Füge eine Handlung in deiner Sprache hinzuA group of strangers are brought together in an old, dark house and must contend with two murders and $50,000 in stolen money.A group of strangers are brought together in an old, dark house and must contend with two murders and $50,000 in stolen money.A group of strangers are brought together in an old, dark house and must contend with two murders and $50,000 in stolen money.
Robert Livingston
- Allen Bentley
- (as Bob Randall, Robt. Randall)
Charles Middleton
- Sheriff
- (as Charlie Middleton)
Jimmy Aubrey
- Roadblock Watchman
- (Nicht genannt)
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If you have a taste for old B-movie mysteries, this film will interest you. It delivers a good moody atmosphere with great shots of down-pouring rain, dark cellars and interesting characters. Various groups of people all become stranded at a spooky motel after a rain storm has closed the local highways leading out. A great cast of veteran actors make this little mystery worth watching. George Zucco is at his B-movie best. Glenn Strange gives us some good comedy relief. Plus, there is not much cheesy over-acting that you sometimes find in low budget movies.
Here's a cool suggestion: Go rent the current movie, 'Identity' starring John Cusack. Then watch The Black Raven. You may be as amazed, as I was, at how much of the characters, plot and setting appeared to be lifted from this movie. I am not suggesting that they were stolen. If you have already seen 'Identity' you will understand that a certain character in the film seems to have spun a tale based on what he saw watching "an old movie". I'm just saying that I think 'The Black Raven' is the movie that they are referring to. While the character nor the movie maker actually says this, there is one reference in 'Identity' where a girl says, "This is like that old movie where everybody is trapped in hotel..." This probably doesn't make much sense unless you have seen both mentioned movies.
Don't misunderstand me, I thought the movie 'Identity' was a brilliant display of script-writing. Way to go, Michael Cooney.
Here's a cool suggestion: Go rent the current movie, 'Identity' starring John Cusack. Then watch The Black Raven. You may be as amazed, as I was, at how much of the characters, plot and setting appeared to be lifted from this movie. I am not suggesting that they were stolen. If you have already seen 'Identity' you will understand that a certain character in the film seems to have spun a tale based on what he saw watching "an old movie". I'm just saying that I think 'The Black Raven' is the movie that they are referring to. While the character nor the movie maker actually says this, there is one reference in 'Identity' where a girl says, "This is like that old movie where everybody is trapped in hotel..." This probably doesn't make much sense unless you have seen both mentioned movies.
Don't misunderstand me, I thought the movie 'Identity' was a brilliant display of script-writing. Way to go, Michael Cooney.
One dark and stormy night, an escaped convict, an embezzler, a runaway daughter, her intended and her father, and a gangster take refuge in a remote inn called "The Black Raven" after the nickname of a second gangster who owns it; and murder ensues.
Standard fare with some predictability, however it's an entertaining one hour with loads of atmosphere, effective light and shadows and some good build-up. Flat in places, though, but not enough to mar the enjoyment. There's good performances from all, especially George Zucco. There's a diverse group of characters; one a hoodlum who is after the stolen money, runaway lovers and the father of the daughter determined to split them up, a clumsy Glenn Strange and a weedy embezzler.
Standard fare with some predictability, however it's an entertaining one hour with loads of atmosphere, effective light and shadows and some good build-up. Flat in places, though, but not enough to mar the enjoyment. There's good performances from all, especially George Zucco. There's a diverse group of characters; one a hoodlum who is after the stolen money, runaway lovers and the father of the daughter determined to split them up, a clumsy Glenn Strange and a weedy embezzler.
This is a cheap B-movie made by a very small studio, PRC. It stars George Zucco--the King of low-budget suspense and horror films of the 1940s. While most every film he starred in for PRC and other poverty row studios were terribly written and had cheap sets and actors, he managed good performances. Plus, while often silly, these films really were a lot of fun.
