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she is - this time in "You Were Never Lovelier," a 1942 film starring Fred Astaire, Adolphe Menjou, and Xavier Cugat along with Hayworth. Menjou plays Eduardo Acuna, the father of four daughters in Argentina, and according to tradition, the girls must marry in order. Second to be married is Maria (Hayworth). Unfortunately, in this case, the two younger daughters have suitors and Maria has no interest in marriage or in any of the dozens of men who have tried to win her heart. Her father hatches a plan to send her orchids and letters from a secret admirer. Then he plans for the secret admirer to disappear, hoping that she'll then turn to an ordinary man. When he has a dancer, Bob Davis (Astaire) who is trying to get a job in the club deliver the orchids, Maria thinks that Davis is her secret admirer. The two wind up falling in love, which doesn't fit in with Dad's plans.

Hayworth's first entrance in this is as she gives her sister something for her wedding. She's so gorgeous it's ridiculous. It's said that during the making of Blood & Sand, Tyrone Power was so enamored of Hayworth that he couldn't stop staring at her (and in fact, she's one of the few women who could match him looks-wise). Not surprising. What's wonderful about this film is that Hayworth wears fabulous gowns and dances with Fred Astaire. They make a terrific pair, and Astaire loved working with her. When they dance to "I'm Old Fashioned," it's as if they're floating on a cloud. She seems to bring out a sweet side to Astaire's acting, and the character he plays is less sure of himself than the Astaire roles usually are. And of course, he dances like a dream, with a wonderful audition solo for Menjou.

For this writer, there were many beautiful women in Hollywood. But two were the complete movie star package with superior beauty, personality, and raw sex appeal - Rita Hayworth and Ava Gardner. Rita, with her wonderful dance talent, probably has a slight edge. It's tragic that her personal life was so sad and that she herself was such a troubled woman. It just doesn't seem fair to be that sensational and that miserable at the same time.

This is a lovely, romantic film produced specifically for the World War II audience - while we're not going through World War II today, most of us are depressed enough that we could be, so it's still a great watch.

...and Fred Astaire was never as boyishly charming as he is here. This is a lovely, escapist, feel-good musical made in the early 40's to appease WW2-weary audiences. This is Rita and Fred's second (and final) outing after the surprise success of 'You'll Never Get Rich', and, while the first film was very enjoyable, this is an improvement on it's predecessor.

Hayworth shines as the girl who's not very interested in marriage until a 'secret admirer' and Fred Astaire come into the picture. She's very beautiful and glamorous in the role; the 'Cansino-to-Hayworth' transformation was going along nicely at the film's time of release. Astaire is always very appealing, and he does light comedy quite well. This hs a far sharper script than 'You'll Never Get Rich' and benefits from the non-wartime backdrop. Yes, the war was going on when Rita and Fred were making dancing magic, but you'd never know it from the happy little self-contained vacuum that Columbia creates for the pair in a story meant to be set in exotic South America.

I guess Rita, with her Latin roots, was the perfect choice for Maria, and she manages to outdo the master Astaire in the Latino-inspired dance routines. Her singing is dubbed, but Rita's dancing is sublime and her acting is very effective.

This film also has more memorable songs than the 1941 Astaire-Hayworth outing (I don't particularly like to compare, but it's hard not to), with 'You Were Never Lovelier', 'Shorty George' and 'I'm Old Fashioned' being great tunes. 'Shorty George' entranced me so much that I re-played the sequence on DVD three times before I moved forward in the film!

It doesn't have much of a plot, but we know that Astaire's musicals were always light on this factor so we can be forgiving. What it does have is a perfect, innocent sweetness that cannot possibly be recaptured today. From early scenes with Astaire trying to make conservation with a haughty Rita, to the final scene where the awkward yet lovable Fred arrives as Rita's 'knight in shining armor' on a white horse, 'You Were Never Lovelier' is just...well, lovely.

8/10.

Jerome Kern lovely music is what gives this film LIFE! And the fact that Rita Hayworth and Fred Astaire are fantastic in this film.

Fred Astaire was one of the best dancers in motion picture history. But, not a lot of people know that, Rita Hayworth was a very talented dancer too. And believe me, she puts her skills to work in this film.

Now...I'm not going to lie, it's not the best storyline and the acting isn't the best. Although (Adolphe Menjou) really keeps the film going with his short temper and wit.

Robert Davis (Fred Astaire) is a well known dancer who tries to get a contract at Eduardo Acuna (Adolphe Menjou) night club, but he's not having any luck at all.

Through some very insane events Robert and Maria Acuna (Rita Hayworth) begin to have feeling for one another. But her father Eduardo Acuna doesn't want his daughter messing around with a dancer.

But with a number of wonderful tunes and some great moves 'Love' wins-out in the end.

It's a fun little film that all of you will enjoy...You Were Never Lovelier.

Pop quiz: Who was Fred Astaire's favorite female dancing partner? If your answer is the obvious one, Ginger Rogers, guess again. Cyd Charisse, Vera-Ellen, Judy Garland, Joan Leslie, Eleanor Powell? Still wrong. Surprisingly, Astaire long maintained that his favorite was none other than Rita Hayworth. Rita, he once said, could be taught a complicated piece of choreography in the morning and have it down pat after lunch! The two made a pair of films together, "You'll Never Get Rich" in 1941 and "You Were Never Lovelier" in '42. A look at Hayworth's work in the latter film will demonstrate what a remarkable learner she apparently was. She and Fred share several musical numbers here, including the moonlit garden waltz to "I'm Old Fashioned" and the remarkably high-spirited and dynamic "Shorty George," and the two do make a marvelous pair. As for the rest of the film, it is a typical Astaire comedy, replete with mistaken identities, concerning Rita's father, Adolphe Menjou, convincing Fred to impersonate the fictitious lover that he has devised for her. The viewer must wait almost 40 full minutes to see Fred dance in this one, but that wait is well repaid when Astaire explodes in a brash and frenetic audition number for ol' Adolphe. The film's script is bright and amusing, Xavier Cugat's orchestra adds colorful support, and Rita is at least as beautiful, if not more so, than in 1946's overrated "Gilda." Bottom line: This is no Fred & Ginger picture, but it sure does have its compensations...Rita Hayworth surely being one of them.

It would have been nice had this not been World War II and we could actually have done this film in Buenos Aires. As it is, except for a few newsreel shots at the beginning of the film, this might as well have taken place in San Diego.

Having said that this tinsel of a story is put over by the charm and beauty of its two leads, Fred Astaire and Rita Hayworth. Not to mention a good supporting cast led by Adolphe Menjou who is busy poaching on the preserve of Hollywood cranky fathers usually inhabited by folks like Eugene Palette and George Barbier.

Menjou's got some strange ideas. He wants to see his daughters get married, but in descending order. Rita is number two daughter and she's holding things up for three and four. Of course numbers three and four have fiancés panting at the bit.

Through the usual comedy of errors that are prevalent in Fred Astaire movies, Menjou's conceived a dislike for Fred and Rita's seeing something in him. How will it all work out?

Astaire movies always have flimsy or silly plot lines, but they have him and an attractive female partner dancing to some of the best music ever written for the screen. And when it's Jerome Kern's music, it don't get much better than that.

And the dancing partners don't get more talented than Rita Hayworth. She is positively radiant in this film. And she and Fred dance divinely to one of my favorite Jerome Kern ballads, I'm Old Fashioned.

Reason enough to see this film.