Border Patrol

A number of Hoppy films revolve around a mining background, they sure wanted to get their money's worth out of that particular mine setting! This time it's a crook who is using forced labour to run his mine.Hoppy tracks missing Mexican labourers to both the mine and town that is ruled by the elaborately named villain, Orestes Krebs.

Framed by Krebs as both judge, jury and executioner, Hoppy, California and Johnny are sentenced to hang. Initially suspected to be outlaws by the leading lady, Claudia Drake as Inez, (a common occurrence it seems for Hoppy and his companions), she does however see the light and helps the friends to clean up the whole crooked town.

A fairly lightweight entry in the series, with enough action and story to keep things bubbling to the end. Krebs makes a suitable evil schemer, who doesn't know when he's beaten and Hoppy gets plenty of opportunity to use his patented steely gaze at the proceedings.

When the story begins, Hoppy and his partners come upon a dying man. Soon, he dies and Inez sees this and automatically assumes the trio killed him. Like the angry stereotypical women I've seen in a few of the Hopalong Cassidy films, her anger makes no sense...and she never gives them a chance to explain. She then, at gunpoint, forces them to go with her into Mexico. There, she turns them over to Mexican authorities...only to be told that she just kidnapped three Texas Rangers! And, like the angry stereotypical women trope, she STILL thinks the three are murderers!

One reason Inez is so angry is because her boyfriend went to work at a mine in the States...and he simply disappeared. The same has happened to other Mexicans....and Hoppy, California and Johnny all agree to go to the Silver Bullet Mine to look for clues. But, when they approach the mine, they are attacked and soon are before a kangaroo court bent on hanging them. Why? What's going on here?! And is there any chance for Inez to grow up and let go of her weird vendetta?!

This is a good but flawed installment. Flawed because Inez's character simply makes no sense at times. The rest of the story, however, is interesting and involves slavery...an unusual topic for a B-western. Worth seeing.

Hoppy, California, & Johnny are all Texas Rangers (I guess they had very loose hiring criteria if California got in!). Hoppy's dressed in all black throughout the film (this is important to those of us who know that his black outfit signifies "he means business" & his rancher's & other outfits signify "he's only fooling around & trying to act like someone other than "Hoppy"). The setting is Silver Bullet, Texas, & no, The Lone Ranger is not in this movie, although practically everyone else is! George Reeves (Superman) is here; he plays a Mexican & is on screen for only a few moments. Duncan Renaldo (The Cisco Kid) is here, & has a nice role as a Mexican police commandant. Robert Mitchum plays his usual (for his early days in the westerns) baddie. Claudia Drake actually has a more significant role in the film than anyone other than Hoppy himself. There's good action (4 gunfights), good humorous situations, & overall it's quite nicely done, with good production values. I rate it 8/10.

More plot-heavy than most. The trio are Texas Rangers trying to bust up a silver mine operation that's luring Mexican illegals (sound familiar?) across the border. On the way, they have to get past a cantankerous Mexican senorita (Drake) and a petty tyrant—hanging judge (Simpson). Some good scenery, especially the roaring Kern River, long a favorite of these oaters. Clever action climax does a neat twist on the old circle-the-wagons maneuver. I also like the charming dinner scene with the Commandant (Renaldo) that's well scripted and nicely played.

There's also a couple of interesting lesser-knowns to add to the stars-of-the-future list (Mitchum, Reeves, Renaldo). Claudia Drake managed a shot at immortality by landing a key role in the noir cult classic Detour (1945). Here, she gives a spirited performance as the willful senorita that really over-shadows everyone else. However, perhaps most notable and surprising is the screenplay. It's credited to Michael Wilson who later penned such A-list classics as A Place in the Sun (1951), Bridge on the River Kwai (1957), and Lawrence of Arabia (1962), among others. A victim of the early-50's blacklist, several of these were written undercover, but have since been restored to his credit list. Here, the plot deals with such potential political themes as exploited workers, a company town, and a rich man making up his own laws. So, perhaps Wilson's participation is not so surprising after all.

This Hoppy film seems to have more IMDb "user reviews" than any other Hoppy movie I have seen. No sense repeating the info in those seven reviews. I'd like to add these comments: The story is very simple and straight-forward. For the first 30 minutes it moves very slowly; in fact nothing much happens except that Hoppy is sent off by the Mexican authorities to find out what happened to missing Mexican laborers sent to work in a particular US town. Once at the town, Hoppy and sidekicks are "arrested," find out the misdeeds of the local crime boss, escape, and round up the bad guys.

I noticed three particularly poorly produced action scenes: As noted in one of the reviews here, "Hoppy lassos an outlaw's feet some twenty feet above him on a giant boulder" and threatens to pull the outlaw off unless he confesses.

Hoppy and sidekicks are locked in the local jail awaiting their hanging, but are "saved" by the heroine sneaking a gun into the food of their "last meal." However, the gun turned out to be unnecessary as Hoppy, in effect, simply overcame the "lawman" as Hoppy and crew were ushered out of the cell, something he could have done with or without the gun.

Finally, Hoppy sets a ridiculous trap to catch the 10 bad guy horsemen charging Hoppy and his sidekicks. Hoppy has some wagons, driven by some outlaws (but loaded with freed, armed Mexican laborers), charging the 10 outlaws who are riding towards the wagons. Hoppy and his sidekicks are riding behind the wagons. Well, the 10 outlaw horsemen ride past the wagons, but for some inexplicable reason, retreat when Hoppy and his few sidekicks fire on the 10 outlaws. So they, then, end up encircled by the wagons and give up! The 10 should have continued charging Hoppy and wiped him out.