IMDb-BEWERTUNG
6,6/10
4074
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuThird Officer Tom Merriam accuses Captain Will Stone of being a homicidal maniac, but no one believes him.Third Officer Tom Merriam accuses Captain Will Stone of being a homicidal maniac, but no one believes him.Third Officer Tom Merriam accuses Captain Will Stone of being a homicidal maniac, but no one believes him.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 2 Nominierungen insgesamt
Robert Bice
- Raphael
- (Nicht genannt)
Eddie Borden
- Crew Member
- (Nicht genannt)
John Burford
- Crew Member
- (Nicht genannt)
Tom Burton
- William Benson
- (Nicht genannt)
Harry Clay
- Tom McCall
- (Nicht genannt)
Alec Craig
- Blind Beggar
- (Nicht genannt)
Boyd Davis
- Charles Roberts
- (Nicht genannt)
George DeNormand
- John Corbin
- (Nicht genannt)
Cliff Edwards
- Officer
- (Nicht genannt)
Skelton Knaggs
- Finn
- (Nicht genannt)
Mike Lally
- Crew Member
- (Nicht genannt)
Sir Lancelot
- Billy Radd
- (Nicht genannt)
Nolan Leary
- Stenographer
- (Nicht genannt)
Empfohlene Bewertungen
This was pretty good entry in the Val Lewton Horror Collection, even though it's anything but "horror." This film is a straight drama, almost a film noir about a paranoid sea captain (Richard Dix) who eliminates anyone who disagrees with his "authority," a key word in this movie.
Russell Wade is the captain's protégé, and the story really centers around him and the conflict he has with his boss after he begins to find out what a violent nutcase he happens to be. Along the way, it was noteworthy to see Lawrence Tierney play one of the captain's victims.
Also good was Jacob "Sparks" Winslow as the ship's radio operator. This is an involving film as we root for Wade to expose this captain and to convince others that the man with the "authority" is an evil person.
Russell Wade is the captain's protégé, and the story really centers around him and the conflict he has with his boss after he begins to find out what a violent nutcase he happens to be. Along the way, it was noteworthy to see Lawrence Tierney play one of the captain's victims.
Also good was Jacob "Sparks" Winslow as the ship's radio operator. This is an involving film as we root for Wade to expose this captain and to convince others that the man with the "authority" is an evil person.
The picture deals with Tom (Russell Wade), a third officer who embarks on the ship Altair under command the stiff Captain Stone (Richard Dix) . Strange deaths of crew seamen originate confrontation among different personalities : a distrustful officer and a tough captain obsessed with authority .
Tension and suspense are continued and appear menacing and lurking in cabins , stairs , docks and pier . The movie has the expressionist Germanic atmosphere ; besides , being reflected in the captain's bizarre and quirky interpretation . Cinematographer Nicholas Musuruca (Cat people and Stranger on third floor) creates a magnificent camera-work , along with John Alton are the essential artificers of Noir cinema atmosphere . Cinematography is excellent , dark and lights are originating eerie and creepy scenarios . The film is produced by RKO (Radio Picture Inc.) and by Val Lewton , the great producer of horror classics (Cat people , Leopard man , I walked with a zombie) ; plus , he produced for director Mark Robson various movies (Bedlan , Isle of the dead and Seventh victim) in similar conditions . Habitual RKO musician , Roy Webb , composes an atmospheric score with the usual musical director Bakaleinikoff . Good production design in charge of Albert D'Agostino . RKO had built an expensive ship set for their 1938 production Pacific Liner (1939) , Val Lewton was given instructions to come up with a film that could use the still existing set . The motion picture well well directed by Mark Robson . The picture will appeal to classic cinema buffs.
Tension and suspense are continued and appear menacing and lurking in cabins , stairs , docks and pier . The movie has the expressionist Germanic atmosphere ; besides , being reflected in the captain's bizarre and quirky interpretation . Cinematographer Nicholas Musuruca (Cat people and Stranger on third floor) creates a magnificent camera-work , along with John Alton are the essential artificers of Noir cinema atmosphere . Cinematography is excellent , dark and lights are originating eerie and creepy scenarios . The film is produced by RKO (Radio Picture Inc.) and by Val Lewton , the great producer of horror classics (Cat people , Leopard man , I walked with a zombie) ; plus , he produced for director Mark Robson various movies (Bedlan , Isle of the dead and Seventh victim) in similar conditions . Habitual RKO musician , Roy Webb , composes an atmospheric score with the usual musical director Bakaleinikoff . Good production design in charge of Albert D'Agostino . RKO had built an expensive ship set for their 1938 production Pacific Liner (1939) , Val Lewton was given instructions to come up with a film that could use the still existing set . The motion picture well well directed by Mark Robson . The picture will appeal to classic cinema buffs.
