Füge eine Handlung in deiner Sprache hinzuAn amnesiac World War I veteran falls in love with a music-hall star, then suffer an accident which restores his original memories but erases his post-war life.An amnesiac World War I veteran falls in love with a music-hall star, then suffer an accident which restores his original memories but erases his post-war life.An amnesiac World War I veteran falls in love with a music-hall star, then suffer an accident which restores his original memories but erases his post-war life.
- Für 7 Oscars nominiert
- 6 Gewinne & 8 Nominierungen insgesamt
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I'm also fascinated by the opening, given that Coleman had been through WWI, and must have known people with bad shell-shock, even if he escaped it himself. (For a modern take, try Pat Barker's 'Regeneration' trilogy.)
I think one of the reasons this sort of film is so appealing, is because of it's now-dated attitudes to commitment and relationships - you just can't imagine this story (or for that matter Brief Encounter) working nowadays - the protagonists would have taken shortcuts.
But here's to the days when this was the way one behaved!
The only movie that comes close to "Random Harvest" in sheer heart-wrenching romanticism is"Golden Earrings," with Ray Milland and Marlene Dietrich. Now THOSE were movies!! Yes,I'm stuck in the 40's,and very happy to be there! I cannot get enough of Ronald Colman's voice,especially in this movie.He has the most beautiful inflections of any actor I've heard,on par with Orson Welles,I think,but in a different way. I won't give away any plot twists,but suffice it to say there is one heart-grabbing scene that knocks you out.This movie is not to be missed by sentimental saps who loves black and white movies from the 40's.This is one of the very best.
Wusstest du schon
- WissenswertesWhen shooting wrapped, the usually reticent Ronald Colman said, "This is one picture I hate to finish!"
- PatzerIn the last scene where Smithy goes back to the cottage, the flowering tree on the path has not changed or grown at all in the 15 years since he was last there.
- Zitate
Smithy: Isn't there something morbid in burying one's heart with the dead?
Paula: That's a strange thing for you to say. Your capacity for loving, your joy in living, is buried in a little space of time you've forgotten.
Smithy: In some vague way, I still have...
Paula: ...hope?
Smithy: Yes, I suppose that's it.
Paula: Have you, Charles? Do you feel that there... really is someone? That someday you may find her? You may have... come so near her, may even have brushed her on the street... You might even have met her, Charles. Met her and not known her. It might be someone you know, Charles. It might... it might even be me.
- VerbindungenEdited into Hollywood: The Dream Factory (1972)
- SoundtracksViva La Company!
(uncredited)
Traditional
Sung a cappella by a mob at the end of the War
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- En la noche del pasado
- Drehorte
- Produktionsfirma
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Box Office
- Budget
- 1.210.000 $ (geschätzt)
- Weltweiter Bruttoertrag
- 25.142 $
- Laufzeit2 Stunden 6 Minuten
- Farbe
- Seitenverhältnis
- 1.37 : 1