The Living Ghost

James Dunn stars as Nick Trayne in "The Living Ghost" from 1942. Dunn's fortunes were on the downward swing and doing B pictures after being a major star at 20th Century Fox. His performance in "A Tree Grows in Brooklyn" a few years after this won him a Best Supporting Actor Oscar. Nevertheless, his movie career continued to decline. It was on the stage and television that he found steady work.

The film also stars a Queen of the Bs, Joan Woodbury, and Paul McVey. It was directed by William "One Take" Beaudine for Monogram.

Dunn plays a smart-alecky former detective, Nick Trayne, who is called in by a friend when a wealthy man disappears. Was he kidnapped? What happened?

Craig shows up, but his brain is atrophied, something to do with the cerebral cortex cells. It's up to Trayne and Billie (Woodbury) to find out whodunit. Unfortunately for them, the whole group is crazy.

Nothing special, but I liked Dunn - he was fast talking and brought a lot of humor to the role.

Nick Tryane is hired by a family to locate the missing patriarch, a rich banker. The banker suddenly turns up but seemingly in a fog with a "paralyzed brain". With the missing man returned the question becomes who did this and whether he's responsible for the murder that happens in the garden.

Enjoyment of this film will depend on whether you like the star James Dunn or not. Dunn who plays Trayne our hero made a lot of B-movies in the in the 30's and 40's. As a second banana or in a supporting role Dunn was always very good. The problem for me was that in a lead role he never amounted to very much. I'm not sure if it was because he wasn't a good lead or because he was working for the Poverty Row studios and so didn't have good enough material.Here he always seems to be waiting for someone to step in and carry on with what ever he's doing. It makes the film less then what it could have been.

The script is interesting and it has some nice twists to it. It has witty exchanges and only really falters when in the second half it becomes a series of interviews between Dunn and the suspects.

Over all its not bad, but its not all that great either. Worth a look if you have a second film on tap for the evening, or if you come across this at 2am on some TV station that still runs old movie all night long.

"When a banker turns up missing, former detective Nick Trayne is brought in on the case to find him. When the banker turns up but appears to be in a trance, Trayne must now try to find out what happened to the banker. A household full of suspects makes for a tough case that our crack detective must solve and bring the culprit to justice," according to the DVD sleeve's synopsis.

This variation of the "old dark house" plot is more tired than true.

"The Living Ghost" angle turns out to be a good idea, but zombie Gus Glassmire (as Walter Craig) doesn't get enough screen time to really frighten. Writers Howard Dimsdale and Joseph Hoffman do well, considering. Detective James Dunn (as Trayne) and adorable Joan Woodbury (as Billie Hilton) are a delightful couple of sleuths. The supporting roles are performed admirably - right down to Harry Depp (as Homer Hawkins). If only the production were kicked up a notch, or two…

**** The Living Ghost (11/27/42) William Beaudine ~ James Dunn, Joan Woodbury, Paul McVey

This is a very interesting, off-beat mystery, concerning a man who disappears from his home, and is found later with a paralyzed brain. But....is he a killer?

This film is notable because it is probably Joan Woobury's biggest role. Despite what L. Matlin says, "Nick Trayne" is QUITE amusing, and adds a lot of "zest" to the film.

Living Ghost, The (1942)

** (out of 4)

A detective is hired to find out who killed a man but once he's on the scene another victim falls into some sort of zombie-like state. Here's another "old dark house" film that has a rather boring mystery plot and lifeless direction from the usually reliable William Beaudine.

Ghost Walks, The (1934)

** (out of 4)

A screenwriter invites his producer's to an old dark house. He's paid a bunch of actors to act out his play so that the producer will put up the money but soon a real killer starts to stalk them. The premise is rather interesting but like most of these types of films of the era it really never gets too interesting due to the lackluster direction. Perhaps I've just seen way too many of these films but they all appear the same. Just a different cast.