Seven Miles from Alcatraz

Champ Larkin (James Craig) and the spartanly named Jimbo (Frank Jenks) are serving their sentences in Alcatraz. The narration by Larkin says that things are not so bad until the war breaks out and all material needed for the inmates to do their jobs - metal and fuel for example - dry up because they are needed on both the homefront and for wartime manufacturing. This causes unbearable boredom on Larkin's part and he and his cellmate break out of Alcatraz.

There have been entire movies made just about trying to break out of Alcatraz, but this programmer makes it look like kindergarten since the escape is not the point. Larkin and Jimbo make it to a lighthouse in the bay and hold the occupants prisoner. The fact that the occupants need to be in constant contact with the authorities to help the war effort means nothing to our escapees, since they are mercenary in character. But then a trio of Nazis show up and become the convicts' accidental hostages. The Nazis are eager to make a deal with the convicts in order to make their rendezvous on time. Will these convicts continue in their mercenary ways? Watch and find out.

James Craig was never an A-list star, but he was pretty good in the Bs of the era. You also have Bonita Granville and Cliff Edwards - who is in the biggest role I've seen him this late in his career. So the quality of the actors in this one makes it worthwhile with pretty good suspense throughout. Also consider that ace noir director Edward Dmytryk is in the director's chair here, so he brings his considerable talents to this production.

Thanks to the fast-moving direction of Edward Dmytryk, SEVEN MILES FROM ALCATRAZ makes for a diverting prison break film, although it definitely shows its B-film origins. In fact, the last twenty minutes is strictly cliffhanger stuff that would have made good material for a Saturday afternoon serial.

It's got lots of wartime propaganda and the plot about Nazi spies using a lighthouse as an operation for their espionage is hard to swallow, but it works as an adventure film with an interesting locale and some competent players.

JAMES CRAIG carries most of the film on his sturdy shoulders, a handsome and rugged leading man who never quite made it to major stardom. FRANK JENKS is "Jimbo", his sidekick, and the supporting cast includes BONITA GRANVILLE (in one of her more underplayed roles), GEORGE CLEVELAND and CLIFF EDWARDS, who does his bug-eyed comic relief with a little too much relish.

There's plenty of action along with the talky moments. Fortunately, the action far outweighs any sense the script makes and is well staged by director Dmytryk. Craig gives one of his livelier performances as the escaped convict with a yen for Granville.

Passes the time quickly and it's easy to get hooked into the spy aspect of the story, but it's nothing special.

This is a neat little RKO programmer from 1942. We were in full patriotic fervor and it shows. All the ingredients are present. A couple of scoundrels escape from Alcatraz and end up at a remote lighthouse somewhere in San Francisco Bay. Although we know that only the worst of the worst were ever sent there, somehow this movie would like us to think they were arrested for selling ties on the street corner without a permit. There is an appealing cast of characters at the lighthouse, including Bonita Granville, and a weasel played by Erford Gage who is an undercover Nazi spy. The cons inadvertently kill the spy just before he is to pass on some valuable information from a Nazi sub to a cosmopolitan spy ring in SF. There is the inevitable confrontation between the Nazi spies and the cons - and guess who wins. According to the protocol of the times, even vicious gangsters were preferable to these Nazi vermin.

A note about the cast. James Craig must be the worst actor ever to work in Hollywood. He looks good, but he telegraphs every move he makes and acts like a Ray Harryhausen mockup. Frank Jenks made a great living playing wisecracking sidekicks - and for good reason. Bonita Granville looks as good as ever, but she underplays her role for a change to good advantage. John Banner (from Hogan's Heros) plays the Nazi big cheese. If it weren't for his voice, I would never have recognized him. Slender, sophisticated, and rather handsome. Nobody else is really notable except, perhaps, Erford Gage who plays the undercover Nazi spy. What an odd looking guy.

At 65 minutes this won't take up much of your time, but I think it's worth it. But then I was a fan of Brass Bancroft and Dick Tracy. Besides, I like lighthouses.

The Alcatraz workshop has gone silent during the war as all the needed material gets redirected towards the war effort. Champ Larkin is going stir crazy and ropes his cellmate Jimbo into escaping. They end up stranded on a lighthouse island and take a group of civilians hostage. Then there are the Nazis.

This is a wartime propaganda film. This is the standard message where even the lowest of the low can contribute to the war effort. While I get the message, I don't know if it's the most effective. The plot is already convoluted before the Nazis. Apparently, Nazi operatives were all over the place.

Two convicts manage to escape from Alcatraz (they won't tell us how: "trade secrets") and make it to a lighthouse island just off the coast, where they hold 3 men and a woman (Granville) hostage. Luckily for them, the soldier they kill turns out to be a Nazi spy, as they discover when his compatriots arrive in a boat -- just what the 2 convicts need to escape, if they're willing to deal with the Nazis and let them escape with maps of the San Francisco municipal/military works.

Exciting action, some moments of genuine humor, and likeable, human characters make this propaganda pill an easy one to swallow.