IMDb-BEWERTUNG
6,5/10
1050
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuA gentle widower, enraged at German atrocities against his peaceful Norwegian fishing village, escapes to Britain and returns leading a commando force against the oppressors.A gentle widower, enraged at German atrocities against his peaceful Norwegian fishing village, escapes to Britain and returns leading a commando force against the oppressors.A gentle widower, enraged at German atrocities against his peaceful Norwegian fishing village, escapes to Britain and returns leading a commando force against the oppressors.
- Für 1 Oscar nominiert
- 2 Gewinne & 1 Nominierung insgesamt
Cedric Hardwicke
- Admiral Bowen
- (as Sir Cedric Hardwicke)
Robert Coote
- Robert Bowen
- (as Flying Officer Robert Coote RCAF)
V.S. Godfrey
- Armed Forces
- (as Captain V.S. Godfrey RCN)
C.M. Cree
- Armed Forces
- (as Commander C.M. Cree RCN)
Empfohlene Bewertungen
With the action coming in the last 20 minutes this isn't just a film about commandos. It is also a film about the Norwegians and how they, without commandos or training, but rather through gumption and nous, became a thorn in the side of the German occupation.
The simple plot of how a mild mannered Norwegian becomes a patriot is well told and they are many nice touches showing the Norwegian life at the time.
All in all a good war film, and one that while typical of the period has a heart and spirit about it that make it good viewing.
If it comes around and you like WWII films then catch it, it's well worth the time.
The simple plot of how a mild mannered Norwegian becomes a patriot is well told and they are many nice touches showing the Norwegian life at the time.
All in all a good war film, and one that while typical of the period has a heart and spirit about it that make it good viewing.
If it comes around and you like WWII films then catch it, it's well worth the time.
Reading the title, I'll bet you're waiting for a rip-roaring war picture, with fight scenes, explosions and guns blazing. But you would very mistaken, since this is a placid character study with a great deal of dialogue. There is a battle scene towards the end of the picture, but Director John Farrow was sorely in need of a competent second unit director. The battle has an artificial look to it and the explosions are small in scale. In one scene an allied soldier throws a Nazi to the ground, and plainly stabs the ground next to him, lending an amateurish quality to a heretofore passable film.
The story itself is good and depicts the Nazi onslaught into Norway, in particular a small hamlet in a spot of strategic interest to the Nazis. The acting is top shelf, with Paul Muni, Anna Lee, Cedric Hardwicke and Robert Coote in prominent roles. There are a few instances of suspense and tension but none are sustained. It's a good movie - but not if you're looking for a conventional war picture.
****** 6 of 10
The story itself is good and depicts the Nazi onslaught into Norway, in particular a small hamlet in a spot of strategic interest to the Nazis. The acting is top shelf, with Paul Muni, Anna Lee, Cedric Hardwicke and Robert Coote in prominent roles. There are a few instances of suspense and tension but none are sustained. It's a good movie - but not if you're looking for a conventional war picture.
****** 6 of 10
"Commandos Strike at Dawn," from 1942, is another propaganda that demonstrates the spirit of the Norwegians and their commitment to resistance.
This one is directed by John Farrow, with a screenplay by a man whose name would become synonymous with long novels, Irwin Shaw, and stars Paul Muni, Anna Lee, Lillian Gish, Cedric Hardwicke, Alexander Knox, George MacCready, Ann Carter, Rosemary DeCamp, and Ray Collins.
Based on a story by C. S. Forester, "Commandos Strike at Dawn" tells the story of more victims of Quisling, citizens of a small town that is taken over by the Nazis. After Eric Toresen (Muni) sees a friend murdered and another one (Collins) severely beaten, he gets some of the townspeople to form a resistance group.
When he realizes that the Germans are preparing for a huge air strike against England, he is determined to get the information to the right people in England and join the fight.
Very good film, if a little slow in spots. Muni gives an excellent performance as the bold Toreson, and Ray Collins, Lt. Tragg of Perry Mason, is cast against type as one who vocally opposes the Nazis, and he is very good. This was probably his favorite role, as it's so different from his standard tough cop or crooked politician role.
Lillian Gish doesn't have much to do, sadly, as his wife. Neither does Anna Lee, as the daughter of a British military man (Hardwicke) who falls for Muni.
Someone commenting here said that this film, and probably by inference, Edge of Darkness, exaggerates the role of the underground in Europe, that most Europeans were passive during the war, afraid of reprisal.
That may have been true in some areas - Germany most definitely - but that was not true in France and Norway, both of which had formidable resistance movements. Some people don't like bullies.
