Katzenmenschen

After several movies made in his native France ,Jacques (Jack) Tourneur makes his first American works in the late thirties."Cat people" is the fifth one;the others are difficult to see and anyway this is this movie that is looked upon as his towering achievement(with the exception of "out of the past") .His female star,Simone Simon,whose English was perfect,enjoyed a career in both countries too:her best part is easily Jean Renoir's "la bête humaine" ,(human beast:it's funny when you know she's playing a woman-animal here).

"Cat people" belongs to the fantasy and horror genre,but it does not really follow its rules.We're close to psychological drama.(Almost) deprived of "special effects" -which is a blessing-Tourneur works with his camera the way a painter does with shadow and light to create strange dreamy atmospheres The pièces de résistance are the scene in the swimming -pool that creates a feeling of terror without using the tricks of the trade,and the scene when Oliver and Alice are in the flat,hearing roaring.

The movie was ahead of its time in several respects:the Freudian allusions would later be developed by Fritz Lang("secret beyond the door",1945) and of course Hitchcock ("Spellbound",same year).You're going to say that these two great directors give their movies a "realistic" treatment and Jack Tourneur does not.Actually,he takes a divergent way:he introduces ambiguity,this ambiguity dear to Roman Polanski .After all,it could be a mere ,so to speak, neurosis.Few of the sequences actually deal with the supernatural :most of the time,it's a couple then a triangle:the "fantastic" elements could be real :the disturbing woman,who calls Irene "my sister",the scenes with the panther at the zoo,and the pool sequence can be explained by Irène's jealousy.

Although,it's only understood ,it's obvious that the marriage Irène/Oliver has not been consummated,because of a not clearly defined reason-how can a man as pragmatist as Oliver believe in such a far-fetched curse?Isn't it the fear of woman,of the original sin?.This topic will be brilliantly taken on by Christian de Challonges "l'alliance" (1970).Note also how Richard Donner aped the pet shops scene for "the omen" (1976).

It seems that Alice's character is an easy way out,and the weak part of the movie because she's essentially here to comfort the audience,to show the way to "straight" life and to secure a happy end.

The remake (1982) destroys all ambiguity,keeps nothing from the original story but the proper nouns ,and fills its quota of nudity and blood.Stick to the Tourneur version.

'Cat People' was the first collaboration between director Jacques Tourneur ('Curse Of The Demon') and producer Val Lewton, and is still one of their greatest achievements, and one of the most influential horror movies ever made. It's arguably the best horror movie made between the Universal classics of the 1930s and the beginning of Hammer studios in the 1950s. So many subsequent film makers from Hitchcock on down have been influenced by this movie and yet it rarely gets the respect it deserves. 'Cat People' pretends to be a monster movie but is really something more complex, and relies on atmosphere and suspense rather than explicit shocks or gore (there is virtually none of the latter). Fans of Hitchcock and film noir will probably appreciate it more than hardcore gorehounds. Simone Simon is very well cast as the mysterious and troubled Irena and the rest of the cast range from adequate to very good. The acting is probably one of the weakest links in the film but not enough to spoil your enjoyment (I think 1940s acting is an acquired taste and I can see how a modern viewer who expects more realistic and natural performances could sometimes find them a bit hard to swallow). 'Cat People' is a horror classic and is highly recommended to anyone interested in the genre.

I have this theory about the horror films of Val Lewton. It is my contention that these movies caused a sea change in the content and tone of the movies of Alfred Hitchcock. The reason I say this is simple, really: Lewton is the only filmmaker I have ever caught Hitchcock cribbing scenes from. He did it twice. Once from The Seventh Victim (dir. by Mark Robson), which I swear to god provides the first half of the Shower Scene from Psycho. The second from Cat People, which provided the pet store scene in The Birds. This second scene is almost a shot for shot swipe. Both of these steals are evidence that Hitch knew and admired the Lewton movies. More than that, though, there is a change in the subtext of Hitchcock's thrillers after the Lewton movies. The movies he made before them were cut from the Fritz Lang mold of political thrillers. After the Lewton movies, Hitch's movies became more psychosexual in nature. Vertigo, for instance, could easily fit into Lewton's output.

Cat People is the first of the Lewton movies and sets the tone for them. It pretends to be about a McGuffin (serbian were -panthers), but is actually about something else (in this case, frigidity and repressed lesbianism). This represents a huge change in the evolution of the horror movie. Cat People is the first horror movie to explore these themes as central concerns rather than as sub-rosa undercurrents. It also pioneered the techniques of film noir (which as a genre didn't really exist yet). Cat People is strikingly stylized and its effect is of stranding the viewer in the middle of a darkened room with some dreadful beast circling just outside his sphere of perception. This has a hell of an impact--particularly if you have the good fortune to see this in a theater. I'm not going to claim that Cat People is one of the best horror movies ever made (it does have flaws), but it is one of the four most influential horror movies ever made (along with The Cabinet of Dr. Caligari, Psycho, and Night of the Living Dead). But unlike its brethren, its influence spreads corrosively through the entirety of cinema through both film noir and the films of Alfred Hitchcock. You would be hard pressed to find any film short of Citizen Kane or Rashomon that is nearly as influential.

This movie provides a good demonstration of how you can still generate good suspense without violence seen on-screen. Director Jacques Tourneur and producer Val Lewton liked these kind of film presentations. This was Lewton's first film, by the way. Viewers either seem to really be for this slower classic style, or totally turned off by these kind of films. It depends, I suppose, on what you are expecting and what kind of movies you like. If you are looking for an action-packed film, with some bloody or horrible scenes, skip this film. It will just bore you to death.

If you prefer the implied violent acts, horror, and even sexual stuff , then this is your cup of tea. It's very "moody."

Simon Simone does well in the key role of "Irena Dubrovna." Animals fear her and she fears getting attached to someone, such as "Oliver Reed" (Kent Smith) who comes along and there is mutual attraction. What happens to those two, and others I won't say. The film is only 72 minutes so why divulge what's in it? Just know what to expect. This is a far cry from today's horror films.

Jacques Tourneur directed this Val Lewton production that stars Simone Simon as Irina Dubrovna, a Serbian immigrant working as a fashion artist in New York City who meets Oliver Reed(played by Kent Smith) at the zoo. They fall in love and get married, but run into trouble when she finds herself afraid of intimacy, since she believes the fables and legends of her homeland that indicate she is descended from a cursed line of Cat People, who turn murderous when aroused. He scoffs at this, but when his friend & co-worker Alice(played by Jane Randolph) is stalked by a cat-like creature, he begins to wonder. Meanwhile, Irina sees psychiatrist Dr. Louis Judd(played by Tom Conway) who has designs on Irina himself... Eerie and original film avoids monster movie clichés to create an effective atmosphere of dread. Quite intelligent as well, though requires patience, since it is decidedly different!