Geliebte Spionin

Pleasant comedy about a guy (Bob Hope) who has a vaudeville act with a penguin getting mixed up with a British secret agent (Madeleine Carroll). It's not the funniest comedy you ever saw but darned if it isn't one of the most likable. Hope and Carroll have nice chemistry and their banter is great. Lots of snappy lines. The villains are played by George Zucco and Gale Sondergaard. It's pretty much impossible to have a bad movie that features both Zucco and Sondergaard. Nice cameo from Bing Crosby. Very funny bit about halfway through between Edward Gargan and James Burke over who is really Mulrooney (watch and you'll see). It's a good comedy with a fun spy plot and a great cast.

Larry Haines is a vaudeville entertainer who's act involves a roller skating penguin. He becomes entangled in a war time plot when British agent Karen Bentley is forced to use him as cover to help her get American bomber plans into the right hands and keep it safe from the Nazis.

It's a shame that this film has eluded me until the great man himself has actually died, but it was to mark his passing that this film got screened on television recently. The plot is largely meaningless but is good natured and involving enough to keep the film moving along as a thriller of sorts. However it is really no more than a nail from which to hang a series of quips, one liners and wise cracks from Bob Hope. These are scripted well and the film manages to be very funny even more than half a century later.

Hope is at his best here as the cowardly, self-depreciating performer who is sucked into the plot with his trademark unwillingness. His lines are still sharp and his delivery here is as good as some of his best work. Madeline Carroll was never going to be able to share the limelight with Hope given that she has to carry the plot side of the film, however she does really well and has some laughs herself. The nazis fail to make a significant mark in the film and I struggle to remember them other than stooges even a short time after watching the film.

Regardless of this, the film should and will be enjoyed for it's main selling point – the wise cracking comedy of Bob Hope. This film seems to be forgotten against some of his other works but it is a fine example of the wisecracks, jokes and delivery that made Bob Hope famous years after he left show business and will keep him famous for many more years yet.

My Favorite Blonde has in the title role Madeleine Carroll a most beautiful blond player, who is a British secret agent trying to get some microfilm about air routes for American planes to go to Great Britain as part of lend lease. But just as her boat is docking in New York, some nasty Nazi spies shoot her male companion.

The microfilm is hidden in a pin that she's wearing and with the Nazis hot on her trail. she ducks into a vaudeville house which has Bob Hope and a roller skating penguin on the bill. I'm sure back in the day Hope played in vaudeville with many type acts like these. Vaudeville was moribund in those days and Hope wasn't helping to revive it.

In fact he's got to get to Hollywood because some movie company wants to star the penguin in a film. That fits in real nice with Carroll's plans and as it usually goes, the bumbling Mr. Hope is in the clutches of a beautiful who actually falls for old ski nose as he tries to help her when she levels with him.

My Favorite Blonde is a fast paced 78 minute film, one of the shortest of Hope's feature films. Carroll looks like she's enjoying spoofing a part she did in Alfred Hitchcock's 39 Steps across the pond. Of course she's the one dragooned into help.

But it's Hope's show all the way. My favorite two sequences is both trying to sleep and feed the penguin in an upper on a train and when Hope and Carroll are at an Irish picnic in Chicago. James Burke and Edward Gargan are very funny as a pair of thick headed Irish teamsters.

Though My Favorite Blonde is terribly dated with the World War II background the laughs still hold up very well.

My Favorite Blonde is not just one of Hope's very best films, but an excellent introduction for new fans. Hope's usual roles were as a vaudevillian or radio comedian who finds himself having to reluctantly participate in some dangerous intrigue which is way over his head, and this movie shows the formula at its cleanest and most smoothly executed. Madeleine Carroll plays a British agent delivering a coded message who has run afoul of Nazis operating in the U.S., and Hope, a ne'er do well road company performer who does an act with a penguin, meets her on a train and bravely (well, sort of bravely) pitches in to keep her safe. The cloak and dagger nonsense on the train is a deft nod to Carroll's star-making turn in The 39 Steps, and this movie has much of that earlier film's energy. Carroll and Hope banter amusingly as they are chased across half of the U.S. The bright dialogue is the film's best feature and Hope's reluctant hero persona, introduced in The Cat and The Canary and Ghost Breakers, is a fully polished comic gem at the the film's center. The look of the film is very 'film noir' with looming shadows and danger on staircases and other now-familiar devices, but it still comes off as fresh entertainment even now. This one movie alone was enough to convince me that Hope is one of the great comic actors in all of movie history and this is an excellent showcase of what he could do. Also a must see for fans of the deliciously sinister Gale Sondergaard, here at something near her best.

Carroll is a British secret agent on the run from German spies. She's carrying valuable information that must reach Los Angeles. She lands in New York and eludes her pursuers by dashing into Hope's dressing room while he's on stage doing a bad act with a penguin. The thin plot has Hope and Carroll traveling across country with the bad guys always on their tail. So far, just formula. But Hope is excellent here, much better than in the Road pictures. He's less self-conscious here -- no talking to the camera, no in-jokes between him and Crosby, no leering at Lamour. Woody Allen once said that his film persona was to a large extent modeled after Bob Hope's character and nowhere is this more evident than here. As you watch the movie, try to imagine Woody playing Hope's role. You can easily visualize Woody doing the lines as Woody and it's not much different from Hope (though Hope's character isn't a New York neurotic). Definitely worth watching.