IMDb-BEWERTUNG
6,2/10
2149
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuDanny, a poor northern Californian Mexican-American, inherits two houses from his grandfather and is quickly taken advantage of by his vagabond friends.Danny, a poor northern Californian Mexican-American, inherits two houses from his grandfather and is quickly taken advantage of by his vagabond friends.Danny, a poor northern Californian Mexican-American, inherits two houses from his grandfather and is quickly taken advantage of by his vagabond friends.
- Für 1 Oscar nominiert
- 5 Gewinne & 1 Nominierung insgesamt
Barbara Bedford
- Nun
- (Nicht genannt)
Jack Carr
- Herman Scrivani
- (Nicht genannt)
Empfohlene Bewertungen
This work turned out to be an unexpected disappointment. Heres a film from a major producer, with a respected Director and top flight cast, that just ambles along without doing any of the characters full justice.
No-one seems able to convince the viewer they are whom they play. Tracys accent is near laughable, and Garfield tends to drop in and out of his, as if he feels silly putting it on. Nearly every major character is unlikeable, with greed and drunkenness almost their only motivation. It seems the only one that succeeds is Frank Morgan as the towns humble hermit and friend to all lost dogs.
Static studio backgrounds give the film a cheapened look. The best thing about this one is Franz Waxmans melodic Music score.
Some will enjoy, but I feel most will be left wanting better. KenR............
No-one seems able to convince the viewer they are whom they play. Tracys accent is near laughable, and Garfield tends to drop in and out of his, as if he feels silly putting it on. Nearly every major character is unlikeable, with greed and drunkenness almost their only motivation. It seems the only one that succeeds is Frank Morgan as the towns humble hermit and friend to all lost dogs.
Static studio backgrounds give the film a cheapened look. The best thing about this one is Franz Waxmans melodic Music score.
Some will enjoy, but I feel most will be left wanting better. KenR............
This movie was made during the U.S. entry in WWII. Maybe that is why it leaves out the deaths that occur in the actual story of Steinbeck. The people in charge perhaps had the directive to make a light inspiring movie ("no heavy stuff, y'hear?"). I don't think it was in the spirit of the novel AT ALL. My low rating is based on the movie's lack of faithfulness to the novel AND the casting of Spencer Tracy in the role of Pilon. It was just not a good fit. Even if I could ignore the messing with Steinbeck's story, I could not watch Tracy's performance with any ease. It pretty much ruined the movie for me despite what I thought were pretty good performances by everyone else.
Okay yes, Spencer Tracy does NOT look like a Paisano, but his performance in this movie is pretty cool and worth noting. I absolutely loved the book and Spencer Tracy's portrayal of Pilon went above and beyond what I expected the character to turn out like on screen. Frank Morgan was wonderful too. The scenes with the songs are particularly charming.
The story is about homeless men who live life one day at a time. Their biggest concern of each day is how they're going to acquire wine. Their friend Danny inherits two houses and Pilon is concerned that this newfound wealth is affecting their friendship.
Along the way they bring in more roommates including the wonderful Pirate character and the guys get into some shenanigans involving what else? Money, women and wine.
I also very much adored the simplicity of Victor Fleming's direction. He made a lot of beautiful shots, especially of the Pirate's adorable dogs!
The story is about homeless men who live life one day at a time. Their biggest concern of each day is how they're going to acquire wine. Their friend Danny inherits two houses and Pilon is concerned that this newfound wealth is affecting their friendship.
Along the way they bring in more roommates including the wonderful Pirate character and the guys get into some shenanigans involving what else? Money, women and wine.
I also very much adored the simplicity of Victor Fleming's direction. He made a lot of beautiful shots, especially of the Pirate's adorable dogs!
If you like comedies the whole family can see and enjoy. This is a movie for you. But it is more than a good comedy of life an wonderful characters in a poor Mexican community in Monterry California. First is the most improbable casting that worked so well. I can picture Spencer Tracy cast as most any character except for a Mexican passion, wise in somethings and dumb -- plain foolish -- in others. He managed the role wonderfully. Hedy Lamar -- a peasant girl looking for a man with a job who could make her a work at home mom with many babies. She pulled it off with a sizzle. Most of all it was a very thought provoking movie. If followed the ideas of the famous book by John Stienbeck most accurately. Showing how we tend to get into ruts in life and using the wonderful Northern California landscape to show some overlooked opportunities to live well. If you want to really get into this movie read the book first.
I find it difficult to believe that this picture is not remembered more fondly by film critics and historians. I went into this film expecting nothing more than a few chuckles and a few yawns. I was wrong! This picture should be remembered in the same light as other great comedies of the 1940's such as THE LADY EVE, ARSENIC AND OLD LACE, and THE BANK DICK.
Wusstest du schon
- Wissenswertes"NOT IN THE SCRIPT: A scene for 'Tortilla Flat' required five dogs to jump on Frank Morgan simultaneously while he was sitting in church. For a time it seemed like an impossibility until director Victor Fleming started hiding things in the beard Morgan wears for the role. Bits of meat, a rubber mouse, fish and bacon were tried. The meat did the trick. 'How do you feel,' Fleming asked Morgan when a good 'take' was finally made. 'With five dogs getting lunch out of my beard,' said Morgan, 'I feel like an automat'..." (Newspaper Enterprise Association, "Erskine Johnson's Hollywood," The San Bernardino Daily Sun, San Bernardino, California, Sunday 8 February 1942, Colume 48, page 16.)
- PatzerToward the end of the movie, Pilon is holding a "Creamery Butter" cardboard box containing the raffle tickets while a small boy on his father's shoulder is choosing a ticket. When the camera shifts to a different angle, there are differences in the cardboard box, such as a large sticker that was not on the box just seconds beforehand.
- Zitate
Jose Maria Corcoran: What's the matter with him? Is he crazy?
Pilon: They say that a little love is like a little wine. Too much of either makes a man sick.
- Alternative VersionenAlso shown in a computer-colorized version.
- VerbindungenFeatured in Personalities (1942)
- SoundtracksAy, Ay, Paisano!
(1942) (uncredited)
Traditional
Adapted by Franz Waxman
Lyrics by Frank Loesser
Played during the opening and end credits and often as background music
Played on guitar by John Garfield and sung by him, Spencer Tracy, Akim Tamiroff and Sheldon Leonard
Reprised a cappella by Spencer Tracy
Top-Auswahl
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Details
- Laufzeit
- 1 Std. 45 Min.(105 min)
- Farbe
- Seitenverhältnis
- 1.37 : 1
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