Unternehmen Donnerschlag

The campaign of Makin Island which was the very first piece of Pacific Island we invaded against the Japanese in World War II. It serves as the basis for this film. Not much of an island the island was directly between the Hawaiian Islands and a place called Guadalcanal. The theory was get in, destroy the Japanese base and communications and get out. That much is true. The rest of the film is Hollywood hype.

Randolph Scott plays a character based on Major Evans Carlson of Carlson's Raiders which was an elite unit of Marines trained to take the island. Carlson had seen service in China and was impressed with the Chinese guerrilla campaign against the Japanese there. He studied the tactics of Chu The who was the military commander of Mao Tse-tung's Chinese Communists. I don't know much Marxism, if any, Carlson took to heart, but after World War II it got him in no small amount of trouble. In an organization as conservative and tradition bound as the United States Marines he became a pariah. He died in 1951.

Since the Makin Island campaign was the start of our Pacific Offensive it was natural that Hollywood seized on the opportunity to make a quick B picture as a morale booster. Universal assembled a good cast that included a young Robert Mitchum before stardom. Besides Mitchum, I liked J. Carroll Naish and Sam Levene who gave good support to Scott. Levene played the typical serviceman from Brooklyn which by that time was becoming a cliché in war pictures.

Anyway Carlson's lasting contribution to the Marines was the phrase Gung Ho. So if you want to know how that got into the Marine vocabulary, see this movie.

Other reviewers have published some excellent critiques of this 1943 war-action film from the perspective of the military and military history. Given the subject matter - the introduction of guerilla tactics to the Marine Corps - the historic perspective is particularly important. Though I am no stranger to either perspective, I am going to discuss Gung Ho strictly from the perspective of its genre - military action.

Though loaded with clichés such as rousing pre-battle speeches and over-dramatized death scenes, Gung Ho tells a more-or-less true story about the successful deployment of the Makin Raiders (Carlson's Raiders) on a minor Japanese stronghold (Makin Atoll). Fifteen thousand men volunteer, and in the end, only 200 make the team. These two hundred men will adopt the Chinese phrase Gung Ho (roughly translated as working harmoniously) as a philosophical approach to the task at hand.

In the military action film tradition, we are briefly introduced to each of the men whose battle experience will form the central action later in the film. The characters are surprisingly well-developed and realistic, but the laundry-list approach to character development doesn't work very well in terms of pace and cinematography. Once deployed, the Makin Raiders immediately spring into action, employing intelligence, an unusual degree of individual initiative, and great courage, to challenge the overwhelming odds against their capture of the island of Butaritari in the Makin Atoll.

The action sequences are quite entertaining, nicely thought-out, and the effects are brilliantly executed. From a pure action perspective, the film rates high for its time. The cinematography is quite good, the acting is OK, but hampered by some very mediocre directing. The early appearance of later legend Robert Mitchum is noteworthy, and Mitchum, even this early in his career, dominates every scene he is in.

Gung Ho, however, has been justly accused of propagandism and jingoism, as well as historical inaccuracy. Overall, given the fact that this film was released in 1943 within months of the securing of Guadalcanal by U.S. forces, this is hardly surprising.

From a civilian perspective, it's really just a 'pretty good' war film.

You can say the film is dated. But then again, Shakespeare is also dated. Shakespeare is also dateless, and this film is too. We won't get another Randolph Scott and here he stars in perhaps his most entertaining, if not most sobering, war film. Sure, it's jingoistic, racist, preachy, and cliché-ridden. It's not exactly historical, except in showing how Americans viewed themselves and the Marines at the time.

The real history behind this highly romanticized dramatization has been covered well by the other commentaries. The Makin Island raid was a folly that movie glamorizes, and Carlson was an idealist whose comrade-oriented methods had little influence on later commando tactics. However, even he didn't like the Hollywood result. Despite seeing his name on the credits and Randolph Scott ideally cast to portray him, Carlson walked out of the movie theatre in disgust when he first viewed the film.

When will this gem get remastered and restored? They truly don't make 'em like this anymore.

This fact-based war film (detailing the first ground assault on Japan following the attack on Pearl Harbor) is neatly divided into two parts – showing, first, the specialized training session of the carefully-chosen platoon (which is quite interesting) and the mission itself (displaying fairly standard heroics but well enough done nonetheless).

The film has been criticized for glamorizing what was essentially a band of cutthroats (Leonard Maltin even describes it as "a jaw-dropping experience"). Still, there was no doubt that any war picture made during this time wouldn't ram propagandist slogans down the audience's throat (witness Randolph Scott's final straight-into-camera speech); ironically, even if the latter was the film's nominal star, he's rarely involved in the action proper – being there mainly to co-ordinate things, and repeatedly instigate his men to kill every Jap on the island!).

The supporting cast is good, made up of veteran character actors – J. Carroll Naish, Sam Levene – and newcomers – notably Robert Mitchum; however, a fair share of the running-time is unwisely devoted to the romantic triangle involving a girl and two soldiers who happen to be half-brothers (one of them played by Noah Beery Jr.) – all of which has a quite deadening effect on the main narrative! Despite being a relatively early WWII film, the action sequences are surprisingly gutsy – though accentuated on occasion by obvious stock footage.

A lot has been said about this picture's outrageous jingoism, and that's a valid point, but this wasn't intended to be a history lesson (although it's based on a true story), it was made as propaganda to further the war effort, and at that it succeeds. It's quite well made, the battle scenes are exciting and very well done, and it probably did what it was intended to do, which was to give the public something to feel good about; in 1943 the war wasn't going all that well for the Allies. Robert Mitchum was starting to get bigger parts about this time; he has a fairly substantial part here, and his laconic style is quite evident. Some of the dialogue is a bit difficult to get past (one soldier says he wants to join the unit that is being put together to raid a Japanese-held island because "I just don't like Japs"), and some of the heroics are a bit much, but overall it's no worse, and a bit better, than many of the war pictures to come out of Hollywood around that time.