China

The cast is great, especially William Bendix. I think the movie was made to draw attention to the terrible situation which was going on in China at the time. Thought Bendix is better known as a comic actor in many movies he also can switch to play the serious side. Here there is a soft hearted Bendix and comical Bendix and a serious Bendix as the movie is drawn to a very dark side as the Americans and a load of Chinese students try to out run the Japanese Army.

Ladd always played one role, a tough guy, either the good guy or the bad guy but always the tough guy. From what I have read about his personal life that fit him to a tea. He does not stretch his personality in this movie.

Loretta Young is a little out of her nature. She always seemed more reserved and lady like and does not seem to fit in the darker side of China. But I think it is all this change in what people believed about them, especially Bendix and Young is what really pulled it all together and pulled it off. This is really a great movie. Propaganda? Probably, but it is a great movie.

Alan Ladd is a guy making an easy buck in the war between Japan and the Nationalist Chinese forces, selling oil products to the advancing Japanese. He has William Bendix working for him, and Bendix is a little soft in the heart, rescuing Chinese babies in bombed out cities and so forth. Then they are joined by missionary Loretta Young, who persuades Ladd against his better judgment to fill his truck with young Chinese girls and head west before the Japanese get them. But one girl jumps off the truck to go take care of her parents. It's Ladd who goes to find her, and what he sees changes his mind about this being a place to just make a buck.

Until just after the halfway mark it's a straightforward adventure, with Ladd in cynical mode. After that it turns into a propaganda piece, and this being wartime, there's one Code-breaking shot as one of the Chinese commandos drives a knife into a Japanese soldier in full view. Cameraman Leo Tover shoots it and other shots in strongly shadowed light, and shoots the sort of 'group portrait' shot that director John Farrow liked to use, when he isn't shooting the leads in close-up. It's the sort of propaganda adventure movie that the studios were making during the Second World War, and putting some strong leads in. Fortunately for the budget, you've got Ladd and Miss Young on the first card, Bendix gets his name alone n the second, and the third card has five actors, all of them Asian Americans, including Philip Ahn and Sen Yung.

Paramount Studios Rushed this one to Utilize Their New Star Alan Ladd who was about to be Drafted and Serve.

Ladd does a Good Job Playing First a Cynical, Self-Serving American Selling Oil to Japan and Turning a Blind-Eye to Their Atrocities Heaped Upon Civilians.

He is Forced to Join with the Natives and Help Them through Circumstances and First-Hand Witnessing the Evil.

The Film is Famous for its Brutal and Uncompromising Look.

There is a Gut-Wrenching Rape Scene where a Local Teenager is Raped by Three of Japan's Soldiers.

But Not Before They Kill a Toddler "Adopted" by William Bendix and Loretta Young with Ladd Playing an Uncle Part.

This Sends the American Oil Runner Off the Edge and He Unleashes an All-Out Attack on Trailing Japanese Units.

The Violence is Cutting-Edge War Realism and the Movie is One of the Best of the War Years,

Portraying the Japs, Based on Facts, as Inhuman Godless, Soulless Barbarians.

The Propaganda Posters Write Themselves with the Reality of the China v Japan War and the Invaders Disregard for Civilians, Including Women and Children.

Bendix, Young, and Ladd were the Only Americans in the Film with the Remainder of the Cast Chinese.

Odd, Off-Beat Film that is Virtually Unknown and Didn't even Get a Digital Release Until Recently.

Little Seen, Unacknowledged, and Underrated Effort from Hollywood that Deserves a New Look.

One of John Farrow's Best Non-Noirs.

Shortly before Pearl Harbor, American opportunist Jones and partner Johnny are in China to sell oil to the invading Japanese army. Cynical about the sufferings of the Chinese, Jones meets compassionate teacher Carolyn Grant while travelling cross-country to Shanghai. Sparks fly between these strong-willed characters, neither budging an inch. But when Jones witnesses a Japanese atrocity, his feelings toward his customers (and Carolyn) begin to change...

A very good war adventure that starts leisurely, featuring a hard-headed American who sells oil to the Japanese and doesn't care about the atrocity caused. He's played by Alan Ladd, who does a good job as the grumpy trucker. William Bendix is a much more cheerful sidekick in contrast, and cares about people and even finds a baby amidst the war torn area.

Of course, Loretta Young as a teacher helping some Chinese kids reach their destination soon thaws Ladd's heart, and that's also helped by a surprising harrowing and brutal scene where they find the baby (Bendix had found), mother and father of a girl dead, and the girl in the house with Japanese soldiers in an implied assault scene. The action scenes are rousing and can be starkly brutal. The ending is quite shocking too with a redemptive note.

This is no war propaganda but as sheer realism as could be accomplished in filming on the Apache trail of Arizona. The main asset of the film is therefore no great landscapes and interesting interiors of Chinese life but the actors and their relationships. The trio of William Bendix, Alan Ladd and Loretta Young is invincible in their glorious acting and characters, Alan Ladd and Loretta Young being at daggers drawn from the beginning but gradually being joined by the circumstances. Already the first scenes, a long shot with only William Bendix wandering at a loss among the ruins of a bombed city being under attack and ending up with a lost baby, is as impressive as if it was an Orson Welles invention. That quality is sustained throughout the film. Loretta Young will win your heart from the start, William Bendix will gain your sympathy from the beginning and increase it until the end, and Alan Ladd is at his very best, the toughest of guys but totally stoic. John Farrow made many efficient thrillers in the 40s and 50s, but I think this is his one outstanding war film. Victor Young graced it with his music, and the dialog is pertinent all the way. The suspense keeps increasing until the final crisis and climax, and then the war just continues. China had a hard time against the Japanese, the action of this film is prior to Pearl Harbour, although that incident is part of the finale, but the Chinese are depicted with great sympathy, also Chang Kai Shek. No mention of the communists - they came later.