
    • Auch bekannt als
      • The Outlaw
    • Drehorte
      • Red Rock Canyon State Park - Highway 14, Cantil, Kalifornien, USA
    • Produktionsfirmen
      • Howard Hughes Productions
      • RKO Radio Pictures
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    Technische Daten

    Ändern
    • Laufzeit
      1 Stunde 56 Minuten
    • Farbe
      • Black and White
    • Sound-Mix
      • Mono
    • Seitenverhältnis
      • 1.37 : 1

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    Jane Russell in Geächtet (1943)
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