Keine Zeit für die Liebe

Physical comedy of the kind we call screwball is evident throughout NO TIME FOR LOVE where Claudette Colbert and Fred MacMurray play a couple from opposite social circles. She's a magazine photographer, he's a sandhog working in a tunnel beneath the Hudson River. She's attracted to him at first sight but doesn't seem to know it--and we know he's going to fall for her after a bunch of mishaps happen.

The mishaps are piled one on top of another in typical screwball fashion with nobody making much sense. Certainly MacMurray's character is about as obnoxious and arrogant as any leading man Colbert was ever set up against, and she acts pretty irresponsibly in that tunnel where she gets up to her neck in trouble and mud--lots of mud.

But somehow, it's all very watchable with a cast that knows exactly how to play this sort of thing. Claude Binyon had a way with writing slight romantic comedies and he gives Colbert and MacMurray some bright lines to work with. Others fortunate enough to get some good moments are Richard Haydn, Ilka Chase, June Havoc and Rod Cameron. If you look closely you can spot Tom Neal in the background as one of the sandhogs.

It doesn't make a lot of sense when you stop to think about it, but it's fun while it lasts, thanks mainly to MacMurray and Colbert who can do this kind of romp effortlessly.

Funniest bit: As MacMurray exits in final scene carrying Colbert like a caveman over his back, Richard Haydn says: "I'll drop by for supper tomorrow night." "Not tomorrow night," says Colbert. Wink. Wink.

This is a corny love story, no doubt about it. Colbert was at her prime, and MacMurray was on the way up. She was shapely, witty and ravishing as the Uptown NYC reporter, and he was sweat-laden, resolute and brawny in the mud somewhere below the Hudson. I saw it about thirty five years ago, and somehow it has stuck with me all these years. Now that I live in Massachusetts, where the taxpayer has just poured $16BN into a death hole below Boston, I just wish that old' Fred was still kicking so he could jump down in that glory hole and make it all right. Claudette could put the ink out on all the shady contractors and corrupt politicians. How come life isn't more like the movies?

High-minded famed modern photographer Katherine Grant (Claudette Colbert) quits Mirror Magazine once again after arguing with the editor. Publisher Henry Fulton has a crush on her and forces him to apologize. She insists that she doesn't get preferential treatment and the editor promptly sends her into the tunnel construction under the river. Her presence causes an accident leading to meathead sandhog Jim Ryan (Fred MacMurray) getting into a fight. She starts dreaming about the hunk and decides to confront it. Henry releases a picture of Ryan fighting causes him to be suspended. Katherine hires him as her assistant and rom-com chaos ensues.

I like the pairing of Colbert and MacMurray. The actors have a nice chemistry with physical comedy and biting lines. The main drawback is that MacMurray doesn't fit the meathead role. He can play clueless but once he put on a suit and bow tie, he no longer fits the blue collar superman hunk character anymore. I would love to see this remade. This is a fun silly little rom-com.

Sexy sophisticated photographer Colbert falls for lunkhead tunnel worker. A variation on the old independent city girl falls for ordinary joe that worked in both Mr. Smith and Mr.Deeds Goes to Town. The scenes inside the construction tunnel are pretty well done and Colbert is always great . McMurry is a little hard to swallow as the hunky construction "Superman!?" I think I'm in better shape and I'm 59. Still both are excellent comedy actors so it makes this enjoyable enough.

I have seen this movie many times and am searching for a copy. It is a favorite. Those who have loved Colbert and McMurry in their other pairings will thoroughly enjoy this romp. These two had an on-screen chemistry second only to Hepburn ad Tracy. If you loved "The Egg and I", you will enjoy "No Time for Love". Ilka Chase fans will enjoy her role as she always played her characters with such ease and reality. Colbert, like Roz Russel, always played the woman in command of her life who eventually gives into her leading man. The viewer must remember that "No Time for Love" was a contract movie cranked out at rapid pace by the studios for profit and in an era of war. These movies were needed to lighten the spirit of America and they still do that today.