Jukebox-Fieber

People criticize Ronald Reagan's acting ability - granted, he never gained superstar status, and he was quite limited. However, for what he did, he could be very charming. He also always seemed relaxed in front of the camera.

Reagan costars here with Ann Sheridan in 1942's "Juke Girl," sort of a weaker "Grapes of Wrath," with Gene Lockhart as an unscrupulous businessman who is cheating the local farmers by paying them low prices and making sure they can't sell anywhere else. Reagan and Richard Wharf, as Steve and Danny, are two drifters who arrive in a small town populated by farmers. There Steve meets and falls for Lola (Sheridan) who works in the local bar. As he endeavors to help a local farmer, Nick (George Tobias) who has fought with Madden (Lockhart) and has now seen his crops destroyed, Steve gets more than he bargained for. The result is murder.

Entertaining Warner Brothers effort, perhaps not the most original plot you've ever seen, but you'll keep watching. Ann Sheridan was kind of a poor man's Rita Hayworth - the redhead had that been around the block presence, a low voice, and a toughness, all of which were appealing in any film in which she appeared. Gene Lockhart does a great job as a bully who underneath is terrified, and George Tobias is sympathetic as Nick Garcos, who wants to buck the system. Reagan comes off well as a determined young man who believes in doing the right thing.

If you're a fan of Sheridan's or love the Warner's potboilers, this is worth seeing.

Ronald Reagan and Ann Sheridan connected in ways similar to William Powell and Myrna Loy and Spencer Tracy and Kathryn Hepburn. Their crowning achievement was to appear as somewhat star crossed lovers in the Hollywood classic "King's Row," undoubtedly Ronald Reagan's best moments on the big screen. Since this film, "Juke Girl" was released the same year, understandably it was basically ignored in favor of the much grander screen adaptation of a popular novel. An other feature of this film that perhaps leads to its virtual neglect today is the title, which sounds like one of the tawdry passion pit flicks of the 1950's.

A possible surprise for today's viewer is the political stance taken by actor Reagan in "Juke Girl" for the migrant workers and small farmers against the corruption of the local business interests, much different that the position taken by President Reagan years later. But then this picture was made many years before Reagan would become enamored of Nancy Davis and make her his second wife. She turned Reagan around in more ways than one.

The story is a good one, though a bit bottom heavy in that much of the excitement and action, including a murder, comes near the end. Steve Talbot (Reagan) and his best buddy, Danny Frazier (Richard Whorf), are hoboing across the country (the Depression was just winding down in 1942 because of World War II) looking for work of any kind with Steve preferring farm labor when they get involved with local labor unrest in a nowhere place called Cat Tail, Florida.

Just before reaching the small, farming community, a girl called Skeeter (Betty Brewer) befriends them and takes a particular liking to Steve. Her place in the story is somewhat vague other than to add a bit of humor and a down-home quality to the film. Steve and Danny hook up with the juke girl of the title, Lola Mears (Sheridan), and her co-entertainer, Murph (Faye Emerson). Steve falls for Lola but Lola puts up a tough, don't tread on me veneer when obviously inside, her heart turns to mush when Steve is near.

Looking for jobs brings them into contact with the local boss, Henry Madden (Gene Lockhart), who virtually runs the town, except surprisingly not the law. Madden's henchman, Cully (Howard Da Silva), takes a dislike to Steve and Danny from the beginning and attempts to bully them around. Danny ultimately throws in with Madden while Steve throws in with a local farmer, Nick Garcos, the Greek (George Tobias), being exploited by Madden. Thus Steve and Danny become rivals and friendly enemies. A foreman for Madden, "Yip" (Alan Hale), befriends both Steve and Danny. Eventually, Lola throws in with Steve and Nick and the fun begins.

