Calling Dr. Gillespie

Did doctors really say such thing 60 years ago? Lionel Barrymore utters this line to the naive parents of poor Donna Reed's indeed very troubled suitor.

The first thing he does is kill a dog. This is glossed over by the characters but I can't imagine such a thing happening in a movie today. Certainly not after the famous National Lampoon cover.

This man is played very subtly and frighteningly by Phil Brown -- surely a greatly overlooked actor. Indeed, as his travels carry him farther from Reed and Barrymore, he becomes a killer. And the movie looks, for much of its duration, like a film noir.

It's very suspenseful. And with its hospital setting, it made me think of a movie decades later -- more slick, stylish, surely more expensive: "Dressed To Kill." The comic touches pretty much disqualify it is as a noir: Barrymore flirts with adoring female students; Nat Pendleton faints a couple times. And its being part of the Dr. Kildaire series, even sans Lew Ayres, sort of pulls it from the category too. But it's an interesting sidelight to the noir genre.

Dr. Gillespie (Lionel Barrymore) is asked by an old friend for help with a young man named Roy Todwell (Phil Brown) who may be going crazy. Along with psychiatrist Dr. Gerniede (Philip Dorn), Gillespie tries to convince Roy's parents that he needs medical help before he hurts someone. But they are resistant and soon Roy has gone on a full-blown killing spree, with every intention of making Dr. Gillespie his next victim.

The first of MGM's Dr. Gillespie series starring Lionel Barrymore. The series is a continuation of the Dr. Kildare series without star Lew Ayres. This movie attempts to set up a possible replacement for Ayres in thickly-accented Philip Dorn, but it doesn't click. Dorn is fine but the mentor/mentee relationship between Gillespie and Kildare isn't there. Phil Brown makes for a really creepy psychopath. The movie wastes no time showing us how nuts he is -- he kills a little dog in his first scene! Lovely Donna Reed appears as the object of the psycho's affections. Most of the regular supporting cast from the Kildare series is still around here and enjoyable as ever. This includes Alma Kruger, Nat Pendleton, Nell Craig, and Marie Blake. Ava Gardner has a bit part with a couple of lines near the end.

There's a lot of nitpicking of the Kildare/Gillespie movies by some modern viewers who are indignant that a movie made in the 1940s has outdated medical knowledge. This seems especially true whenever the movies addressed psychological cases, such as with this one. I, for one, find these parts of the film interesting as historical curiosities. It gives us a window into how such things were viewed in the past. Why hold it to a modern standard just to mock it is beyond me. This is my favorite of the Gillespie series. Possibly my favorite from both series. A later movie, Dr. Gillespie's Criminal Case, would follow up on the events in this one.

Marcia Bradburn (Donna Reed) has good news for her boyfriend Roy Todwell (Phil Brown). Her father has finally given permission for them to get married. Instead, he picks up a rock and kills his dog for no reason. Dr. Gillespie (Lionel Barrymore) gets the case and he recruits Dr. John Hunter Gerniede (Philip Dorn) to join him.

This is the first one without Dr. Kildare. Lew Ayres is out after his conscientious objector status. The franchise doesn't lose a beat since they have Lionel Barrymore. He was always the best actor anyways. Red Skelton is no longer with the series and Nat Pendleton gets the lead comic relief in this one. The broad comedy is toned down for the good. On the bad side, I question the details of the illness. It seems like split personality. I have to wonder if he was always violent in the past. The study of the brain is still mumble jumble at the time and there is some of that here. Back to the good side, I really like the cat and mouse chase in the hospital. It's more of cop thrills than a medical show. If you can overlook the medicine, this has some good thrills.

Calling Dr. Gillespie, the first film made with Lionel Barrymore now in the lead of the medical series that had previously featured Lew Ayres as Dr. Kildare takes a really sharp turn into a film noir melodrama as Barrymore becomes the target of a homicidal maniac.

The case comes to Barrymore's attention after a young man who Donna Reed was about to marry flips out and kills her dog. He brings in as a consultant a refugee doctor from Europe Phillip Dorn who is a surgeon, but wants to change his specialty to psychiatry. I guess there were no psychiatrists available.

But between them Dorn and Barrymore come to the conclusion that young Philip Brown is insane and belongs in a hospital. A conclusion that the family physician, stuffy Charles Dingle doesn't agree with.

This film is also unusual because there is a whole interlude where Brown takes center stage and the Blair General regulars completely disappear from the film for a while. Brown flees to Detroit where he proves Barrymore right and Dingle wrong when he commits a couple of murders for reasons that only would make sense to an insane man.

The dynamic of the series shifted with this film and not only because Lew Ayres departed. Ayres was the young protégé to Barrymore and it was a medical father/son dynamic then. Here Lionel Barrymore has a very professional assistant in Dorn and he's not quite the curmudgeon towards him as he was with Ayres.

The rest of the Blair General regulars were there, Walter Kingsford as the head of the hospital, Alma Kruger as head of the nurses, and Nat Pendleton as the loyal if slightly dim ambulance driver. He in the end actually proves most useful. I always liked Nell Craig as the eternally put upon Nurse Parker who Barrymore berates throughout the series. The relationship is obviously based on Monty Woolley and Mary Wickes from The Man Who Came To Dinner.

Phil Brown should come in for praise as well as the charming and psychotic young suitor. A character very much borrowed from Emlyn Williams's Night Must Fall and played on screen by MGM's own Robert Montgomery.

Calling Dr. Gillespie proved the Dr. Kildare series still had life even without Kildare.

This was the first of the Dr. Kildare films to omit Lew Ayres from the cast due to Mr. Ayres declaring himself a conscientious objector at the beginning of WWII. He served with distinction in the medical corps in WWII. Mr. Ayres wasn't opposed to dying for his country, he just didn't want to kill for any reason. Since hysteria can often be the close companion to patriotism in times of national trial, MGM didn't want the negative publicity so Lew Ayres was out. Philip Dorn, here playing psychiatrist Dr. John Hunter Gerniede, seems to be filling in the part of the younger doctor that would have normally been played by Lew Ayres as Dr. Kildare.

Normally these abrupt cast changes in movie franchises lead to inferior films, at least for the first couple of post-transition entries, but here the outcome is quite satisfying and interesting. Dr. Gillespie is brought in to examine a wealthy young man, Roy Todwell, after he abruptly becomes violent after hearing a train whistle - any train whistle. After the violent act he says he remembers nothing. His first violent act is to kill a dog with a rock when his fiancée (Donna Reed as Marcia) refuses to elope with him. Later he smashes up a store. Roy is hospitalized for observation, but soon escapes, believing that Dr. Gillespie wants to commit him to a madhouse, thus he wants to kill Dr. Gillespie and sends him frequent postcards telling him so. Thus the police and Drs Gerneide and Gillespie are trying to locate and capture Roy before his acts rather than his threats turn homicidal.

This is a very good entry in the series with lots of suspense and elements of noir. The actor who plays Roy is particularly effective. He has almost a "howdy-doody" kind of physical presence, barely masculine and hardly menacing yet he has a very cold deliberate stare and facial expression as he goes about wreaking havoc. Nat Pendleton continues in his role as orderly Joe Wayman who has been tasked with guarding Dr. Gillespie without letting Dr. Gillespie know what's going on. In the case of Joe trying to be subtle, comical complications ensue. The case of Roy Todwell carries over into the next entry in the series as well, "Dr. Gillespie's Criminal Case", also worth seeing even without the suave Dr. K.