IMDb-BEWERTUNG
7,1/10
10.394
IHRE BEWERTUNG
Eine schöne Hexe aus dem 17. Jahrhundert kehrt ins Leben zurück, um den Politiker Wallace Wooley, einen Nachkommen ihres Verfolgers, zu quälen.Eine schöne Hexe aus dem 17. Jahrhundert kehrt ins Leben zurück, um den Politiker Wallace Wooley, einen Nachkommen ihres Verfolgers, zu quälen.Eine schöne Hexe aus dem 17. Jahrhundert kehrt ins Leben zurück, um den Politiker Wallace Wooley, einen Nachkommen ihres Verfolgers, zu quälen.
- Für 1 Oscar nominiert
- 2 Nominierungen insgesamt
John Alban
- Wedding Guest
- (Nicht genannt)
Beverly Andre
- Girl at Country Club
- (Nicht genannt)
Empfohlene Bewertungen
Rene Clair directed this clever comedy that stars Frederic March as several generations of the Wooley family, starting with Jonathan Wooley, who has condemned two witches named Daniel & Jennifer(played by Cecil Kellaway & Veronica Lake) who are father & daughter. Their spirits are trapped beneath a tree, but in 1942, are freed by a lightning strike, and resume their mischievous ways by tormenting the current Wooley, named Wallace, who is running for governor. The male Wooleys were cursed into marrying the wrong women, which is certainly the case for him, as he is marrying a newspaper publisher's daughter(played by Susan Hayward), a spoiled brat. Jennifer tricks Wallace into saving her from a hotel fire her father started, and plans to ruin him, but instead mistakenly drinks the love potion he was supposed to drink! Now in love with him, she tries desperately to save him from the curse and her vengeful father...
Veronica Lake was perfectly cast here, stunningly beautiful and alluring, aided by a witty script and effective direction. Just don't think about logic too much(it doesn't apply here!)
Veronica Lake was perfectly cast here, stunningly beautiful and alluring, aided by a witty script and effective direction. Just don't think about logic too much(it doesn't apply here!)
Pleasing comedy fantasy. There are some moments where watching Lake perform is really nice -- I love the bitchy look and how she puts her arms out when she slams the door with her magic in anger. Lake plays a witch who accidentally casts a love spell on herself, and therfore ends up domesticating herself and adopting moral attitudes her warlock father is opposed to. Fun and slightly meaningful in the Sturges mold.
The summary line only applies to the film, however.
This movie was intended by the studio for Joel McCrea. After making Sullivan's Travels, McCrea informed the top brass that he could not make another film with Veronica Lake. The role instead went to Fredric March, who declared "I Married a Witch" the most horrendous experience he'd ever had. It should be added that McCrea did work with Lake again 5 years later, after he had time to heal.
I have no idea why these actors had problems with this tiny, beautiful woman. "I Married a Witch" is a delightful light comedy which I suppose is the basis for "Bewitched." Apparently these Salem witches cursed an entire family so that they would be unlucky in love, and the movie quickly takes us through the generations of miserable men (all March in assorted wigs) until it gets to the present when March, a gubernatorial candidate, is set to marry a human witch (Susan Hayward). When lightning strikes a tree which was grown over the ashes of burned witches, Lake and her father escape. She takes human form and March "saves" her from a fire (that her father started). Then she mistakenly drinks a potion intended for him, and the situation really takes off.
Lake was 23 when this film was made; March was 45, and McCrea, had he made the movie, was 37. The very dignified March made a great politician, as the character in this film is - but he comes off as too old to be marrying Hayward or getting involved with Lake. Yes, we all know it happens. But this type of film was not March's métier. Eight years younger and ever boyish, of course, McCrea was more suited to the role in looks and acting.
My favorite scene is the botched wedding in which the soprano has to sing the beginning of "I Love You Truly" over and over as Susan Hayward becomes increasingly outraged. It's a young Hayward, but all the feistiness and strength is apparent.
Cecil Kellaway is Lake's father, and he gives a fine performance. Although her costars may not have agreed, I found Lake funny and beautiful in this movie, and it's a shame the last years of her life were spent as they were. She had a lovely screen presence.
This movie was intended by the studio for Joel McCrea. After making Sullivan's Travels, McCrea informed the top brass that he could not make another film with Veronica Lake. The role instead went to Fredric March, who declared "I Married a Witch" the most horrendous experience he'd ever had. It should be added that McCrea did work with Lake again 5 years later, after he had time to heal.
