Abenteuer in der Südsee

Most movies of Hollywood Golden Age are attractive. They share cleverly constructed plot and dialogue, high-standard direction and actors' performances. Perhaps because of the charm of past times, as a rule the characters are very nice guys, even the villains, like in "Son of Fury": who is really able to detest George Sanders? Yet sometimes a motive in the movie makes it outstanding. This is the case of "Son of Fury". In fact it shows the materialization of the most romantic dream of our youth, even improving it: to live in Polynesia and... with Gene Tierney! Gene is the improvement to our own dream. Her capacity to be lovely is unbelievable: just the scene when she uses a fork like a comb would be worth seeing the movie. And what about her polynesian dance in grass-skirt? When Tyrone Power leaves the island to take his revenge in England, the audience is disappointed: we don't see the point in leaving Paradise. The director seems to realize this feeling: in fact, Power's come-back to England is more an act of justice than of revenge. Anyway, we feel relieved when he finally settles his business and returns to the island, to his friends, to her. And there she is, alone on the reef... What is more common in a movie than the final kiss? Yet this one has something special. In that instant, we all are Tyrone Power and she... she is Gene Tierney, what could be better?

that Tyronne Power never got an Oscar or recognition is beyond me. he didn't have to open his mouth ....just the eyes demonstrated all emotions needed whether sadness....joy.....angriness. son of fury is a movie that captures our hearts from the beginning....the scenery....the music the acting flawless. gene Tierney she was a knock out..George Saunders you loved to hate him...harry davenport a granddad we want to cuddle. and of course Tyrone power in my opinion the handsomest actor to grace the screen....even today. Son of Fury is really worth watching...it grabs you from the start. Bravo...to think these actors have all passed away...its our lost.

Those who claim Elizabeth Taylor and Montgomery Clift were the screen's all-time most beautiful couple apparently have never seen Tyrone Power and Gene Tierney. SON OF FURY is a wonderful multi-genre picture that goes from British period piece to South Seas romance quite smoothly. The film's plot has been well-explained by multiple IMDb members so I'll just concentrate on the performances.

The entire cast does fine work. Gene Tierney doesn't appear until a full hour as passed and her role doesn't require much except smiling and looking utterly beautiful and that she does to perfection. George Sanders (looking amazingly like John Wayne in the early scenes) has one of his most brutally villainous roles and he plays it without flinching, this is no character you love to hate, he's one scary SOB. This major 1942 film is also notable for giving breaks to two actresses who had been brushed off by many in Hollywood, the troubled Frances Farmer who plays Sanders' daughter (and Power's first love) and early talkie star Kay Johnson, making a very rare appearance, as Sander's wife. John Carradine has one of his most likable roles as a seedy castaway who turns out to be a great friend. There's also an exceptional performance from Harry Davenport (best known as Doc Meade from GONE WITH THE WIND) as Power's beloved grandfather.

And I've saved the best for last, the one, the only Tyrone Power. Was there ever a more gorgeous man in movies? And SON OF FURY fairly revels in his beauty, his beautiful mop of thick black hair, his stunning profile, manly arms, friendly eyes and infectious smile. And as a bonus, there are numerous scenes of Power shirtless, running around the island in sarong-like swim-shorts. To top it all off, Tyrone is a fantastic actor, one of classic Hollywood's best. He would have been a superstar in any era.

Some may remember Kenneth Anger taking this lush film's title and gender-bending it a bit to give his Frances Farmer chapter in "Hollywood Babylon" its tabloid tone, but this is truly a great movie (outside of the fact that it features not one, but two Tinseltown beauties who, in Anger's salacious words "drank at the well of madness") ... Farmer, after a string of uneven pictures, is relegated to a supporting role here, but actually fares better than leading lady Gene Tierney because 1) her role is far more complex and 2) her on-screen chemistry with star Tyrone Power is much more palpable. Perhaps the saddest thing about "Son of Fury" is the knowledge that despite the now recurrent difficulties being reported from the set, Farmer had caught herself a break and maybe a chance to finally ride out Paramount's punishment -- starting in 1938, of course, with the aptly-named (and perfectly awful) "Ride A Crooked Mile". But as we all know, the road got bumpier, the turns sharper and the potholes unavoidable ... To see Farmer surrounded not only by the likes of such A-list talent as Power and Tierney, but a stellar George Sanders and very young Roddy McDowell is to get a glimpse of what might have been. To read accounts of Farmer being tricked into watching this film years later while incarcerated in an insane asylum, if indeed true, is unforgivable ... Watch "Son of Fury" for everything the Golden Age of Hollywood purported to be -- solid, if not overly- spectacular, entertainment. It may not be the last film of Farmer's short-lived career, but it is our last look at this fine young actress at her peak -- as stunning and mythic as she was years earlier in "Come And Get It" -- but now with an undeniable sadness melting from within.

Done a year before Tyrone Power went to war in those lovely South Sea Islands depicted here, Son of Fury is the film adaption of a best selling novel of that period, Benjamin Blake. I think Darryl Zanuck decided that Son of Fury had more of a box office ring to it.

Our protagonist is the disinherited scion of a landed gentry family. We meet Benjamin Blake as a child played by Roddy McDowall. No proof of the marriage of his parents can be found and his uncle George Sanders has taken over the family estate and made McDowall his ward, binding him legally to him in essential slavery. He puts him to work in the stable.

As McDowall grows up to be Tyrone Power, he gets a thing for Sanders's daughter Frances Farmer and she him. To be perfectly fair, we are treading into incestuous territory here and even a cad like Sanders has some reason for concern. It is the one real weakness of the plot. I wonder how this slipped by The Code.

Of course Power decides he's had enough and goes off to the South Seas where he gets involved with native princess Gene Tierney. In fact Son of Fury is distinguished because of Power's involvement with two of the great screen beauties, Gene Tierney and Frances Farmer. Tierney is busy poaching on Dorothy Lamour's sarong territory and had this been a Paramount film, Lamour would have had Tierney's part.

As for Farmer this was her last film before being confined to the mental hospital in a story that is now too well known. What a tragic waste of beauty and talent.

In a sense this is a reunion picture of sorts. Tyrone Power's break out film was Lloyd's of London, also set in Georgian England and also having George Sanders playing a Georgian cad. In fact the word cad is virtually synonymous with George Sanders on the screen. Nobody could play the cad better, no one ever has since.

Sanders is my favorite in Son of Fury, the man you pay your ticket for to boo. Seeing Son of Fury is to see Sanders at his finest.