"Black Raven" is one of his PRC films and once again his performance was pretty good. Apparently old George is a criminal known to the forces of the underworld as "The Raven". You'd think with such a cool name he'd be sort of like Blofeld or Dr. Evil, but this is a kinder, gentler sort of villain (to paraphrase George W.). While a crook, he's a decent sort of crook--with a strong sense of justice.
The weather is awful and bridges have washed away, so several travelers seek refuge George's inn (his legitimate cover). Some of them are crooks themselves (such as an embezzler who just happens to come there on his way across the border to Canada), a couple are running off to Canada to marry because her father is a jerk who won't give consent and, finally, the father arrives. Now talk about a coincidence--this father ALSO happens to be a judge AND George (among others) hates the guy. Eventually, there is a murder and the nice man who is running away with the lady is accused. Here's where it gets odd. The Raven KNOWS that the man is innocent and decides to try to help! Like I said, he's a kindler, gentler sort of crook! Overall, this is a very good film despite its poor pedigree. The plot is tight, the acting (in addition to Zucco) is very nice and it's a surprisingly good B-movie. Well worth seeing--even with a very unusual characterization by the Zucc-Meister!
"Black Raven" is one of his PRC films and once again his performance was pretty good. Apparently old George is a criminal known to the forces of the underworld as "The Raven". You'd think with such a cool name he'd be sort of like Blofeld or Dr. Evil, but this is a kinder, gentler sort of villain (to paraphrase George W.). While a crook, he's a decent sort of crook--with a strong sense of justice.
The weather is awful and bridges have washed away, so several travelers seek refuge George's inn (his legitimate cover). Some of them are crooks themselves (such as an embezzler who just happens to come there on his way across the border to Canada), a couple are running off to Canada to marry because her father is a jerk who won't give consent and, finally, the father arrives. Now talk about a coincidence--this father ALSO happens to be a judge AND George (among others) hates the guy. Eventually, there is a murder and the nice man who is running away with the lady is accused. Here's where it gets odd. The Raven KNOWS that the man is innocent and decides to try to help! Like I said, he's a kindler, gentler sort of crook! Overall, this is a very good film despite its poor pedigree. The plot is tight, the acting (in addition to Zucco) is very nice and it's a surprisingly good B-movie. Well worth seeing--even with a very unusual characterization by the Zucc-Meister!
Ever-delightful George Zucco, that great genre character-star of the Golden Age of Hollywood, is front and centre in this zippy, enjoyable PRC programmer. He plays Amos Bradford, the proprietor of an inn near the U.S. / Canada border whose side business is smuggling criminals across the border. A disparate group of individuals - a milquetoast embezzler (Byron Foulger), a racketeer (Noel Madison), a couple (Robert Livingston, Wanda McKay) attempting to elope, her big shot politician father (Robert Middlemass), and others - gather for an eventful night of murder (during a terrible rain storm, naturally) at Zuccos' establishment.
This is actually quite fun, and it does keep you on your toes regarding the mystery aspect of the story (written by Fred Myton); since there are a few shady types hanging around, and there is more than one motive for wanting the first victim out of the way, the viewer doesn't automatically focus on one character. A strong sense of humour also helps matters a lot, with Amos coming off as a very unflappable and sardonic man, who has a genuine interest in figuring out whodunit. Much of the comedy relief is provided by none other than Glenn Strange, who plays Amos' excitable, bumbling assistant, and he's pretty amusing. Overall, the cast is good. Also appearing are Charles Middleton as a humourless Sheriff and top character actor I. Stanford Jolley as the slimy prison escapee Whitey Cole.
"The Black Raven" has solid atmosphere, an excellent pace (clocking in at BARELY over an hour long), and a bittersweet wrap-up. It's good fun for any fan of thrillers and horror films from this era.
Seven out of 10.
This is actually quite fun, and it does keep you on your toes regarding the mystery aspect of the story (written by Fred Myton); since there are a few shady types hanging around, and there is more than one motive for wanting the first victim out of the way, the viewer doesn't automatically focus on one character. A strong sense of humour also helps matters a lot, with Amos coming off as a very unflappable and sardonic man, who has a genuine interest in figuring out whodunit. Much of the comedy relief is provided by none other than Glenn Strange, who plays Amos' excitable, bumbling assistant, and he's pretty amusing. Overall, the cast is good. Also appearing are Charles Middleton as a humourless Sheriff and top character actor I. Stanford Jolley as the slimy prison escapee Whitey Cole.
