The Day Will Dawn

This early Deborah Kerr role steals the film, The Day Will Dawn, an early WW2 film about the invasion and occupation of Norway, a topic seldom seen in Hollywood films. English films tended to explore topics that Hollywood films avoided. In Hollywood, intellectual exploration was considered box office poison. This movie, despite the hilarious nazi scene of a nazi officer killing a Norweigen traitor by shooting at the wall, is very effective for most of the film, and highlights Kerr's acting talents. The rest of the cast, particularly Kerr's father, do a very good job in the film. Some portrayals of the nazis border on cartoonish, but that is to be expected, considering the time period. A good WW actioner.

There have been plenty of fine war films and ones with a message or dealing with specific conflicts, am never going to dismiss every war film made during WW2 propaganda straight off the bat because many were more than that. 'The Day Will Dawn' was primarily seen for the cast, hard to go wrong with Deborah Kerr (in an early role), Finlay Currie and Francis L Sullivan, and because it was another film chosen to watch when visiting my godparents.

My feelings on 'The Day Will Dawn' were mostly moderately positive, while not being bowled over. Was to be honest expecting more considering the calibre of the cast, but considering the general reputation of similar films centered around WW2 it also could have been worse. 'The Day Will Dawn's' good intentions were truly admirable and very obvious and there are many good things, though more subtlety and consistency would have made it quite a bit better.

Am going to start with the good. The cast mostly are fine. Kerr did go on to do better and has an accent that would never pass for Norweigan in a million years, but she gives poignant dignity to a rather colourless role (particularly evident in the prison scene awaiting execution). Sullivan was seldom more malevolent than he is here and Currie is larger than life and touching. There is some nice photography and a stirring score.

Did think too that enough of the action roused, while the prison scene was pretty heart-wrenching and the climax terrifying. It also starts off with great promise and is well directed.

On the other hand, Hugh Williams has a very bland character and is too stiff and restrained in it. The pacing is not always consistent, at times it's perfect and exciting and at other times it could have been a good deal tauter and less deliberate.

While the intentions are obvious, good and noble, the film did feel heavy handed and pretty much reiterated what many know already regarding how evil the opposition was. While photographed well, 'The Day Will Dawn' is not that well made visually, with some cheap settings and over obvious, overused and even cheaper stock footage that is clumsily inserted.

In conclusion, above average if unexceptional. 6/10.

Called the day will dawn in europe, but the avengers in canada and the united states. It's a brit film. Reporter colin metcalfe (hugh williams) is assigned to the european beat, after hitler moves into poland. When the germans sink his boat on the way to norway, no one seems to believe him. But he does fall for kari (young deborah kerr, in an early role), the captain's daughter. And as the german ships come into the harbor, pretending to be merchant ships, colin is abducted and held prisoner by the germans. Will metcalfe ever get to tell what he knows? Will his stories make a difference? The script is peppered with patriotic messages. A call to take action, avoiding neutrality, as hitler moves into more euro countries. Acc to imdb, this was released in the united kingdom in june 1942, so both britain and the united states were already actively in the war by then. This seems to start the story from earlier, before britain was involved in action. Directed by harold french. According to wikipedia dot org, french lost his own wife in a bombing raid in 1941. Produced by general films, and distributed in the united states by paramount. It's a little disjointed, but does show the chronology of events in europe.

Horse race tipster and journalist Metcalfe is picked for the job of foreign correspondent in Norway when Hitler invades Poland. On the way to Norway his boat is attacked by a German U-Boat, however when he tells the navy about it they disbelief him and, to make matters worse, he is removed from his job. When German forces invade Norway, Metcalfe returns determined to uncover what is going on and stop the Germans in their tracks.

1940's British cinema is understandably packed with wartime propaganda pieces. This film doesn't stand out from the pack but it is still worth a watch. The basic plot is interesting and provides tense drama towards the end, even if it gets all confused at times in the middle and some of it didn't quite hang together for me. The action is a little stilted at times and the film never misses a chance to show how very selfish and foolish the German officers are. This is a little heavy handed but what did you expect from a propaganda film? However it is badly done at times and seems heavy handed.

The cast are mainly good. Williams is typical of the stiff upper lip English heroes of this type of film. Again it seems a little stiff but it's the usual sort of English gentleman that we wanted to see at the time – especially when compared to the slimly cowardly Germans shown here. The support cast are OK despite the very, very iffy Norwegian accents, but this doesn't matter too much.

Overall this film is typical British wartime propaganda. The Brits save the day, the Germans are cowardly, sacrifice is made but the greater good is served. As a Brit this is a solid bit of entertainment for a rainy Saturday afternoon, but probably not much more capable than that.

This movie is markedly more propagandist in tone than most movies made in the UK about the war while it was still in progress.It more closely resembles the overtly patriotic US pictures from the same era such as Guadalcanal Diary or Back To Bataan .It does not neglect to pay a merited tribute to the Norwegian people for their resistance either.

Hugh Williams plays Colin Metcalfe ,a London journalist sent by his paper to Norway , soon to be conquered by the Nazis .He falls in love with Kari Alstead (Deborah Kerr)the daughter of a local fisherman(Finlay Currie).He returns to London after a short posting to Norway where he witnesses a Nazi submarine in operation .He is sent back to the country by Naval Intelligence to help the Royal Navy pinpoint the exact location of the U-Boat base from which crippling attacks are being launched on allied vessels .In the time he was away Kari has been forced to enter into an engagement with the Quisling police chief Gunther(Griffith Moore)in order to protect her father from arrest by the local Nazi chief (Francis L Sullivan).He is able to engineer a raid which is in turn followed by brutal Nazi repression The movie gives a good picture of life under the jackboot and is well acted -although for all her talent Deborah Kerr is not ideal casting as a Norwegian fisherwoman .Ralph Richardson impresses as a journalist and Roland Culver is good as Naval Intelligence man Rousing and patriotic, the movie ends with a typically robust Churchillian sentiment that still stirs the blood and it is good to see British cinema indulging in patriotism rather than restraint for once