Ladies' Day

The Sox are in a pennant race. The ballplayers' wives are more excited than the players: they need that extra Series money for their winter plans. The team's chances center around star pitcher Wacky Waters, who is not married and--according to his manager--needs to swear off dames and concentrate on pitching.

When Wacky meets glamorous movie star Pepita Zorita, who is making a ballpark appearance to sell war bonds, it's love at first sight. Wacky and Pepita are quickly married; Wacky's pitching suffers; the team sinks into a losing streak. The player's wives decide that something must be done.

Eddie Albert smiles a lot as the overly enthusiastic Wacky, but the character really is a dunce. Lupe Velez at least shows some spirit as Pepita, and has a couple of good scenes where she displays her skills as a fast-talking spitfire.

Patsy Kelly, Joan Barclay, and Iris Adrian are the players' wives who decide that if the Sox are to have a chance at winning, then Wacky and Pepita must be separated. They waylay Pepita in a hotel in Kansas City and make plans to keep her there until the Series is over.

Jerome Cowan is kind of amusing as the team owner who knows nothing about baseball. Cliff Clark is predictably hard-boiled as the team manager. Tom Kennedy is funny as a suspicious hotel detective. Max Baer is actually pretty good as the burly ballplayer who is completely intimidated by wife Patsy Kelly.

As the leader of the wives, Patsy is loud but at least looks like she knows what she's doing. Unfortunately, most of the picture is not so convincing. Albert and Velez are fine but their characters are just not very interesting, and the whole goofy plot just doesn't really have any surprises. That's too bad because it is a fun cast.

Wacky Waters, the biggest thrower in baseball, burns the championship until he meets Pepita Zorita, a bunch of Mexican dynamite from Hollywood. Soon Wacky can't think of thinking of Pepita. The team is in a losing streak. Catcher Hippo Jones, teammate Smokey Lee and Marty Samuels, an educated ball player are trying to train, warn and psychologically distract Wacky from Pepita, but nothing works. The wives of the ball players, led by Hazel Jones, are working out a plan to get rid of Pepita. Banker / owner Updyke is persuaded to buy the picture rights to "Twenty-one Nights" and send Pepita back to Hollywood to star in the film. It works the way Wacky starts to win the throw again, but Pepita breaks all records for him for finishing a movie and goes back. The wives fly to Kansas City, meet Pepita with a baseball bat and other kidnapping equipment, and Pepita wakes up in a bathroom on the 22nd floor, tied up and tied up with two guardians in a hotel. After quarreling with everyone from the house detective to the Civil War veteran, Pepita escapes and heads east, where the team plays Wacky on the pile in the seventh and decisive game of the World Series.

Eddie Albert is the star -- and seemingly only -- pitcher of a baseball team. He has the unfortunate glitch of going to pieces on the field when he's in love. So when he and Hollywood star Lupe Velez get married, it becomes necessary to keep them apart.

I don't believe that premise any more than you do. Still, what this calls for is expert mugging, and that's what you've got in the ladies' credits. Not only Miss Velez, by Patsy Kelly, Iris Adrian, and Joan Barclay. The boys aren't too bad in that department either, but even though this is the srt of dull and lightweight comedy feature that RKO was turning out during the war -- basically one or two shorts glued together -- it's nice to see the comediennes demonstrate their timing.

Wacky Waters (Eddie Albert) is a top pitcher for the Sox. Everybody connected to the team is relying on him. His one weakness is the ladies. At the game, Hollywood star Pepita Zorita (Lupe Velez) is selling war bonds at a kissing booth and he loses his concentration. He just can't pitch when he's with her.

This is a B-movie with a wild Latina doing that Charo thing. It is somewhat funny even if it's a simple stereotype. It has a bit of wartime connection and lots of light comedy. It would be nice if the mass of people secretly opposed to their relationship can be concentrated into a few leaders.

Lupe Velez was a wonderful Latin version of Lucille Ball. She must have been a riot to direct. For early baseball buffs this B movie would be fun. A nice blend in the cast of two stars (Velez and Albert) and an assortment of skilled character actors.