IMDb-BEWERTUNG
6,3/10
824
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuAfter an accident, a New York man with amnesia finds out the ugly truth about his real identity and past by interacting with people who seem to know him well.After an accident, a New York man with amnesia finds out the ugly truth about his real identity and past by interacting with people who seem to know him well.After an accident, a New York man with amnesia finds out the ugly truth about his real identity and past by interacting with people who seem to know him well.
- Regie
- Drehbuch
- Hauptbesetzung
Kenneth Chryst
- Taxi Driver
- (Nicht genannt)
Kernan Cripps
- Taxi Driver
- (Nicht genannt)
Ralph Dunn
- Fireman
- (Nicht genannt)
Ruth Gillette
- Blonde
- (Nicht genannt)
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Burgess Meredith is hit in the head with some falling debris and when he comes to, he realizes he doesn't know why he's in that part of town. He also notices that his hat and cigarette case have the wrong monogram. He goes home only to be told that he wife moved a year ago.
Something happened to him and he's been suffering from amnesia. The blow to the head has restored his memory, but he doesn't know where he's been for a year. One thing he does know ... Sheldon Leonard is chasing him.
Meredith goes back to the part of town where the accident happened, and he runs into Claire Trevor who is his amnesiac self's girlfriend ... and who points out that he's wanted for murder.
This really early film noir has an intriguing set up, a nice mystery with a couple of interesting twists, and a fairly underwhelming conclusion. Still ... the mystery hinges on a paralyzed woman blinking while Meredith shouts out the alphabet. That's pure entertainment.
I can also never get enough Sheldon Leonard.
Something happened to him and he's been suffering from amnesia. The blow to the head has restored his memory, but he doesn't know where he's been for a year. One thing he does know ... Sheldon Leonard is chasing him.
Meredith goes back to the part of town where the accident happened, and he runs into Claire Trevor who is his amnesiac self's girlfriend ... and who points out that he's wanted for murder.
This really early film noir has an intriguing set up, a nice mystery with a couple of interesting twists, and a fairly underwhelming conclusion. Still ... the mystery hinges on a paralyzed woman blinking while Meredith shouts out the alphabet. That's pure entertainment.
I can also never get enough Sheldon Leonard.
Frank Thompson (Burgess Meredith) is hit on the head and knocked unconscious by some debris that falls from a building under construction. He comes to and doesn't realize where he is and why he is there, but he is across from town from where he lives. When he gets back to his apartment he discovers it is no longer his apartment and that his wife moved away a year ago. He finds her and discovers that he went to work one day about a year ago and never returned until just now. So she moved and got a job in order to pay the bills. In spite of this she doesn't seem the least bit upset, which is strange. What is also strange is that Frank strolls into the company that he used to work at and gets his old job back. Even stranger is that on his way home from work on his first day back, he is pursued on foot by an angry man he does not recognize until he gets in a taxi and loses him. At this point Frank is not only thinking he had such luck to get his job and wife back with only the sparsest of explanations, but he is wondering what HAS he been up to this past year to cause this guy to chase him. Complications ensue.
This film treads some familiar ground - The guy who forgets who he is because of one head injury, leads some alternate life, then gets hit on the head again and remembers who he was originally but nothing about what went on in between head injuries. And what happened in between is never boring and even involves some danger.
This is a rare chance to see Burgess Meredith in a leading role, and he carries it off admirably. The one thing I wonder about is the title. In 1930 Paramount made a film with the exact same title that had a completely different plot - it was a vehicle for William Powell that was loosely patterned after the life of gambler Arnold Rothstein. If you go in realizing there is no relationship and that this film is more of a mystery, even a precursor to noir, you should enjoy it.
This film treads some familiar ground - The guy who forgets who he is because of one head injury, leads some alternate life, then gets hit on the head again and remembers who he was originally but nothing about what went on in between head injuries. And what happened in between is never boring and even involves some danger.
This is a rare chance to see Burgess Meredith in a leading role, and he carries it off admirably. The one thing I wonder about is the title. In 1930 Paramount made a film with the exact same title that had a completely different plot - it was a vehicle for William Powell that was loosely patterned after the life of gambler Arnold Rothstein. If you go in realizing there is no relationship and that this film is more of a mystery, even a precursor to noir, you should enjoy it.
This film begins with a man named "Frank Thompson" (Burgess Meredith) walking on the street and being hit on the head with some falling objects from a construction site. Although he isn't seriously hurt he suddenly realizes that he has no memory of why he was on that particular street. Neither does he know why his hat and cigarette case have the initials of "D.N." on them. In any case, he eventually goes home only to find that his wife "Virginia Thompson" (Louise Platt) hasn't lived there for several months-even though he supposedly left her there early that morning. When he does finally find her he discovers that he has been gone for about a year and then realizes that he suffers from amnesia and can't remember anything during that time. To make matters even worse, he soon discovers that men with guns are chasing him and he doesn't know why. Now rather than reveal any more I will just say that this was an interesting film noir which captured the time period rather well and had a decent twist at the very end. Admittedly, the plot was somewhat clichéd and the actors weren't exactly top-notch but it was still worth the time spent to watch it and for that reason I have rated it accordingly. Average.
This noir whodunnit is manned by Burgess Meredith, who gives a textured performance, and an early career appearance of Claire Trevor, who would go to greater things. Even Sheldon Leonard, as a deadpan cop, is mildly amusing. The amnesia plot, however, wears a bit thin on the nerves, as it so cliched. and was done too often in noir.
For a B film, this is not too bad. It keeps your interest for over an hour and is decently paced by the director, Jack Hively. Initially, one thinks the protagonist is the target of gangsters, but we find out quickly it is just trigger-happy cops. There is no explanation, however, as to why Jack transforms into Naehring for a year, and dumps his loving wife for that same year. Despite that hole in the plot, the film is entertaining.
For a B film, this is not too bad. It keeps your interest for over an hour and is decently paced by the director, Jack Hively. Initially, one thinks the protagonist is the target of gangsters, but we find out quickly it is just trigger-happy cops. There is no explanation, however, as to why Jack transforms into Naehring for a year, and dumps his loving wife for that same year. Despite that hole in the plot, the film is entertaining.
Burgess Meredith does well in this straightforward Noir. It's short sweet and to a good point.
Not the greatest example of the genre but (did I say short). A couple of good twists and at times eerie and suspenseful.
It's also interesting to see Sheldon Leonard as a hard boiled cop.
So, if you are Noir-addicted it is worth the time to watch. It could have been longer, there were some gaps to fill but...
I liked it. Especially Burgess.
Not the greatest example of the genre but (did I say short). A couple of good twists and at times eerie and suspenseful.
It's also interesting to see Sheldon Leonard as a hard boiled cop.
So, if you are Noir-addicted it is worth the time to watch. It could have been longer, there were some gaps to fill but...
I liked it. Especially Burgess.
Wusstest du schon
- WissenswertesFinal film of Louise Platt (Virginia). After this she performed on the stage and on television.
- Zitate
Frank Thompson: You oughta have a good sock on the jaw.
Ruth Dillon: Go ahead - sock me. Danny, I'd go through anything for you but never lie to me.
- VerbindungenReferenced in Nightmare: The Life and Films of Cornell Woolrich (2022)
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By what name was Der schwarze Vorhang (1942) officially released in India in English?
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