"The Black Raven" has solid atmosphere, an excellent pace (clocking in at BARELY over an hour long), and a bittersweet wrap-up. It's good fun for any fan of thrillers and horror films from this era.
Seven out of 10.
George Zucco runs a little country inn called the Black Raven. He himself is also known as the Black Raven—a mysterious underworld figure whose services include assistance to those hoping to slip quietly over the nearby border into Canada.
He has guests: his former partner has busted out of prison to come and get revenge on him; a gangster on the lam (Noel Madison) wants help getting to Canada; a bank clerk (Byron Foulger) stops on his way to Canada with a briefcase full of money; and an eloping couple (Wanda McKay and Bob Livingston—billed here as Robt. Randall) stop for the night, or at least until the storm lets up. Hot in pursuit is the eloping girl's father, who also happens to be a powerful and shady political figure and a bitter rival of the fleeing gangster.
When one of these guests turns up dead and the bag of money goes missing, the Raven has a house full of suspicious characters throwing around accusations and digging around for the money.
The action moves along pretty fast and the plot mostly holds together. The dialog is never particularly original but contains a certain amount of dry humor— Foulger: "Oh, dear, how awful. How'd it happen?" Zucco: "Evidently someone didn't like him."
Zucco is good and is basically the hero—although we know he operates outside of the law, he takes a certain interest in protecting the young couple in particular. Glenn Strange is the Raven's handyman; it's kind of funny to see him as comic relief, as he shivers at shadows and falls down stairs. Charles Middleton is also essentially a comic figure as the clueless sheriff. (Here he has the authoritative voice but none of the brains of the Emperor Ming.)
The cast give enthusiastic performances, the storm effects and lighting create the right atmosphere it's lots of fun.
He has guests: his former partner has busted out of prison to come and get revenge on him; a gangster on the lam (Noel Madison) wants help getting to Canada; a bank clerk (Byron Foulger) stops on his way to Canada with a briefcase full of money; and an eloping couple (Wanda McKay and Bob Livingston—billed here as Robt. Randall) stop for the night, or at least until the storm lets up. Hot in pursuit is the eloping girl's father, who also happens to be a powerful and shady political figure and a bitter rival of the fleeing gangster.
When one of these guests turns up dead and the bag of money goes missing, the Raven has a house full of suspicious characters throwing around accusations and digging around for the money.
The action moves along pretty fast and the plot mostly holds together. The dialog is never particularly original but contains a certain amount of dry humor— Foulger: "Oh, dear, how awful. How'd it happen?" Zucco: "Evidently someone didn't like him."
Zucco is good and is basically the hero—although we know he operates outside of the law, he takes a certain interest in protecting the young couple in particular. Glenn Strange is the Raven's handyman; it's kind of funny to see him as comic relief, as he shivers at shadows and falls down stairs. Charles Middleton is also essentially a comic figure as the clueless sheriff. (Here he has the authoritative voice but none of the brains of the Emperor Ming.)
The cast give enthusiastic performances, the storm effects and lighting create the right atmosphere it's lots of fun.
Wusstest du schon
- WissenswertesBegan shooting February 9 1943, and completed by late February.
- PatzerWhen Andy spots the shadow moving in the cellar, he is wearing his raincoat and his hat. He starts shouting and runs into the hotel foyer, but he is no longer wearing these items.
- Zitate
[referring to Whitey Cole]
Amos Bradford: He's suffering from rabid delusions aggravated by a moronic mentality.
Andy: Is that bad?
- VerbindungenFeatured in Scream Stream Live!: The Black Raven (2023)
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- Laufzeit1 Stunde 1 Minute
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By what name was The Black Raven (1943) officially released in India in English?
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