Ich will mein Leben leben

I loved this film, and it had me howling in several parts, such as the classically predictable ending. Such a great morality tale. I especially liked the portrayal of the developing and mature relationship between Olivia de Havilland and George Brent. This is the best Brent role in a Davis movie. I appreciate Davis not playing a more subtle character, such as in Mr. Skeffington, because the Stanley character is so boorish that she can't consider anything but her own whims and pleasures. She is not evil in the sense of making reasoned choices, but as a child, has no capacity for self denial. Delusionally, she actually thinks that Brent can be lured back under her spell after what she has done to him, and that a wealthy white woman's claim will alway be considered above a young black man's. Her world starts to crumble after she reels off the list of those who accepted her story over Parry's, when her sister, de Havilland says "I believe him." This is an emblematic tale of deliverance and hopeful new beginning. Bravo to all involved.

I remember, in my former life, a long, long time ago, when a college professor told me that something that is created by another human being that gets your attention and stirs something inside you, and gets your visual attention, and captivates you, maybe is art.

Well, this motion picture got my attention. Yes, it captivated me. The story, the actors and the moral was superb. Many times when I see these movies of an older era, I try to imagine in my mind, what the adult audience was thinking then, as they saw the story, the emotion, the characters. All the actors did a excellent job. Bettie Davis did it to me again. Her character made me hate her, and feel pity for her at the same time.

I still don't understand why I still have a crush on her. Maybe it's that old false thinking that the right man, could change her, me! Through the years, the more I see her, the more I love her.

All too often, many reviewers pick a motion picture or the actors apart on some of the most insignificant and minuet details. The director should have done this or it wasn't true to the book, or she or he could have acted a little better, blah, blah, blah. Even I have done that-- more than once. But, if things are done "reasonably" well and it holds your attention... Well, that's entertainment. That is what you pay the ticket at the box office window for. If I had paid for a ticket at the old box office for this movie, I could say that I got more than my monies worth in entertainment. And, I am still thinking about it after the movie is over.

Fortunately, I stumbled upon this film airing early one morning on TCM. Bette Davis is quite wonderful, and contrary to what some posters have stated, she actually underplays what could have been an hilarious, scenery-chewing role. DeHavilland is, likewise, outstanding as the initially timid individual, who must cope with the devastating actions of her selfish sister.

Supporting performances are directed well by Houston, with young Ernest Anderson standing out as the wrongly accused black man. It is disappointing that the remainder of his career consisted mainly of parts such as waiters, doormen, porters, etc.

Max Steiner's score is a bit overpowering at times, but he was at the top of his game in the early 40s. The Warner back lot works effectively as Virginia, and the absence of fake/forced Southern accents actually lends credibility to the performances.

As others have stated, I will now seek out the original source material, especially after having learned of its honors. I am curious as to the source of a previous claim that the film was a critical and financial bomb on release.

"In This Our Life" dared to point out some issues not discussed by the Hollywood of the 40s. It shows a great director, John Huston, working at the top of his craft on the interesting adaptation by Howard Koch.

Stanley, the girl at the center of the story has it all. She is the favorite niece of the man who was responsible for ruining her father, a gentle soul beaten by the Great Depression. Stanley is a spoiled woman who couldn't care less who she hurt, let alone that is her own sister the one that will suffer because of her actions.

On the other hand, Roy, the good sister, is all kindness; she is just the opposite of Stanley. When Stanley decides she wants Peter, Roy's husband, she doesn't hesitate one second. She takes him and runs away to a life that proves not to be all what she imagined it would be.

Life intervenes in Stanley's life in tragic ways. First with Peter, the man he shouldn't have taken away from her sister, and then when trying to get back with Craig, she causes the death of a young girl when driving under the influence. This would have been a sobering experience for anyone, but Stanley is beyond repentance. Stanley, is a coward who will do anything to get away with murder.

Stanley was a role tailor made for Bette Davis. Her take on this impudent girl is perfect. Ms. Davis shows how good she is in small details that convey her understanding of her character. Ms. Davis reflects all the emotions Stanley is going through with her expressive eyes. One look at her and we know what this woman is capable of.

Olivia de Havilland makes an impression by playing the good sister, Roy. Ms. de Havilland is an actress that always played convincingly in everything she did, as is the case here. Her inner strength is her best asset. Roy is loyal to the point of sacrificing her own happiness and lets her sister take what she loves most.

The strong cast behind the principals is equally excellent. Dennis Morgan is Peter, the man blinded by Stanley. He will leave his adoring wife for a woman he ends up detesting. George Brent, is the kind Craig, the man jilted by Stanley who finally finds love again with Roy. Charles Coburn plays Uncle William with his usual panache. Frank Craven is Asa, the man cheated out of his fortune. Ernest Anderson makes an impression as Parry, the young black man with ambitions to improve himself. Hattie McDaniel only has a couple of key scenes where she shines. Billie Burke and Lee Patrick are seen in minor roles.

The musical score by Alfred Newman enhances the film. Ultimately it's John Huston who shows a clear understanding for the material and who gets excellent performances out of everyone.

In Richmond, after the Great Depression, the industrialist Asa Timberlake (Frank Craven) is cheated by his brother-in-law and partner William Fitzroy (Charles Coburn) and loses his business to him. His spoiled daughter Stanley Timberlake (Bette Davis), who is the pride and joy of William, is going to marry the idealist lawyer Craig Fleming (George Brent). However, she flees to Baltimore with the surgeon Peter Kingsmill (Dennis Morgan), who is the husband of her sister Roy Timberlake (Olivia de Havilland). After a short period of happiness, Peter cannot afford to support the shopping of Stanley and commits suicide. Meanwhile Roy divorces from Peter and gets close to Craig that proposes to marry her. The black teenager Parry Clay (Ernest Anderson) that worked to Timberlake, dreams in becoming a lawyer, and Craig hires him to work in his office. Stanley returns home and unsuccessfully tries to seduce Craig, inviting him to have dinner with her in a tavern. However Craig does not show up and the upset Stanley drives back home at high speed. She hits and run a mother and her daughter and kills the girl. When the police comes to Asa's house, Stanly accuses Parry of driving her car and the youth is arrested and put in jail. What will happen to the innocent Parry?

"In This Our Life" is a film directed by John Huston about a selfish and evil woman. His tight direction saves the dramatic and tense story from becoming a melodramatic soap opera. Bette Davis steals the show with a fantastic performance. The rest of the cast is also magnificent. My vote is eight.

Title (Brazil): "Nascida para o Mal" ("Born to the Evil")