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Made in 1942, before the allies had the upper-hand in Europe, 'Bombardier' is part entertainment, part propaganda, and part recruiting film. The film follows the establishment of a Bombardier Training School, championed by Major "Chick" Davis (Pat O'Brien), a firm believer in high-altitude precision bombing and criticized by his buddy, Capt. "Buck" Oliver (Randolph Scott), a pilot-oriented proponent of low-level drops and dive-bombing. As the film opens with (the real) Brigadier General Eugene L. Eubank extolling the critical role of the bombardier in the ongoing war, there is little doubt which of the two offensive strategies is going to win out. Typical of the genre, the film follows a diverse group of trainees, from their arrival at the school to their baptisms in fire, with some romantic filler and dated comic-relief thrown in. Even by wartime standards, the film is pretty heavy handed. There is a particularly egregious sequence in which a trainee admits that he is uncomfortable with dropping high-explosives on targets where there may be non-combatants (including women) and that his mother had written him a letter expressing her concerns that he was training to be a murderer. The chaplain explains to him (and indirectly to the audience, which might include people of similar opinions to the fictional mother), that the bombardier is doing God's will by bombing the German military-industrial infrastructure. During the war Americans celebrated "Rosie the Riveter", who represented the women who worked in the factories thereby freeing-up men to fight, and as there would be no reason to believe that women in the Axis powers weren't doing the same, people must have accepted the fact that women could be killed when the factories were bombed (as were, as was later discovered, forced laborers). The film contains is lots of great aircraft footage, especially of the Douglas B-18 Bolo (which would have been obsolete when the film came out) and of the iconic B17 'Flying Fortress'. I particularly liked the well-done special-effects footage of Japanese fighters attacking a formation of five B17s, which bring the massive firepower of their dozens of .50 calibre machineguns to bear, annihilating the attacking fighters. This prodigious defensive firepower gave the plane its nickname but in reality was not sufficient to ward off attacks by faster and more nimble fighters (as the USAF found out at great cost over Germany in 1943). The rest of the special effects are hit and miss, there are some good pyrotechnic scenes as the bombs bullseye Japanese targets but the earlier B18 model work is substandard, even for the times. The cast is fine in what is essentially a propaganda picture, there are lots of gorgeous, soldier-loving, dames to entice young men in the audience to sign-up, and a thrilling but typically far-fetched heroic climax. OK for an unsubtle WW2 morale-booster/recruitment film (especially if you like planes) but not in the same league as the excellent "30 Seconds over Tokyo" (1944).

I wasn't sure at first if I was watching a documentary, propaganda film or dramatic presentation. I guess given the time of production it was a mix of all three.

Admittedly the dramatic plot was somewhat predictable. But you had a sense that there would be some interesting scenes as the movie went on. We were able to witness what appeared to be realistic training regimens and equipment.

Where this movie came together for me was closer to the end. The scenes had a realism (at least as I perceived it) that I haven't encountered often before. You could place yourself in the action and imagine the thoughts of the young combatants. This was mixed in with the usual problems of portraying passable Japanese soldiers at a time when you might think real Japanese actors would be somewhat scarce.

The movie is excellent as a source of the state of the American mindset in 1943 as the war waged with Japan. Also of interest was a dig at the Japanese with respect to the help the USA gave Japan in past years.

Pat O'Brien takes his Knute Rockne character and joins the Army Air Corps in Bombardier and he and Randolph Scott have a disagreement as far as air tactics go. Scott wants to do things as they do in the RAF where he's been an observer. Fly in low and drop bombs and avoid being shot at.

O'Brien is more interested in technology. Develop and learn how to use an accurate bombsight so you can be up around 20,000 feet and only have to worry about enemy planes which presumably your fighter escort has to deal with.

But since these guys are friends it's a good natured fight as both are in the business of training bombardiers. Among the familiar faces they train are Eddie Albert and Robert Ryan before both went in the service themselves.

Bombardier is so very dated now, but still entertaining. The advances in technology are light years beyond what O'Brien and Scott are dealing with. Film buffs who are air historians might like it though.

There were a lot of films made by Hollywood during the war years that were designed to drum up support for our troops from the public. Seen today, some might dismiss them or just see them as propaganda--which they technically are, but of a positive sort and meant to unify the nation. This film is a pretty effective and entertaining example of the genre--having a pretty realistic script and good production values. Pat O'Brien plays pretty much the same character he played in MANY other films (you know, the tough-talking, hard-driven but "swell guy"). Randolph Scott is, as always, competent and entertaining and the rest of the extras are excellent (look for a young Robert Ryan as one of the bombardiers in training). While the story is reminiscent of several other movies about our pilots and crews, the film is well-crafted enough to make it interesting and not too far-fetched. That it, perhaps, except for the very end--where the film is a bit over-the-top but also VERY satisfying. About the only serious negative, and this is mostly for nitpickers, is that some of the stock footage is somewhat sloppily integrated in the film and "nuts" like me who are both history teachers and airplane lovers will probably notice this--all others probably won't notice.

Richard Martin first played Chito Rafferty in this movie World War 2 movie. He would go on to play that same character 32 times, mostly in Tim Holt Westerns, but he did play it twice along side Robert Mitchem in Nevada and West of the Pecos. The Chito Rafferty character also appeared alongside James Warren in Wanderer of the Wasteland. One wonders how a character that first appeared in a modern war flick ended up being a longtime sidekick in Westerns. Interestingly, the second time Martin played his famous character was not with Tim Holt, but with Robert Mitchum in Nevada. It would not be until 1947, that the Rafferty character appeared alongside cowboy star Tim Holt in Wild Horse Mesa.