The acting is first rate. The two leads give their usual fine performances, with such great character actors as Donald MacBride, Fuzzy Knight, Eddy Waller, aka Nugget Clark, Guy Wilkerson, aka Panhandle Perkins, Glenn Strange, aka the Frankenstein monster, and even William Hopper, aka Paul Drake, helping out in bit parts. Ann Sheridan is given an opportunity to sing and dance which is always a treat. Of special note is the talented comedian, Willie Best, as a street vendor peddling lucky rabbit feet called Jo-Mo.

The crisp black and white photography by Bert Glennon captures the look and feel of the Depression in Florida. A few of the shots are reminiscent of those by Gregg Toland in John Ford's masterpiece, "The Grapes of Wrath," not surprising since Glennon assisted Ford from time to time with his cinematography.

While similar in plot to _They Drive by Night (1940)_ (qv), Juke Girl stands on its own as an enjoyable movie, thanks primarily to its lead actors.

As in their previous films together, _The Angels Wash Their Faces (1939)_ (qv) and _Kings Row (1942)_ (qv), Ronald Reagan (qv) and the wonderful Ann Sheridan (qv) make a nice film couple. Heck, in a perfect world Ann Sheridan would have been First Lady, but that's another story.

Good acting, good characters, and a good story. Toss in a quick song by Miss Sheridan and you have the makings of a pretty good movie. Enjoy.

Considering how distant Cesar Chavez and Ronald Reagan were in philosophy, what would have the founder of the United Farm Workers thought of the Gipper starring in a film about migrant workers? I wonder if Chavez ever saw Juke Girl? A title by the way which one would never guess was about agriculture. When I first saw the title on the list of credits for Ronald Reagan, I thought it was some Forties musical with swing dancing.

It's far from that. The title role is played by Ann Sheridan and she works in a roadside bar and dance club favored by the itinerant farm workers in that area of Florida. Two such migrant workers are Ronald Reagan and Richard Whorf who arrive in town. Whorf goes to work for the local wholesaler Gene Lockhart who pretty much sets prices his way as the farmers have nowhere else to sell their produce.

Having lost a farm to the dust bowl in Kansas, Reagan's sympathies go out to farmer George Tobias who is trying to beat Lockhart's monopoly. The two friends become adversaries, but the friendship is strong, how strong everyone in the cast finds out before the film is over.

Juke Girl with its deceptive title is a far cry from The Grapes Of Wrath, both book and film. The Joad family is on the road, not just the male breadwinner. Some of the actions Reagan takes in this film could never have been done by Tom Joad who carried responsibility for the whole Joad clan on the road.

The players perform pretty much according to type. Ann Sheridan has some juicy lines, like the character she played in Torrid Zone had moved from Central America to Florida. Gene Lockhart who specialized in portraying particularly craven individuals is within his element, this may have been the most craven part Lockhart ever played.

Juke Girl is hardly the sociological treatise that The Grapes Of Wrath was. But it's entertaining enough for the fans of the players in the cast.

Randy D wrote an excellent review, saying just about everything that needed saying.

But I want to add a note about Betty Brewer. First, what a personality! Her life seems to have been tragic. Details are shrouded in some mystery, but whenever she pops up in a film, if she doesn't steal the whole movie, she at least sure steals the scenes she's in.

That's why I wish she had made more, and I wish she had stayed active into her adulthood.

The other actors in this enjoyable film mostly did very well for themselves, and for us.

The Reagan-Sheridan team always works magic; Richard Whorf is another of those actors who should have attained more "household-name" status, but he stayed busy in films and television a long time, including directing, apparently right up until his untimely death.

There was a long list of great Warner Brothers actors, including Alan Hale, and others, such as Willie Best, who might not be known as of a particular studio.

Howard da Silva played a bad guy, and every time I see him, I just marvel at his range. His Benjamin Franklin in the movie "1776" was just about perfect.

Ronald Reagan doesn't get much of a break from critics, but in "Juke Girl" he was great. He looked good and his acting was right on.

Ann Sheridan probably could do no wrong.

Together, the actors and the story -- although some of the dialog could have used some work -- create a very good movie.