Hi Diddle Diddle

This movie presents serious problems for me. First, I couldn't stand the fact that an admitted felon, a swindler (Barton Hepburn), was wandering through the movie without anyone thinking to call the police. Not only did he swindle Billy Burke of everything, but then proceeds to disrupt everyone's life and PEOPLE LISTEN TO HIM!!! I also have no patience for Ms. Burke's as a ditz. She is capable of so much more.

HI DIDDLE DIDDLE is one of those pictures that, because it has fallen into public domain, is almost always seen in dreadful dupe prints. Well, don't let that dissuade you from seeing this picture. It is one of the fastest-paced, downright hilarious comedies of the early 40's. The combination of sharp dialogue and impeccable characterizations make this a real winner. Here is Dennis O'Keefe at his farceur best. He's a sailor-on-leave-bridegroom who spends his wedding night doing everything EXCEPT what he's supposed to be doing. Adolph Menjou is his pop, a conniver (not Connover this time!) who pledges to help Dennis' mom-in-law, dizzy Billie Burke, regain her fortune. Menjou is married to Pola Negri, a domineering Wagnerian opera singer. June Havoc is a lady friend of Menjou's and is she hot! They're all a riot. One of my favorite bits is when waiter Joe Devlin, taking Billie's order at a night club, does a double take and walks away. Billie exclaims - "He did a double take - just like in the movies!" Then Billie, Martha Scott (the bride), Walter Kingsford and Barton Hepburn all proceed to practice doing double takes. Devlin gets a gander at this and does - A DOUBLE TAKE! A wonderful musical moment is June Havoc singing alongside herself in a Panaogram Soundie machine. Composer Richard Hageman, who also appears in director Andrew Stone's SENSATIONS OF 1945, does a very wry bit as a brokerage firm president.

If you need a laugh - see HI DIDDLE DIDDLE by any and all means!

A B film but a very funny comedy starring Martha Scott and Dennis O'Keefe as newlyweds who get caught up in the schemes of daddy (Adolphe Menjou) as he tries to win back mama's (Billie Burke) money at a crooked roulette wheel. Not much on plot but very funny with Menjou's opera singer wife (Pola Negri in her first American film in more than a decade)) singing Wagner at any given moment.

The film rushes between standard comedy and weird comments to the camera. There's also a running gag about an actress who is only in the film because she's dating the director. And then there's that animated wallpaper.

Co-Stars include June Havoc, who steals the film as a nightclub singer who at one point sings a duet with herself, Walter Kingsford, Bess Flowers, Barton Hepburn, Georges Metaxa, Paul Porcasi, Harry Tyler, Matt McHugh, and Bert Roach. as the flustered cab rider.

The real interest here is of course Pola Negri in a talkie ... and she's very funny indeed and looks great.

With too little music to call it a musical and too silly a plot to explain why it drew audiences at the height of World War II, the movie is best remembered for its early mix of animation and live action, wherein the wall paper comes to life as the cast mutilates "The Pilgrim's Chorus" from Richard Wagner's opera "Tannhauser." Also worth noting: the unmistakable voice of Billie Burke (the good witch in The Wizard of Oz), June Havoc singing "The Man with the Big Sombrero," and a rare talking film appearance by gorgeous Pola Negri, the Polish silent film siren who once called Rudolph Valentino the love of her life.

This film is notable for the presence of Miss Pola Negri, a favorite actress of mine. She was better known for her early German silent films. I think this film is great fun and highly amusing. Good family entertainment