Wake Island

"Wake Island" is a battle for a small atoll in the Central Pacific Ocean west of Honolulu, which was attacked by the Japanese on December 7, 1941, hours after Pearl Harbor... The small U.S. marine garrison held out until the Japanese overran the island on December 23...

It is a story of sacrifice of the gallant and doomed defenders, movingly portrayed by William Bendix, Robert Preston, Brian Donlevy, MacDonald Carey and others... The battle scenes are chillingly photographed in Black and White, and the movie blows the clarion call for a new heroism... It is the 'Alamo of the Pacific,' the cry of 'Remember Wake Island," with the same stirring effects as 'Remember the Alamo,' one hundred years previously...

Well done within its limits, the film bears the unmistakable stamp of truth, and hails as a realistic portrayal of brave men in war...

Three plots are going on simultaneously in this movie. (1) The conflict between the Marines manning the small garrison at Wake Island and the no-nonsense Pan American construction crew preparing a berth for the Pan Am clipper. (2) The horseplay and bonding between Robert Preston (who must have had one of the longest careers as a supporting actor in Hollywood) and William Bendix as the Marine enlisted man who wants to unenlist so he can marry the delectable Myrtle. (3) Then there are all the Americans fighting against overwhelming Japanese naval and air forces.

This was one of the first war movies ground out after Pearl Harbor but it doesn't look especially hastily done. The Salton Sea location gives a good imitation of a flat, sandy Pacific island, which is pretty much what Wake Island was. The garrison was so tiny that only 47 enlisted men were available. The Marines and the Navy pilots fly F4F Wildcats, and this was crucial to the defense of the island. Most of them were destroyed on the ground or in accidents. But the few fighters available and the handful of relatively small caliber coastal defense guns inflicted serious damage on the first Japanese fleet, mostly by lying low until the invasion force was well within range. A second invasion attempt succeeded, after all the Wildcats were destroyed. The commander surrendered, along with the few survivors; they didn't sacrifice themselves to the last man as shown in the film. (What would that have accomplished?) But the movie was a great morale raiser at a time when the country desperately needed some morale raising.

The conflict in goals and styles between the Marines (all discipline and training) and the construction men (shabby, rough-and-ready improvisers) is, I suppose, designed to teach us that we all have to work together now that war is upon us. It's rather clumsily done. Albert Dekker as the construction boss is unnecessarily nasty and contemptuous, and Brian Donlevy as the commander of the Marine forces is the soul of patience and reason. The subplot gets the job done but it's something like having your kindergarten teacher beat the letters of the alphabet into you.

I rather liked the comedy relief provided by Preston and Bendix. Preston keeps trying to talk Bendix into reenlisting in the Corps but Bendix is determined to become a married civilian. Extolling Marine Corps life, Preston urges Bendix to close his eyes and think of what he REALLY wants. "All I see is Moitle," Bendix says. "No, no, no. Forget Myrtle. Close your eyes and put your hand over them and think -- now what do you really SEE?" Replies Bendix, "Nope. It's still Moitle." This is the kind of friendship you see only in the movies. They fall into fist fights at the drop of an insult, but are willing to sacrifice their lives for one another.

It is a bit tedious in parts. But the end, some hyperdramatic touches aside, sticks pretty close to the historical facts. No, we didn't mount a successful defense of Wake Island. How could we, with so few supplies and men? But, like Pearl Harbor, it was the kind of defeat that could almost be depicted as a victory, both honorable and inevitable.

And check out the cast! So many faces that were later to become so familiar, many of them uncredited. Dane Clark, James Brown.

It's worth watching, though there is little about it that's gripping. The photography is notable -- crisp, clear, sunny black and white, with the sun scintillating on the surface of the sea. And the war scenes are unusually well done for such an early example of the genre.

It's 1942 and the war in the Pacific is still in doubt. Japan has taken the Philippines and is moving on the rocky atolls of the central Pacific. Wake is smack in the middle and of no real value except militarily as a stepping-stone to bigger prizes.

This Paramount production adds up to an expertly mounted flag waver. Sure, maybe the Japanese have taken the island, but viewers are treated to heroic resistance from the Marine defenders that's bound to rally a grim American home front. The battle scenes--air, water, and ground--are realistic as heck, location shots blending almost seamlessly with occasional sets. Then too, the set-up footage of what purports to be an island Marine base is convincing as heck. Clearly Paramount understood the significance of its production.