This one is directed by John Farrow, with a screenplay by a man whose name would become synonymous with long novels, Irwin Shaw, and stars Paul Muni, Anna Lee, Lillian Gish, Cedric Hardwicke, Alexander Knox, George MacCready, Ann Carter, Rosemary DeCamp, and Ray Collins.
Based on a story by C. S. Forester, "Commandos Strike at Dawn" tells the story of more victims of Quisling, citizens of a small town that is taken over by the Nazis. After Eric Toresen (Muni) sees a friend murdered and another one (Collins) severely beaten, he gets some of the townspeople to form a resistance group.
When he realizes that the Germans are preparing for a huge air strike against England, he is determined to get the information to the right people in England and join the fight.
Very good film, if a little slow in spots. Muni gives an excellent performance as the bold Toreson, and Ray Collins, Lt. Tragg of Perry Mason, is cast against type as one who vocally opposes the Nazis, and he is very good. This was probably his favorite role, as it's so different from his standard tough cop or crooked politician role.
Lillian Gish doesn't have much to do, sadly, as his wife. Neither does Anna Lee, as the daughter of a British military man (Hardwicke) who falls for Muni.
Someone commenting here said that this film, and probably by inference, Edge of Darkness, exaggerates the role of the underground in Europe, that most Europeans were passive during the war, afraid of reprisal.
That may have been true in some areas - Germany most definitely - but that was not true in France and Norway, both of which had formidable resistance movements. Some people don't like bullies.
Although another of the "common folk against Nazi invasion and occupation" films, this one is better than most. The acting on all levels ranges from good to superior. The plot is complete and dynamic, and the technical elements, like music and setting, are extremely good. Amazingly, the accomplishments of Norway's underground during World War Two are more dramatic than those portrayed in the film. In addition to sabotage, the underground was able to cross and recross the Swedish border, many times to save Nordic Jews. In this instance, reality exceeds the fictional world of the movie industry. This is a well written dramatic film, well worth seeing and preserving!
There is a problem with this film in that it does not illustrate the depth of Norwegian resistance to the Nazi occupation of Norway. Of course, a short movie can only do so much, and in 1942 all nations, Allied and Axis alike were producing films at a rapid rate. It is even likely that little was known of the Norwegian underground and what was known certainly would not be put into a feature movie for all the world to see. However, the audience must not be left with the impression that the British attacks were the salvation of Norway. During the war some did occur, and some were helpful. It must be remembered that Norway is some distance from England, that the British had battles around the world to contend with, and that the North Sea and its horrid weather, combined with a demand on warships, forced Norway to deal with the occupiers on a more personal basis. Sabotage of materials sent to Germany was normal. Work slowdowns and "accidents" disrupted production. At places like Bergen, the underground was active and effective. In fact, a "mysterious" explosion of an Axis ammunition ship took place in Bergen harbor (said to be the second largest explosion in maritime history), supposedly as the ship was leaving for Narvik. Also, helpful was the fact that German soldiers generally disliked Norwegian postings. The German attack on Oslo was not without it losses. A German battleship (some say it was a large battle cruiser) on its first voyage was sunk in Oslo Fjord with all hands lost (except those saved by the Norweigans who could get to them in time in the freezing water.) Also lost were about 5000 German Troops who were housed below decks. Ironically, the battleship was battered by four large Austrian cannon that were purchased by Norway from Germany after World War One. The Nazis appropriated food, blankets and warm clothing for their forces on the Russian front. The Norweigans contaminated the sardines that were sent with castor oil, thereby making the cold Russian winters ever more unpleasant. Yes, the British helped some, to their credit, but clever Norwegian citizens did much more than blow up a few trains.
Wusstest du schon
- WissenswertesFilmed near Victoria, British Columbia, from July to September, 1942.
- PatzerDuring the firing squad scene, the second soldier from the left fails to correctly load the bullet into the chamber. On closing the rifle bolt, the bullet is seen hanging out of the chamber, and then drops to the ground.
- Zitate
Schoolteacher: [watching a Nazi bookburning] I'm writing a novel myself. I'd be very disappointed if you gentlemen don't burn it.
- Crazy CreditsOpening credits prologue: Dedicated to the officers and men of the armed forces of Canada, Great Britain and Fighting Norway who participated in the filming of this picture.
- VerbindungenFeatured in Reach for Glory (1962)
- SoundtracksCommandos March
Written by Ann Ronell and Louis Gruenberg
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- The Commandos Come at Dawn
- Drehorte
- Heals Rifle Range, Saanich, British Columbia, Kanada(German Base)
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Bruttoertrag in den USA und Kanada
- 1.300.000 $
- Laufzeit
- 1 Std. 38 Min.(98 min)
- Farbe
- Seitenverhältnis
- 1.37 : 1
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