Tom Merriam is a third mate on the Altair, a cargo ship headed by Captain Stone, who Merriam looks to as a father figure, since Stone has the experience and the full loyalty of the crew. Merriam's opinion of his commanding officer is changed after a series of events (including the death of a mate due the captain's interference) and Merriam believes that Stone is unfit to command the ship. A hearing at the ship's port has the crew and line agent side with Stone, and Merriam is relieved of his duties as third mate. While on shore, Merriam is knocked out for trying to stop a fight, and is put back on the Altair much to his and Stone's disapproval. Stone says Merriam is now a guest on the ship, but the crew shuns him and Merriam believes that Stone is going totally insane and plans to kill Merriam, who now has to find someone to believe him before its too late. Underrated (and for a long time, unseen) classic from the Lewton-RKO 9, with above average script, camera-work, cinematography, but highlighted by probably Dix's best performance as Stone, as a man who is insane try to fool himself and those around him by acting normal. Excellent moments of suspense (especially for me when Merriam notices the lock missing from his door) make this a film one to get a hold of. Rating, 8.
This Val Lewton produced film is not what one would likely expect from the title: a ghost story...so don't expect that going in. It isn't even really an Horror film per se although there are elements at work here which will prove horrific to many viewers. What it is instead is a seafaring adventure yarn about a Captain who's slowly going mad (and homicidal) due to his obsession with authority and only our heroic lead Tom Merriam, the 3rd Officer, seems to want to do anything about it. Everyone else seems to either not believe Merriam or dismisses what he tells them for fear of losing their jobs. Merriam however retains his values and ethics throughout the film even when they don't work out in his favor. While the film possesses the mood and style one expects from Lewton's films, the content and in some cases atmosphere is really not what one expects from the producer. Also events here do seem to wrap themselves up much too quickly. Still all in all there's enough good stuff here that this film is definitely worth seeking out.
The title of this film is misleading as it implies a ghost story.....but of course, it isn't. In fact it isn't even a horror film in the general sense. It is more a psychological thriller, surrounding the personality of the ship's captain, played by that old war horse, Richard Dix. And he does a terrific job of letting the viewer glimpse the madness beneath his controlled exterior. His byword is "authority" and he goes to unbelievable lengths to assert that authority.
Russell Wade, with whom I am unfamiliar, plays the Third Officer, who sees through the captain in short order and vainly attempts to convince the crew of Dix's insanity......but to no avail. The only person who is aware of the problem is a mute played by probably one of the most unattractive and busiest character players in Hollywood, Skelton Knaggs and he becomes somewhat of a hero in the final few minutes of the film. Edith Barrett, who was used by Lewton in other films, makes a limited appearance as the captain's inamorata. Look for Lawrence Tierney, future Hollywood bad boy, as a target of the captain's revenge.
Val Lewton was the master of atmospheric films made on a limited budget and he doesn't miss with this one. It's a dandy!!
Russell Wade, with whom I am unfamiliar, plays the Third Officer, who sees through the captain in short order and vainly attempts to convince the crew of Dix's insanity......but to no avail. The only person who is aware of the problem is a mute played by probably one of the most unattractive and busiest character players in Hollywood, Skelton Knaggs and he becomes somewhat of a hero in the final few minutes of the film. Edith Barrett, who was used by Lewton in other films, makes a limited appearance as the captain's inamorata. Look for Lawrence Tierney, future Hollywood bad boy, as a target of the captain's revenge.
Val Lewton was the master of atmospheric films made on a limited budget and he doesn't miss with this one. It's a dandy!!
Wusstest du schon
- WissenswertesRKO had built an expensive ship set for their 1938 production Pacific Liner (1939). Val Lewton was given instructions to come up with a film that could use the still-existing set. According to Robert Wise, a longtime collaborator with Lewton, it was this set that gave Lewton the idea for the film. "He would find what we call a 'standing set,' and then tailor his script to the set, whatever it was. That's how he made The Ghost Ship. He walked onto a set and saw a tanker, then cooked up the idea for this ship with a murderous captain." One scholar has suggested that Lewton accepted the assignment in part because, as an amateur sailor himself, the ship captain's behavior mirrored Lewton's own views on how to manage a ship, but also because Lewton saw the plot as a way of criticizing his micro-managing superiors at RKO. The budget, as with all of Lewton's films, was set at $150,000.
- PatzerOne shot of the boat traveling toward camera shows the name of the boat on the bow is backwards. The backwards name reads Venture, indicating it's a shot reused from King Kong und die weiße Frau (1933) that has been horizontally flipped.
- VerbindungenEdited from King Kong und die weiße Frau (1933)
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprachen
- Auch bekannt als
- El buque siniestro
- Drehorte
- Produktionsfirma
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Box Office
- Budget
- 150.000 $ (geschätzt)
- Laufzeit1 Stunde 9 Minuten
- Farbe
- Seitenverhältnis
- 1.37 : 1
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