For old time movie buffs, it's a treat catching the likes of Bill Bendix, Preston Foster, and Brian Donlevy, the former two providing the flick's macho humor. But don't look for skirts, it's an all male cast, understandably. And except for the tricky Japanese diplomat in the first part, the enemy is not parodied, rather surprising given the circumstances. All in all, the 80+ minutes amounts to a first-rate tribute to American fighting spirit even under impossible odds. However, if you don't like movie bullets or explosions, steer clear.

This film was commenced before the battle finished. It tells how that small force of marines and civilian workers defended remote Wake Island for two weeks against the Japanese blitzkrieg early in the Pacific War.

Fictional names were used for characters, many of whom had real life counterparts especially Brian Donlevy as Major Caton (in reality, Major James Devereux). Other characters were inventions such as the bickering buddies played by Robert Preston and William Bendix.

Of course the filmmakers didn't know how the battle really ended because communication was cut, and the Japanese weren't working as technical advisors.

The scenes of the battle on the island were well staged although the film is a mixture of bathtub model effects, documentary footage of varying quality and every cliché Hollywood ever invented for military life.

Director John Farrow, Mia's father, was an Australian who joined the Royal Canadian Navy in 1939 on the outbreak of the war in Europe. He actually directed "Wake Island" while convalescing from illness. The film was released in August 1942 when he must have known that the fate of Australia hung in the balance.

The film exudes an iron-jawed heroic tone that 80 years later seems like typical Hollywood exaggeration. However those marines on Wake were as uncomplicatedly brave as the film depicts.

After Pearl Harbour, the Marine Corps expanded with the influx of thousands of highly motivated citizens, but the Wake Island garrison was made up of pre-war marines, professionals; being marines was their stock in trade. The defence of Wake (actually three islands: Wilkes, Peale and Wake) was remarkable, but if anything exemplifies the calibre of those men, it was what happened on Wilkes.

There is a line in 'Full Metal Jacket" when Gunnery Sergeant Hartman tells the recruits "The deadliest weapon in the world is a marine and his rifle".

The one hundred Japanese who landed on Wilkes may have agreed. Attacked by about half that number of marines led by Captain Wesley Platt, all the Japanese were killed through a combination of superb marksmanship and aggressive tactics. When Major Devereaux went around ordering his men to lay down their arms, Platt refused at first, exclaiming, "Marines don't surrender. Let us die right here". But he did obey the order; he was a marine after all.

The defenders didn't all die and most faced long years of harsh captivity. A brilliant documentary, "Wake Island: Alamo of the Pacific", told the true story through the eyes of veterans who returned to the island, a remarkable group of elderly men revealing the qualities of the marines who defended Wake.

In 1942 the film served a purpose. Today its importance could be that it will inspire people to find out what really happened, because history has a disturbing habit of repeating itself.

Calling this movie a propaganda film is no insult--it was released very shortly after the actual fall of Wake Islan and was an effective way to put a face on these doomed defenders and energize the people at home in the war effort. Since it was completed so quickly, the exact details of the final doomed days of the soldiers was a bit murky so the studio filled in the gaps with fictionalized accounts of this struggle.

The film begins just before December 7, 1941 and the island is in the process of being turned into a military base. Civilian engineers and soldiers cover the barren island and they are unaware that they were directly in harm's way. Soon, the troops on the island would face invasion and annihilation.

As I said, the individual accounts of heroism were fictionalized through the creation of some characters such as those played by William Bendix and Robert Preston (who seem like an old married couple with their banter) as well Albert Dekker (who, as usual, plays a loudmouth patriot), Brian Donlevy and Macdonald Carey. The acting was very effective even though by today's standards some of the stories seem a bit clichéd--they were perfect for the time.

While far from one of the very best war films made during WWII, it was better than average and is well worth a look. Excellent quality and a rousing script make for a very good film.

A final note because I am an aviation nut. I hated one part of the film--the aerial scenes were often bad, as monoplanes (with a single wing) often magically became biplanes in mid-air (with two wings). While I could forgive them making Japanese planes that looked nothing like the real thing, having them change so radically in mid-flight was unforgivable. Did they think the audiences wouldn't notice?