I have no idea why these actors had problems with this tiny, beautiful woman. "I Married a Witch" is a delightful light comedy which I suppose is the basis for "Bewitched." Apparently these Salem witches cursed an entire family so that they would be unlucky in love, and the movie quickly takes us through the generations of miserable men (all March in assorted wigs) until it gets to the present when March, a gubernatorial candidate, is set to marry a human witch (Susan Hayward). When lightning strikes a tree which was grown over the ashes of burned witches, Lake and her father escape. She takes human form and March "saves" her from a fire (that her father started). Then she mistakenly drinks a potion intended for him, and the situation really takes off.
Lake was 23 when this film was made; March was 45, and McCrea, had he made the movie, was 37. The very dignified March made a great politician, as the character in this film is - but he comes off as too old to be marrying Hayward or getting involved with Lake. Yes, we all know it happens. But this type of film was not March's métier. Eight years younger and ever boyish, of course, McCrea was more suited to the role in looks and acting.
My favorite scene is the botched wedding in which the soprano has to sing the beginning of "I Love You Truly" over and over as Susan Hayward becomes increasingly outraged. It's a young Hayward, but all the feistiness and strength is apparent.
Cecil Kellaway is Lake's father, and he gives a fine performance. Although her costars may not have agreed, I found Lake funny and beautiful in this movie, and it's a shame the last years of her life were spent as they were. She had a lovely screen presence.
Veronica Lake and Cecil Kellaway are witches who have been sealed up in a tree for about 300 years. They are NOT nice witches and are thrilled when a bolt of lightning shatters the tree and releases them to do evil! The first thing they want to do is destroy the descendants of the man who persecuted them during the witch trials. His most direct descendant is Frederick March and he is about to marry the woman he loves. So, Veronica plans on meeting him and placing a love potion in his drink so he becomes attracted to her instead--with the intention of then dumping him and leaving him miserable. Of course, being a comedy, she accidentally drinks the potion and falls head over heels for March! The acting is excellent (particularly Kellaway who is uncharacteristically EVIL in this movie) and the writing superb in the short little picture.
Veronica Lake and Cecil Kellaway seem to get into the spirit of this whimsical comedy about witchcraft--while Fredric March (who reportedly disliked working with Lake whom he considered an inferior actress) does not come off well in comedy. Lake plays a witch whose ancestors burned her at the stake 300 years ago. March is engaged to Susan Hayward, but with the entry of Lake into his life, everything goes haywire. March is a gubernatorial candidate whose election to office is threatened by Lake's dexterity with broomstick magic.
Based on an unfinished novel by Thorne Smith (creator of "Topper"), the film emerges as a screwball romantic comedy well directed by Rene Clair and benefits from some good trick photography. The video print I have is on the murky side--I'm sure the original print featured better overall photography than the video version. With a cast that includes Robert Benchley among the supporting players, this is a comedy treat ideal for viewing on Halloween.
Warning: More enjoyable if the print quality is good!
Based on an unfinished novel by Thorne Smith (creator of "Topper"), the film emerges as a screwball romantic comedy well directed by Rene Clair and benefits from some good trick photography. The video print I have is on the murky side--I'm sure the original print featured better overall photography than the video version. With a cast that includes Robert Benchley among the supporting players, this is a comedy treat ideal for viewing on Halloween.
Warning: More enjoyable if the print quality is good!
Wusstest du schon
- WissenswertesVeronica Lake and Fredric March did not like one another, due in part to some disparaging remarks March made about her. During filming, Lake delighted in playing pranks on March. In one scene in which the two were photographed from only the waist up, Lake stuck her foot in March's groin. In another incident, Lake hid a 40-pound weight under her costume when March had to carry her in his arms. After that incident, March nicknamed the film "I Married a Bitch".
- Patzer(at around 15 mins) The movie is set in Massachusetts, but as they arrive at the hotel fire, a fire department car has the seal of the City of Los Angeles on the door.
- Zitate
Wooley - civil war incarnation: Where is the nearest recruiting office?
His wife: Oh, running off to war like a coward.
- Crazy CreditsOpening credits prologue: Long, long ago, when people still believed in witches . . . . .
- Alternative VersionenThere is an Italian edition of this film on DVD, distributed by DNA srl, "UN CAPPELLO DI PAGLIA DI FIRENZE (1928) + I MARRIED A WITCH (Ho sposato una strega, 1942)" (2 Films on a single DVD), re-edited with the contribution of film historian Riccardo Cusin. This version is also available for streaming on some platforms.
- VerbindungenEdited into Cheyenne: Satonka (1962)
- SoundtracksBridal Chorus (Here Comes the Bride)
(1850) (uncredited)
from "Lohengrin"
Music by Richard Wagner
Variations played during the opening credits
Played by the band at the wedding
Top-Auswahl
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- 1 Std. 17 Min.(77 min)
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