Gefährliche Flitterwochen

Above Suspicion (1943)

** 1/2 (out of 4)

By-the-numbers WWII drama from MGM has Joan Crawford and Fred MacMurray playing newlyweds who are asked by the government to do some spying as they make their way into Nazi controlled territory. ABOVE SUSPICION was one of the hundreds of films turned out by Hollywood to motivate or at least pursued the country to support the war and to show how evil the Nazi party was. With so many films in this sub-genre it's always hard to find a "great" film and this here certainly isn't one of them. While the film remains slightly entertaining from start to finish, there's really no way to deny the fact that there's just nothing overly special here and it's also incredibly uneven. I say uneven because the tone of the film seems to change from one scene to the next. Sometimes you feel as if you're watching some sort of light comedy and then the next minute everything is being handled so heavily. At times there seems to be a wink-wink going on between the two leads and then the next second everything is back to being dead serious. I thought the entire tone of the film was just wrong and it was incredibly hard for me to believe the story or take it too serious. Both Crawford and MacMurray are good in their roles, although I'm not so sure they play were together. I really didn't buy them as a married couple and I also didn't buy them working together on these missions. Conrad Veidt is good in his role as a good German and Basil Rathbone steals the film as the evil German. Reginald Owen has a good supporting part as well. Again, at just 90-minutes the film moves well enough but there's just not enough going on here to make it worth watching except for fans of the cast.

American honeymooners (Fred MacMurray, Joan Crawford) are recruited by British government to spy on the Nazis just before WW2 starts. They have to contend with Nazi Basil Rathbone and a host of others who may or may not be on their side. Decent wartime thriller with some light comic touches. MacMurray and Crawford both do fine, though it doesn't seem like the part quite fits Joan. This was her last movie for MGM before departing for Warner Bros. Nice support from Rathbone and Conrad Veidt. It's the kind of movie that you feel could have been so much better in the hands of a different director and perhaps different leads. Joan reportedly wanted Alfred Hitchcock to direct. It does seem somewhat up his alley but he certainly would have had the script rewritten significantly. I'm sure it would have been a much better film with Hitch at the helm. As it is, though, it's an agreeable time-passer. I love Fred MacMurray's closing line.

If you like the kind of spy-romance yarns spun out by Hollywood in the 1940s--the kind with tongue-in-cheek dialogue that lets you know you're not supposed to take any of it too seriously--you'll enjoy this amusing, yet suspenseful film in which Conrad Veidt plays a "nice guy" for a change. Honeymooners Joan Crawford and Fred MacMurray are asked by British intelligence to do some spying while on their European jaunt. The agreeable pair go along with a plan that has them on the trail of an agent and in and out of dangerous situations as they are pursued by Basil Rathbone, chilling as usual as a Nazi.

Good entertainment with some amusing dialogue and light-hearted performances by Joan and Fred that indicate they should have been teamed more than once. As it is, this is Joan Crawford's last film at Metro after seventeen years with the studio and comes just two years before "Mildred Pierce" at Warners. Good cast and fine production values make it an absorbing treat.

If the viewer can keep up with all the directions given in this nifty little spy vs. spy thriller, he is a better man than I Gunga Din. It's amazing that Richard Myles (Fred MacMurray) can remember all the details. The viewer may also be amazed that Fred MacMurray speaks such good German. MacMurray is one of those great Hollywood actors who never received his due, even though he almost matched the performances of Edward G. Robinson and Barbara Stanwyck in the film noir classic "Double Indemnity." He certainly keeps up with Joan Crawford in "Above Suspicion," although the two simply don't jell as a team. Barbara Stanwyck would have made a much better partner for MacMurray in this film.

All that aside, this is still a topnotch suspense movie from World War II. The flick is fast-paced and has worn well with the passage of time, since all the goings on are now just history to most viewers. Since director Richard Thorpe was an old hand at directing action pictures he lets the show get on the road and move along rapidly. He throws humor in from time to time to ease the tension the way Hitchcock would do in a more masterful way. Viewers used to seeing Basil Rathbone play Sherlock Holmes will enjoy seeing him play a dastardly Nazi stooge who receives his just desserts. In the opposite direction viewers may also enjoy seeing Conrad Veidt playing a good guy who assists the newlyweds Frances and Richard Myles (Joan Crawford and Fred MacMurray)in their dangerous mission inside Nazi Germany. Those who enjoy World War II espionage films, should find this one a winner.

"Above Suspicion(1943)" was the last film Joan Crawford made under her Metro-Goldwyn-Mayer contract. Crawford had strictly made films for the studio since 1925. She left,because she was dissatisfied with the mundane scripts she was offered.Looking at this film,we can see her point.Here's an espionage thriller that has a great premise and a good cast,but falters midway through.The plot is basically about honeymooners(Crawford and Fred MacMurray)being ask to do spy work in Nazi Germany. They must get information about a secret German mine.Along the way,they encounter colorful characters that lead them to clues.They even witness an assassination of a German leader in an opera house.The first 45 minutes is extremely suspenseful and Crawford and MacMurray have great chemistry together.However,the rest of the film is less than plausible and the ending leaves much to be desired.The problem,though,is with the director,Richard Thorpe.Not one of MGM's best directors,Thrope puts too many unnecessary scenes in the film,that distract from the plot.In addition,he wastes the talent of some great character actors,putting them in one-dimensional roles.Basil Rathbone was great at playing sinister roles.Here he plays a conniving Nazi,but has very little to do.The major miscasting was letting Conrad Veidt play a charming spy.Veidt was marvelous at playing an acid-tongued Nazi officer,most notably in the classic,"Casablanca(1943)." In other hands like Alfred Hitchcock or Fritz Lang,this film could have been first-rate.Crawford wouldn't have a hit movie until "Mildred Pierce(1945)",where she gave perhaps the best performance of her career as a self-sacrificing mother. As it is, the film isn't a bomb,but there are much better spy thrillers out there.I give it 2 1/2 stars out of four.