Die Hölle von Oklahoma

Plot-- Business tycoon Gardner wants drilling rights on Indian land and he'll use about every trick to get it. But he's up against the local little guys who've pooled their assets to get the same rights. Luckily they see in cowboy drifter Dan Somers a guy with the potential to lead them even if he doesn't see that potential himself. Plus, Dan and Gardner become rivals over the affections of winsome writer Catherine.

That climatic wagon stampede across the flat prairie still has me dizzy. Great action effect that must have employed every stuntman in Hollywood, to say nothing about every wagon. Now, if Dan (Wayne) doesn't get to the government office first, then the scheming Gardner (Dekker) gets the oil millions. Okay, so Dan's got an edge since the government man likes the ladies more than his duties. But, what great rivals Wayne and Dekker make. Each is an imposing presence, even if Wayne puts on his best "aw shucks" act, while Dekker keeps an icy calm. And I love it when they duel gimlet-eye to gimlet-eye. Still, sweet-face Martha Scott gets as much screen time as the guys, so likely Republic was trying to build her into a star. And, of course, where there's Wayne, Gabby Hayes can't be far behind, doing his unforgettable crusty old coot bit. And catch the pre-Roy Dale Evans bringing down the house with as charming a stage number as many an A-musical. No wonder Roy grabbed her.

All in all, it's a spectacular action flick, even if the romantic interludes get a little tiresome. Wayne sure shows his acting chops, more animated than I've seen him. His cowboy Dan goes from just another prairie drifter to hard-driving trail boss in really convincing fashion. And though he'd probably hate the word, he does it in what amounts to winning fashion. And catch that opening sequence in Gardner's private car. It's unusual and superbly done. Republic popped a bundle for this, and it shows up in the colorful crowd scenes (thanks to director Rogell) and big oil well gushers, along with that final stampede.

I'm not sure why this unusual oater is so obscure in the Wayne canon. But in my book it's as good entertainment as any of his many horse operas. And for fans of crashing buckboards, this is the Promised Land.

This a John Wayne film like no other. Take it from a huge fan that's seen most of his movies. Although this not classified as a comedy, the Duke's turns in a sly performance full of great one-liners and facial expressions that had me rolling. Its action adventure in the oil fields and it's very entertaining and fun. Wayne is Cowboy Dan Somers and he competes with oilman Jim Gardner for oil lease rights on Indian land in Oklahoma, as well as for the attentions of schoolteacher turned scandalous book author Cathy Allen. It has a good supporting cast including George "Gabby" Hayes. You will never see the Duke quite like this in any other role. If you're a fan of the Duke, you will love this film. It was originally titled "In Old Oklahoma" and then reissued as "War of the Wildcats".

I didn't expect much from this one but it's better than it has any right being. On the surface it looks like an ordinary, run-of-the-mill B western with cowboy John Wayne leading a revolt against greedy oil baron Albert Dekker. Oh and the obligatory pretty school teacher Martha Scott, who catches the eye of both Wayne and Dekker. But it's actually a fun little movie that captures your attention and never drags. Wayne and Dekker play their white hat/black hat parts well, and Scott is charming with a nice chemistry with Duke. Supporting cast features greats like Gabby Hayes, Marjorie Rambeau, and Paul Fix. And just wait until Teddy Roosevelt shows up. That was my favorite part.

Spanish American War Veteran John Wayne hitches a ride on oil magnate Albert Dekker's private railroad car just as he's putting the moves on traveling school teacher Martha Scott. That sets off a rivalry between them both professional and personal as Wayne gets under Dekker's skin.

Dekker's the big kahuna in Oklahoma territory which would soon be admitted under President Theodore Roosevelt to the union. He's crowding a lot of the small operators out of the field and they see in Wayne a leader and savior.

Later on when Wayne and Dekker compete with the rival proposals for leasing Indian oil lands they go to the White House where Dekker thinks he's got an inside track with the Interior Department. This leads to one of the three best scenes in the film. It turns out that the Duke served in the Rough Riders. The reunion of Wayne and Sidney Blackmer as Theodore Roosevelt is pretty good, who'd have thought Wayne would have had the ultimate inside track.

Dale Evans is in the film, she has a brief role as a saloon entertainer and sings a couple of period songs. She had not yet met her future husband Roy Rogers on the Republic lot, but in fact she was more the westerner than he in real life. He was from a rural Ohio town and she was from Uvalde, Texas. Dale also sang with Anson Weeks band before coming west both literally and figuratively.

Martha Scott is a good crinolined heroine wooed by both Wayne and Dekker. You will also see Grant Withers in one of his few roles in which he wasn't a villain.

Second best scene in the film, John Wayne emptying his pistol into Paul Fix who played one of Dekker's henchmen who actually goes a bit too far because of his personal hatred for Wayne.

Third best scene, the climatic rush to deliver oil by covered wagons and tankers when Dekker buys the pipeline to fulfill the contract. The normally parsimonious Republic studio and its boss Herbert J. Yates broke the piggy bank to stage this one in what was obviously their big budget film of the year. Still plays quite well today.

This is one of John Wayne's better films of the forties. He's given good production values in this western and a perfect role for him. Fans of the eternal Duke should not miss this one.

This film is also very commonly known as "War of the Wildcats". As you watch it, the movie sure looks like a B--but with just a bit more polish, a bit longer running time and a bit more in the way of budget. This is because the film is sort of like a transitional film for Wayne. While he played in a ton of Bs during the 1930s, around 1939 (with "Stagecoach") he began playing in better and better films. But many of them looked a lot like Bs and felt a lot like Bs. His bigger budget studio projects were still a few years ahead.

The film begins with a feminist author (Martha Scott) leaving her tiny town. Apparently the local prudes were angry at her writing such a scandalous romance novel--and you get the impression that it really isn't THAT bad. In fact, it really can't be because Scott is a school teacher and never really lived a worldly life in this town. So, at the urging of the women, she is determined to see the world--and be more like one of her characters. But, she is conflicted and isn't quite sure where to go or what to do. Her dull old aunt wants her to live with her in Kansas City--but when she meets a big-time oil man (Albert Dekker), he convinces her to follow him to the oil fields and promises her wealth and excitement. There are two problems with this. First, Dekker is a bit of a pig and an ego-maniac. Second, John Wayne pops into her life--and back then he was a major hunk. And, since he was the star, it's not especially surprising where it all ends. In the middle portion of the film, Wayne and Dekker vie for power and fight over oil land that the Indians are willing to lease. But Dekker is determined not to play nicely--and seems willing to use some dirty tricks to make sure he alone gets these leases.

Overall, this is not an especially deep film nor is it very realistic. However, it is fun--and that is very important. Gabby Hayes and especially Marjorie Rambeau provide some fun support and color.